Download or read book Images Books 1 and 2 written by Urtext Piano Reprint and published by . This book was released on 2020-09-09 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claude Debussy's Complete Images (Books 1 and 2), Urtext Edition. Reproduce the original intention of the composer as exactly as possible, without any added or changed material.

Download or read book Reading Images and Seeing Words written by Alan English and published by Rodopi. This book was released on 2004 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Focussing on both traditional and modern media (theatre, fiction, poetry, graphic art, cinema), the essays of Reading Images and Seeing Words show how it is according to signifying codes (rhetoric, poetics, metaphor), that meaning and knowledge are produced. Not the least value of this collection is the insight it gives into the multiple models of word / image interaction and the rich ambiguity of the tautological and oxymoronic relations they embody."--BOOK JACKET.

Download or read book Biennale de l image en mouvement written by André Iten and published by . This book was released on 2003 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Animation Now written by Julius Wiedemann and published by Taschen. This book was released on 2004 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: Survey of 80 of the world's most prominent animation artists and studios.

Download or read book L Image paradoxale written by Caroline Chik and published by Presses Univ. Septentrion. This book was released on 2011-05-18 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: À l'ère du numérique, les frontières entre les catégories, entre les états de l'image se sont ouvertes de manière évidente. L’image n’est plus nécessairement une image fixe ou une image animée mais, de plus en plus, les deux à la fois. Bien plus, il semble que le clivage « image fixe versus image animée » n’ait pas toujours eu cours. Un regard rétrospectif sur l’image optique nous enseigne qu’elle fut de tout temps travaillée par des liens étroits et féconds entre les deux états. Ce livre traite des relations entre fixité et mouvement qui se sont nouées tout au long de l’histoire de l’image optique, depuis ses origines jusqu’à ses formes les plus récentes. Il propose une analyse de ces nouvelles images au statut parfois ambigu entre fixité et mouvement, mais il s’interroge aussi, auparavant, sur les liens paradoxaux de la photographie au mouvement, et de l’image animée, à la fixité. S’appuyant sur de multiples dispositifs allant de la camera obscura aux animations interactives, il envisage l'image optique comme une et continue, sous un angle à la fois historique, esthétique et technique, libéré de certains schématismes. De cette image si répandue et souvent partiellement méconnue, image qui n'a cessé d'être pensée en termes d'opposition (entre fixité et mouvement, entre optique et numérique, entre archaïsme et modernité), il s’agit de relier, voire réconcilier les différents aspects, histoires et états, afin d'en mieux saisir les paradoxes et les problématiques spécifiques.

Download or read book Screen based Art written by Annette W. Balkema and published by Rodopi. This book was released on 2000 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog)series and the Amsterdam School of Cultural Analysis (ASCA).Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Cãlin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski.

Download or read book Electric nights written by and published by . This book was released on 2011 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cinema 1 written by Gilles Deleuze and published by A&C Black. This book was released on 2001-11-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cin ma L image mouvement written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Film A Very Short Introduction written by Michael Wood and published by Oxford University Press, USA. This book was released on 2012-01-26 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.

Download or read book Essays in Psychology written by William James and published by Harvard University Press. This book was released on 1983 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twenty-nine articles, essays, and reviews in this volume, collected here for the first time, were published by William James over a long span of years, from 1878 (twelve years prior to The Principles of Psychology) to 1906. Some are theoretical; others examine specific psychological phenomena or report the results of experiments James had conducted. Written for the most part for a scholarly rather than a popular audience, they exhibit James's characteristic lucidity and persuasiveness, and they reveal the roots and development of his view on a wide range of psychological issues. As William R. Woodward notes in his Introduction, these essays "bring the reader closer to James's sources, thereby illuminating his indebtedness to tradition as well as his creative departure from it."

Download or read book Memory and the Moving Image written by Isabelle McNeill and published by Edinburgh University Press. This book was released on 2010-02-28 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:*Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films*Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability*Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations*Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and AgnA*s Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui*Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du CinA(c)ma (1989-98), Yamina Benguigui's MA(c)moires d'ImmigrA(c)s (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's CachA(c) (2005) and AgnA*s Varda's multi-media exhibition, L'Ale et Elle (2006).

Download or read book Tekhnema written by and published by . This book was released on 1997 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Gust of Photo Philia written by Alexandra Moschovi and published by Leuven University Press. This book was released on 2020-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.

Download or read book Contribution du mouvement dans une s quence d images written by Dominique GUEBELS and published by . This book was released on 1995 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dynamis of the Image written by Emmanuel Alloa and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-05-05 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.

Download or read book Visual Culture written by Richard Howells and published by John Wiley & Sons. This book was released on 2019-03-05 with total page 451 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about how to read visual images: from fine art to photography, film, television and new media. It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world. But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality. Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour. Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement. This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.