Download or read book Le convenienze ed inconvenienze teatrali written by Antonio Simeone Sografi and published by . This book was released on 1832 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le Convenienze Ed Inconvenienze Teatrali written by Gaetano Donizetti and published by . This book was released on 2002 with total page 67 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le Convenienze Ed Inconvenienze Teatrali written by Gaetano Donizetti and published by . This book was released on 2002 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le convenienze ed inconvenienze teatrali written by Roger C. Parker and published by . This book was released on 2002 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le convenienze e le inconvenienze teatrali written by Antonio Simone Sografi and published by . This book was released on 1972 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le convenienze ed inconvenienze teatrali written by Antonio Simeone Sografi and published by . This book was released on 1832 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Donizetti and His Operas written by William Ashbrook and published by Cambridge University Press. This book was released on 1982 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt: The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.

Download or read book Le convenienze ed inconvenienze teatrali written by Domenico Gilardoni and published by . This book was released on 2000 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le convenienze ed inconvenienze teatrali Farsa per musica tolta da quelle dello stesso titolo del sig Ant Simon Sografi con parole del sig Musica del Mo cav Gaetano Donizetti nell I R Teatro alla Canobbiana la primavera 1831 written by Simeone Antonio Sografi and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Le inconvenienze teatrali commedia dell avvocato Antonio Sografi written by Antonio Simone Sografi and published by . This book was released on 1816 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gaetano Donizetti written by James P. Cassaro and published by Routledge. This book was released on 2009-07-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.

Download or read book Le convenienze e le inconvenienze teatrali written by Antonio Simone Sografi and published by . This book was released on 1972 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Una Donizettiana farsa di costume written by Guglielmo Barblan and published by . This book was released on 1963* with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Changing the Score written by Hilary Poriss and published by Oxford University Press. This book was released on 2009-08-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.

Download or read book Le Convenienze e le inconvenienze teatrali written by Simeone Antonio Sografi and published by . This book was released on 1972 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Orientalism and the Operatic World written by Nicholas Tarling and published by Rowman & Littlefield. This book was released on 2015-04-23 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of “orientalism,” the subject of literary scholar Edward Said’s modern classic on the topic. Nicholas Tarling’s Orientalism and the Operatic World places opera in the context of its steady globalization over the past two centuries. In this important survey, Tarling first considers how the Orient appears on the operatic stage in Britain, France, Germany, Russia, and the United States before exploring individual operas according to the region of the “Orient” in which the work is set. Throughout, Tarling offers key insights into such notable operas as George Frideric Handel’s Berenice, Giuseppe Verdi’s Aida, Giacomo Puccini’s MadamaButterfly, Pietro Mascagni’s Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support the notion propounded by Said that Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song. Orientalism and the Operatic World is not merely for opera buffs or even first-time listeners. It should also interest historians of both the East and West, scholars of international relations, and cultural theorists.

Download or read book Laughter Between Two Revolutions written by Francesco Izzo (Musicologist) and published by Boydell & Brewer. This book was released on 2013 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation andunification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti's L'elisir d'amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by LuigiRicci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo's pathbreaking study argues that in the "realm of seriousness" of mid-nineteenth-century Italy, comedywas not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton.