Download or read book Film and Multimedia and the Law written by James Sammataro and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Film the Law written by Steve Greenfield and published by Routledge. This book was released on 2001-09-07 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Women Film and Law written by Suzanne Bouclin and published by UBC Press. This book was released on 2021-03-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Entertainment and profit constitute the driving forces behind most popular representations of incarcerated women. Some cinematic representations, however, and the women-in-prison genre especially, can generate complex legal meanings and leave viewers feeling unsettled about women’s incarceration. Focusing on five exemplary films and one television series, from 1933 to the present, Women, Film, and Law asks how fictional representations explore, shape, and refine beliefs about women’s incarceration. Suzanne Bouclin convincingly argues that popular depictions of women’s prisons can illuminate multiple forms of marginalization and oppression experienced by women in conflict with the law.
Download or read book Law and Film written by Stefan Machura and published by Wiley-Blackwell. This book was released on 2001-06-08 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together contemporary work from Britain, Germany and the United States on how law and lawyers have been represented in film, particularly in the past 40 years. The collection recognises the major influence of Hollywood and the American legal system and seeks to explore the nature and significance of this dominance. A historical dimension to the portrayal of law and film. The nature and actual impact of the dominant Anglo-American portrayal is include. A European dimension is provided.
Download or read book Law in Film written by David Alan Black and published by University of Illinois Press. This book was released on 1999 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: The courtroom, like the movie theater, is an arena for the telling and interpreting of stories. Investigators piece them together, witnesses tell them, advocates retell them, and judges and juries assess their plausibility. These narratives reconstitute absent events through words, and their filming constitutes a double narrative: one important cultural practice rendered in the terms of another. Drawing on both film studies and legal scholarship, David A. Black explores the implications of representing court procedure, as well as other phases of legal process, in film. His study ranges from an inquiry into the common metaphorical ground between film and law, explored through "the detective" and "the witness," to a critical survey of legal writings about the cinema, to close analyses of key films about law. In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences--pleasure in film, power in law--that lie beyond the narrative realm. Black's penetrating study treats questions of narrative authority and structure, social authority, and cultural history, revealing the underlying historical, cultural, and cognitive connections between legal and cinematic practices.
Download or read book Changing Images of Law in Film Television Crime Stories written by Timothy O. Lenz and published by Politics, Media, and Popular Culture. This book was released on 2003 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most important legal developments in the last half of the twentieth century was the change from criminal justice policies shaped primarily by liberal ideas to those shaped primarily by conservative ideas. This book examines images of law in Hollywood films and television crime dramas to better understand this conservative revolution in thinking about crime. The crime stories depicted in popular legal fiction provide interesting as well as insightful perspectives on law in American society, particularly changing images of justice and its administration as well as individual rights.
Download or read book Film and the Law written by Steve Greenfield and published by Bloomsbury Publishing. This book was released on 2010-10-05 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.
Download or read book Film the Law written by Steve Greenfield and published by Cavendish Publishing. This book was released on 2001-09-07 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text has several aims that seek to set out the boundaries of the study of film and the law. It draws upon the work that has been produced to date, by both American and English law academics, but offers a critical analysis of where the subject area is and where further study may take it.
Download or read book Film and the Law written by Steve Greenfield and published by Routledge Cavendish. This book was released on 2001 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and the Law is concerned with the phenomena of films about law, lawyers and justice. These have a long and distinguished history ranging from the classic Young Mr Lincoln in 1939 to the contemporary Erin Brockovich. The book examines the major theoretical perspectives within which 20th century work on law and film has appeared and analyses the problem of how law films can be classified. It provides a critical review of the work produced to date before proceeding to analyse the general features and ideology of law films. Apart from reviewing the way law and lawyers are portrayed in film generally, the book covers areas such as the use of true stories as the basis for film, the limited portrayals of judges and juries and the role of what we have termed invisible lawyers. In addition, the influence of film noir and particularly private eyes is examined along with an analysis of the Film and the Law concludes by examining future developments for film and the law and how its future terrain might be mapped.
Download or read book Law and Justice in Literature Film and Theater written by Karen-Margrethe Simonsen and published by Walter de Gruyter. This book was released on 2013-03-22 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a Nordic contribution to research on law and humanities. It treats the legal culture of the Nordic countries through intensive analyses of canonical Nordic artworks. Law and justice have always been important issues in Nordic literature, film and theater from the Icelandic sagas through Ludvig Holberg and Henrik Ibsen to Lars Noréns theatre and Lars von Trier's Dogme films of today. This book strives to answer two fundamental questions: Is there a special Nordic justice? And what does the legal and literary/aesthetic culture of the North mean for the concept of law and justice and for the understanding of the interdisciplinary exchange of law and humanities? The concept of law and literature as a research area was originally developed in countries of common law. This book investigates law and humanities from a different legal tradition, and contributes thus both to the discussion of the general and the comparative studies of law and humanities.
Download or read book Hollywood and the Law written by Paul McDonald and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen. In this comprehensive collection, international experts offer chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the Law provides readers with a wide range of perspectives on how legal frameworks shape the culture and commerce of popular film.
Download or read book Cinematic perspectives on international law written by Olivier Corten and published by Manchester University Press. This book was released on 2021-04-13 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The proposed volume consists of an edited collection within the new Melland Schill Guidebooks on International Law (MSGIL) series. In line with the MSGIL objective of inclusiveness, originality, perspectivism and critical thought, the book is the first of an intended series pertaining to perspectives related to the ways in which the arts influence the perception and attitude of the public towards international law, and the manner this affects the discipline, both in terms of its own development and in terms of its social legitimacy. The book contrasts the narratives of international law depicted in cinema and TV productions with the corresponding narratives advanced by legal scholars. It identifies a cognitive dissonance between them and ascertains its implications on general perceptions of international law.
Download or read book Framed written by Orit Kamir and published by Duke University Press. This book was released on 2006-01-19 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVTheorizes the emerging field at the intersection of law and film through a detailed, feminist analysis of masterpiece films about law from around the world./div
Download or read book Law on the Screen written by and published by Stanford University Press. This book was released on 2005-03-29 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: The proliferation of images of law, legal processes, and officials on television and in film is a phenomenon of enormous significance. Mass-mediated images are as powerful, pervasive, and important as are other early twenty-first-century social forces--e.g. globalization, neo-colonialism, and human rights--in shaping and transforming legal life. Yet scholars have only recently begun to examine how law works in this new arena and to explore the consequences of the representation of law in the moving image. Law on the Screen advances our understanding of the connection between law and film by analyzing them as narrative forms, examining film for its jurisprudential content--that is, its ways of critiquing the present legal world and imagining an alternative one--and expanding studies of the representation of law in film to include questions of reception.
Download or read book Legal Reelism written by John Denvir and published by University of Illinois Press. This book was released on 1996 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Law and and justice are important themes in film, not only in courtroom dramas, but also in the western, the film noir, even the documentary. In the Godfather trilogy Francis Ford Coppola shows that the Mafia possesses its own strict codes, even though they are in conflict with those of the criminal justice system. In Woody Allen's Crimes and Misdemeanors the protagonist also "gets away with murder," but with a different dramatic intent by the director and a different effect on the audience. Shedding light on myriad facets of the law/film relationship, fourteen contributors to Legal Reelism analyze films ranging from The Man Who Shot Liberty Valance, It's a Wonderful Life, and Drums Along the Mohawk to Do the Right Thing, Basic Instinct, The Thin Blue Line, and Thelma and Louise. The first volume to contain work by both humanists and legal specialists, Legal Reelism is a landmark text for those concerned with depictions of justice in the media and the impact of those depictions on society at large.
Download or read book Everyday Law for Actors written by Robert Woods and published by Rowman & Littlefield. This book was released on 2021-07-15 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyday Law for Actors is a resource and reference book, providing both professional working actors, and those who aspire to be, with clear, easy-to-read information about the everyday laws they need to know. The book is intended for actors just starting out, for those who have been making a living at acting for a long time, and for every actor in between. All actors can benefit from knowing more about the everyday law that affects their trade. Even well-established "stars" with a full team of lawyers, agents, managers, and business managers will still find this book useful because they can learn all about that "legalese" and "business mumbo jumbo" that maybe they never fully understood. Everyday Law for Actors features short chapters, numerous examples of legal principles in plain, understandable language, practical explanations about contract provisions and how to negotiate them, and useful and concise information about actors' unions, working with agents and managers, employment laws, landlord-tenant laws, and more. Actors are artists. But actors must also be smart business people. They don’t call it "show business" for nothing. With this book in hand, actors will be much better prepared to work the "business" side of "show business," and will have easy reference in one manageable volume to the wide variety of legal information they need to advance their careers.
Download or read book Trial Films on Trial written by Austin Sarat and published by University Alabama Press. This book was released on 2019-04-02 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of wide-ranging critical essays that examine how the judicial system is represented on screen Historically, the emergence of the trial film genre coincided with the development of motion pictures. In fact, one of the very first feature-length films, Falsely Accused!, released in 1908, was a courtroom drama. Since then, this niche genre has produced such critically acclaimed films as Twelve Angry Men, To Kill a Mockingbird, and Anatomy of a Murder. The popularity and success of these films can be attributed to the fundamental similarities of filmic narratives and trial proceedings. Both seek to construct a “reality” through storytelling and representation and in so doing persuade the audience or jury to believe what they see. Trial Films on Trial: Law, Justice, and Popular Culture is the first book to focus exclusively on the special significance of trial films for both film and legal studies. The contributors to this volume offer a contemporary approach to the trial film genre. Despite the fact that the medium of film is one of the most pervasive means by which many citizens receive come to know the justice system, these trial films are rarely analyzed and critiqued. The chapters cover a variety of topics, such as how and why film audiences adopt the role of the jury, the narrative and visual conventions employed by directors, and the ways mid-to-late-twentieth-century trial films offered insights into the events of that period.
