Download or read book Meyerbeer s Le Proph te written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2019-01-29 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Meyerbee’s Le Prophète illustrates the complex, contested nature of political meaning during this period. This opera was set in the context of the emerging liberal historiography pioneered by Jules Michelet, and reactions to it illustrate the manner in which audiences and critics constructed ‘meanings’ with reference to their personal and collective experience and memories, with grand opera occupying a central role at that time. Le Prophète was once one of the most famous of operas, performed over 500 times at the Paris Opéra, and given throughout the civilized world, in the days when opera was ever-present in society. The plot has been called absurd, based as it is on the history of the Anabaptists in Münster (1534-35). However, history is far stranger than fiction, and Eugene Scribe’s libretto provides a modification of the garish facts in the interests of a highly symbolic scenario based on a tragic Reformation episode, and exploring the implication of the role of religion, power and politics in the fate of humanity. The music is powerful, gripping, and torrential in its flow. Each act is beautifully structured, each set piece crafted to perfection, dominated by an overwhelming sound world of instrumental colours and disturbing harmony. The ballet plays a vital function as a countersign to the human deeds of darkness and despair that characterize the action. The Coronation Scene is fascinating, and overwhelming in its impact, one of opera’s greatest moments. This study examines the origins and creation of the opera, its dramaturgy and musical style, the history of its astonishing reception around the world until the 1930s. One of the special features of this book is the collection of iconography associated with the work and its interpretation by many of the greatest singers of the Golden Age of opera.
Download or read book Le Proph te written by Giacomo Meyerbeer and published by . This book was released on 1849 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Proph te written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2008-10-01 with total page 880 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le Prophète is the second panel of Meyerbeer’s Reformation diptych, his darkest and most mysterious opera. It explores issues of power and religion, fanaticism and faith, betrayal and trust, the demonic forces of history and the witness of little people caught up in them—the ultimate and enduring sacrificial power of love. In some ways it is almost like a political pamphlet or religious tract, and its oppressive but fascinating world can cast a compulsive spell. The plot is based on the revolt of the Westphalian Anabaptists under the leadership of the Leyden tailor Johann Bockholdt in 1537-38. Meyerbeer, as usual, studied the historical period carefully, and the opera is especially remarkable for its vivid human portraiture, its psychological realism mixed with religious mysticism, prophecy, dreams, unconscious promptings, telepathy, aspiration, conversion, rich in mythical resonance. The composer created a sustained atmosphere of menace and gloom by his dark orchestral colouring. This is contrasted with the pastoral escapism and orchestral brilliance of the famous Skaters’ Ballet, a contersign to the actions of cruelty and betrayal that characterize the action. The draft of a letter by Scribe of 23 April 1836 gives the first clue to a the new opera and its theme: the original title of Les Anabaptistes. However, it was held back in favour of another new project, L’Africaine (1865), for which a contract was signed, but dissatisfaction with the libretto, as well as the vocal difficulties of Marie-Cornélie Falcon meant that in the summer of 1838 Meyerbeer decided to give Le Prophète immediate attention. Performances planned for the winter season of 1841-42 came to nothing because Meyerbeer could only prepare a provisional score by the stipulated contractual delivery date (27 March 1841). All further efforts by the director of the Opéra, Léon Pillet, to conclude a contract came to nothing because in June 1842 Meyerbeer was appointed Prussian Generalmusikdirektor and was consequently tied to his duties in Berlin most of the time. In December 1843 Meyerbeer further had the opportunity to convince himself that Guilbert Duprez was no longer suitable for the role of Jean. Only on 1 July 1847, with the departure of Pillet, and under the joint new directorship of Nestor Roqueplan and Edmond Duponchel, was contact with the Opéra resumed. Eventually Pauline Viardot-Garcia and Gustave-Hippolyte Roger were chosen for the principal roles. Meyerbeer began a revision of the libretto with Scribe in early 1848 (focusing especially on the psychological nuances in the tripartite relationship between Jean, Fidès and Berthe, while hardly touching the depiction of the Anabaptists and the masses). and in early 1848, Emile Deschamps, who was sworn to secrecy, began putting Meyerbeer’s special requirements into verse. Meyerbeer himself composed new pieces for the opera (while revolution raged on the streets of Paris), and then began a thorough overhaul of the score. In actual history, the "Prophet" was a complete wretch whose profligacy cast a stigma on his sect that deprived it of further political status, Yet his rise from a tailor's bench to the throne of "Zion" and his subsequent execution in the Münster market place are the stuff of drama. Scribe's character is, in his own right, an extremely interesting figure, spiritually speaking: he is a genuine man of faith, but also an imposter who is ruthless but not entirely despicable. The depth of his human dilemma is successfully realized. George Bernard Shaw described him as alive and romantic, and there can be no doubt that the composer succeeded in heightening the effect of the drama by his deepening of the hero's psychology. The heart of the action lies in the mysterious, indeed ambiguous nature of the Prophet, and his relationship with his peasant mother, Fidès. Meyerbeer forged a magnificent maternal role, a deeply interesting fictional character, a pious woman, tenderhearted and yet energetic, seeking to save a son she believes she has lost, drawn through torment and abjection, betrayal and scandal, to the exercise of supreme forgiveness and ecstatic self-sacrifice. The composer achieved his master portrait here, and Fides was the progenitor of a line of operatic mothers who are among the noblest conceptions of the lyric stage. Le Prophète is powerful in other ways. The psychology of mass indoctrination is explored. The three Anabaptists are interesting in that they do not seem to have individual personalities, they speak as one person, something psychologically very accurate; true religion enables individuals, even in a community, to develop to the fullest and best of their potentiality; sects seek to stamp out individuality and replace it with a controlling idea. This notion really comes over in the score. The opera was another worldwide success. The beauty of the Breughelesque recreation of sixteenth century Netherlandish scenery and costumes, as well as the glory of the Cathedral Scene, constituted nothing less than an apotheosis in the history of theatrical mise en scène. It was performed 573 times in Paris until 1912, and some individual numbers like the famous Coronation March, the Skaters’ Ballet and the two arias of Fides became extremely popular. The high seriousness of the subject, and the dark sublimity of the music, won for this opera a unique regard: “People of my father’s generation would rather have doubted the solar system than the supremacy of Le Prophète over all other operas” (Reynaldo Hahn). The manuscript once again shows how Meyerbeer the pragmatic dramatist had to make many musical _adaptations_ to fit in with the stringent temporal regulations of the Paris Opéra, and the exigencies of his soloists. Jean’s role in act 3 was considerably reduced to conserve the singers’ stamina, as was the full version of Berthe’s suicide in act 5, to save on performing time. Several scenes of real historical interest (like, the requisitioning of young girls for the polygamous Anabaptists in act 4), or dramaturgical importance (the longer form of the Bacchanale in act 5 which develops the Anabaptist treachery against their leader) had to be sacrificed. These scenes, and the dark-hued but brilliantly virtuosic overture, should be restored in future performances.
Download or read book Le proph te a lyric drama the music by G Meyerbeer the libretto tr by M Maggioni As represented at the Royal Italian opera Covent Garden written by Augustin Eugène Scribe and published by . This book was released on 1849 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le R le Du Proph te Dans Le Livre D Agg e written by John Kessler and published by BRILL. This book was released on 2002 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work presents a detailed analysis of Haggai in its socio-political context. Special attention is paid to the text's distinctive perspectives regarding Persian rule, inclusion in the community, the ongoing relevance of prophecy, and the use of religious traditions.
Download or read book The Prophet written by Kahlil Gibran and published by . This book was released on 1951 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La trame et la cha ne written by J. Cazeaux and published by BRILL. This book was released on 2018-12-10 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Prophete the Prophet Classic Reprint written by Giacomo Meyerbeer and published by Forgotten Books. This book was released on 2017-06-25 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Le Prophète, the Prophet In the meantime, the episcopal forces laid siege to Munster; and, after a few months' resistance, treason caused the gates to be opened to the besiegers. J ohn was thrown into prison, - the city was delivered over to pillage for eight days; and, after some delay, J ohn of Leyden, and the chief members of his government, were publicly executed, having first undergone incredible tortures. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book The Complete Works of Oscar Wilde written by Oscar Wilde and published by DigiCat. This book was released on 2022-11-13 with total page 3337 pages. Available in PDF, EPUB and Kindle. Book excerpt: DigiCat presents to you this unique and meticulously edited Oscar Wilde collection: Plays: Vera The Duchess of Padua Lady Windermere's Fan A Woman of No Importance Salomé Salome (English Version) An Ideal Husband The Importance of Being Earnest La Sainte Courtisane A Florentine Tragedy For Love of the King Novel: The Picture of Dorian Gray (The Original Version) The Picture of Dorian Gray (The Revised 20 Chapter Version) Short Stories: The Portrait of Mr. W. H. The Happy Prince and Other Tales: The Happy Prince The Nightingale and the Rose The Devoted Friend The Selfish Giant The Remarkable Rocket A House of Pomegranates: The Young King The Birthday of the Infanta The Fisherman and His Soul The Star-Child Lord Arthur Savile's Crime and Other Stories: Lord Arthur Savile's Crime The Canterville Ghost The Sphinx Without a Secret The Model Millionaire Poetry: Ravenna Hélas! Eleutheria Sonnet to Liberty Ave Imperatrix Louis Napoleon. Quantum Mutata Libertatis Sacra Fames Theoretikos The Garden of Eros Rosa Mystica The Burden of Itys Wind Flowers Impression du Matin Magdalen Walks Athanasia Serenade Endymion La Bella Donna della Mia Mente Chanson Charmides Flowers of Gold The Sphinx The Ballad of Reading Gaol... Essays & Lectures: Intentions The Decay of Lying The Critic as Artist Pen, Pencil, and Poison The Truth of Masks The Rise of Historical Criticism The English Renaissance of Art House Decoration Art and the Handicraftsman Lecture to Art Students London Models Poems in Prose The Soul of Man under Socialism Phrases and Philosophies for the Use of the Young A Few Maxims for the Instruction of the Over-Educated De Profundis Impressions of America... Literary Reviews: Dinners and Dishes A Modern Epic Shakespeare on Scenery A Bevy of Poets Parnassus versus Philology... Other Works: Aphorisms Des Grieux (Prelude to Teleny) Teleny Letters: Letters to the Daily Chronicle Children in Prison and Other Cruelties of Prison Life Letters on Dorian Gray Letters to Robert Ross Oscar Wilde, His life and Confessions – Biography by Frank Harris
Download or read book Le Prophete written by and published by . This book was released on 1875 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Guide Musical written by and published by . This book was released on 1874 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Report of the Nineteenth Eucharistic Congress Held at Westminster from 9th to 13th September 1908 written by Catholic Church. Eucharistic Congress and published by . This book was released on 1909 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Music and Musicians for Vocalists Modern art songs written by and published by . This book was released on 1918 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Khilafet written by Barkatullāh Bhopālī and published by . This book was released on 1924 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Syntactical Causes of Case Reduction in Old French written by Gustav George Laubscher and published by . This book was released on 1921 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book On Music Money and Markets written by Thomas Baumert and published by Springer Nature. This book was released on 2024-01-31 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Did you know that Bach invested in mines? That Rossini improved his income by running casinos in the opera houses which on weekends performed his operas? Or that Puccini composed shorter arias to make them fit the length of gramophone disks as they reported him huge revenues? Or who was, in financial terms, the most successful classical composer in history? This book —the first of its kind— studies and compares the finances of twenty classical composers in their historical and economical context. Each chapter details and quantifies the sources of income of these musicians (wages, royalties, subsidies, percentages over the number of performances, arrangements, investments in the musical sector, etc), thus allowing to estimate the income they obtained due to their artistic — primarily compositional, but also related— activities. In addition, it also estimates the composer’s expenditures, thus drawing a relatively complete image of their personal finances. This not only allows to conclude to create a ranking of composers according to their economic success, but —more importantly— for the first time gives an accurate image of the financial situation of a broad set of composers. This allows to correct many false believes while also giving new insights on the relation between economics and music history.
