Download or read book Le Mois de la Photo Montr al 1999 written by Anne-Marie Ninacs and published by Laval, Québec : Éditions Les 400 coups. This book was released on 1999 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Unmaking of Home in Contemporary Art written by Claudette Lauzon and published by University of Toronto Press. This book was released on 2017-01-01 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging.
Download or read book Le Mois de la Photo Montr al written by and published by . This book was released on 2003 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Faking Death written by Penny Cousineau-Levine and published by McGill-Queen's Press - MQUP. This book was released on 2003-05-27 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Faking Death includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Geneviève Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. By bringing together this many Canadian works "Faking Death" provides a compelling visual introduction to one of Canada's most vibrant and internationally recognized artistic media. It is an invaluable tool for curators, artists, teachers, students, and scholars in art history, fine arts, Canadian studies, film, communications, literature, and cultural studies.
Download or read book Rineke Dijkstra written by Rineke Dijkstra and published by Guggenheim Museum. This book was released on 2012 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States, accompanying the first U.S. mid-career survey of this important Dutch artists work in photography and video. The catalogue features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstras later work, including her most recent video installations. Also featured are series that the artist has been working on continuously for years, such as Almerisa (1994), which documents a young immigrant girl as she grows up and adapts to her new environment. Exhibition curators Jennifer Blessing, Senior Curator, Photography, Solomon R. Guggenheim Museum, and Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art, contribute essays accompanied by an interview with the artist by Jan van Adrichem, selected interviews with several of the artists subjects, and entries on the artists series by Chelsea Spengemann, as well as the most comprehensive exhibition history and bibliography to date.
Download or read book Majestic and Mundane Mois de la Photo Special Edition written by and published by HeuteKunst. This book was released on with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Photo Metro written by and published by . This book was released on 1999 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Encyclopedia of Twentieth Century Photography 3 Volume Set written by Lynne Warren and published by Routledge. This book was released on 2005-11-15 with total page 1823 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Download or read book Canadian Art written by and published by . This book was released on 2008 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Image and Inscription written by Gallery 44 and published by YYZ Books. This book was released on 2005 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Image and Inscription features the work of many of Canada’s distinguished authors, critics, curators, and artists who are recognized for their contribution to the discourse and practice of photography... it presents the diversity and the changeable milieu of photographic practice and evokes an unanticipated moment in Canadian photography. It also represents an important step in expanding the contemporary authorship on photography in Canada." - adapted from the Introduction by Robert Bean
Download or read book The Oxford Handbook of Canadian Cinema written by Janine Marchessault and published by Oxford University Press. This book was released on 2019-03-20 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
Download or read book Jaar written by Alfredo Jaar and published by . This book was released on 2006 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-encounter with Chilean audiences after an absence of twenty-five years. An anthology of works better known to the rest of the world than to his native country. A frank, demanding dialogue with a new public and a new generation of intellectuals. Jaar's work evolves from project to project, as he continually shapes and renews his poetic thinking on such themes such as: the contemporary status of images, the role of artists and intellectuals in society, and an ethical imperative expressed in an aesthetics of resistance.
Download or read book Thinking Through the Body written by Richard Shusterman and published by Cambridge University Press. This book was released on 2012-09-17 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: A richly rewarding vision of the burgeoning interdisciplinary field of somaesthetics, with fourteen essays by the originator of the field.
Download or read book Now written by Vincent Lavoie and published by McGill-Queen's Press - MQUP. This book was released on 2003-01-01 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Download or read book Killing for Show written by Julian Stallabrass and published by Rowman & Littlefield. This book was released on 2020-10-30 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and drones A comprehensive comparison of the role of photography in the Vietnam and Iraq Wars An explanation of the waning power of iconic images in collective memory An analysis of the failure of military PR and the public display of killing A focus on what can and cannot be seen, photographed and published An exploration of the power and limits of amateur photography Arguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography
Download or read book Alfredo Jaar la politique des images written by Alfredo Jaar and published by Jrp Ringier. This book was released on 2007 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning from the 1970s until today, this compelling new monograph traces the development of the respected Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Some of the highly political subjects range from the plight of Amazonian gold miners to the 1994 genocide in Rwanda, and there are several previously unpublished works that the artist created in his hometown of Santiago during Pinochet's repressive military dictatorship, as well as numerous works made by collating and rethinking press clippings. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility. Texts by art historians Georges Didi Huberman, Griselda Pollock and Nicole Schweizer and philosopher Jacques Rancière.
