Download or read book Larry Poons written by Larry Poons and published by . This book was released on 2007 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Color as Field written by Karen Wilkin and published by Yale University Press. This book was released on 2007-01-01 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Download or read book Eye of the Sixties written by Judith E. Stein and published by Macmillan + ORM. This book was released on 2016-07-12 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Download or read book Day of the Artist written by Linda Patricia Cleary and published by . This book was released on 2015-07-14 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Download or read book Velocity written by Larry Poons and published by . This book was released on 2011-08-19 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog for exhibit of Larry Poons work at the Sam & Adele Golden Gallery, August 19, 2011 -
Download or read book Larry Poons written by Barbara Rose and published by National Geographic Books. This book was released on 2023-02-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length monograph on one of the greatest living American painters Larry Poons (b. 1937) shot to fame while still in his twenties, on the strength of his “dot paintings,” in which dots or ellipses were meticulously arranged on brightly colored fields, creating a rhythmic, pulsating effect. But within a few years, Poons first loosened the hard-edged precision of the dot paintings and then abandoned them entirely for an organic mode of abstraction based on vertical drips of flung paint. This marked the beginning of an uncompromising five-decade evolution that has finally led the artist back to a more intimate mode of painting with brushes—and his own hands. At every stage, Poons's career has compelled the attention of critics and, in particular, other artists. This handsome volume, the first full-length biocritical monograph on Poons, reproduces almost 300 of his most important works in full color, some as spectacular gatefolds. The incisive text—a collaboration between four leading critics and historians—traces the development of the artist’s extraordinary career. Larry Poons is a necessary addition to the library of anyone with an interest in American art.
Download or read book Art and Objecthood written by Michael Fried and published by University of Chicago Press. This book was released on 1998-04-18 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces--uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. 16 color plates. 72 halftones.
Download or read book Lonnie written by James Goodwyn and published by Page Publishing Inc. This book was released on 2016-02-22 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: Growing up in a small town proved to be less challenging for a young, and adventurous guy name Lonnie! His wit and bravado was conspicuously caged by his immediate environment, and after causing havoc to the town and his religious and caring mother , Lonnie decided take his father up on his constant offer and head east to the big city to join him. The big city proved to be everything Lonnie expected and more! He and the city streets joined together as one, which inevitably led Lonnie to the success that he desperately desired. He now had money, friends and a special young woman in his life that wasn’t paralleled by any other. However, like anything else, the success came with consequences and Lonnie swiftly learned that no matter how fast you rise, one can fall just as quick.
Download or read book London s New Scene written by Lisa Tickner and published by Paul Mellon Centre BA. This book was released on 2020-07-07 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
Download or read book Larry Poons written by Kenworth Moffett and published by Museum of Fine Arts Boston. This book was released on 1981 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Larry Poons written by Larry Poons and published by . This book was released on 1974 with total page 17 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Larry Poons written by Larry Poons and published by . This book was released on 1990 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Larry Poons written by Larry Poons and published by . This book was released on 2009 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Optical Art written by Rene Parola and published by Courier Corporation. This book was released on 1996-01-01 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explanation of optical art, an artistic development in the 1960s, and how it achieved its singular effects
Download or read book Colorfield Painting written by Laura Garrard and published by . This book was released on 2013-10 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: COLORFIELD PAINTING: MINIMAL, COOL, HARD EDGE, SERIAL AND POST-PAINTERLY ABSTRACT ART OF THE SIXTIES TO THE PRESENT Painting in the 1960s produced some of art's most lyrical and distinctive works: it was termedColorfield, Hard Edge, Minimal, and post-painterly abstraction, and was linked with Pop Art, Op (or optical) Art, chromatic art, kinetic abstraction, wholistic art, pure-painting, geometric abstraction, ABC Art, Cool Art, Non-gestural Painting, Non- Relationalism, Abstract Mannerism and Abstract Sublime painting. The painters linked in this new study with 'Colorfield', 'Hard Edge' 'Minimal' and 'Post-Painterly Abstraction' painting include Minimal artists such as Brice Marden, Sol LeWitt, Agnes Martin, Ad Reinhardt and Robert Ryman; Colorfield painters such as Helen Frankenthaler, Kenneth Noland, Sam Gilliam and Morris Louis; post-painterly abstractionists such as Frank Stella, David Novros, Richard Diebenkorn, Al Held, Jo Baer and Jules Olitski; and Hard Edge painters such as Ellsworth Kelly, Robert Mangold, Joseph Albers and Elisabeth Murray. Colorfield, Minimal, Hard Edge and Post-Painterly Abstract painting had a distinctly American (and New York) flavour to it, even if it was not produced in America or by US artists. In Bruce Glaser's "Questions to Andre and Judd," Donald Judd continually stressed the point that the new (Minimal) art was definitely American and non-European. The New World not the Old World. Time and again Judd insisted that the new art was to trying to get away from the European tradition. 'It suits me fine if that's all down the drain', Judd said. 'I'm totally uninterested in European art and I think it's over with.' Many of the Colorfield and Sixties painters have made extremely brilliantly colorful works in the 1960s, then turned back to the sombre colors of grey and black in the late 1980s and 1990s. Painters such as Brice Marden, Frank Stella, Jasper Johns and Jules Olitski are ambiguous about saturated color: they moved back and forth from monochrome greys and blacks to full color. In the late 1980s and the 1990s, painters such as Frank Stella, Ellsworth Kelly, Jules Olitski and Larry Poons moved from bright color to muted monochrome. Mid-1990s works by Frank Stella were unpainted, using instead the natural colors of metal and wood; Brice Marden turned from his luscious monochromes of the 1970s and 1980s to the black-and-white of Chinese calligraphy in the Cold Mountain series and other works. AUTHOR'S NOTE: There are chapters on each of the key painters of the 1960s, whose works continue to inspire and entertain. I have revised the book for this edition, bringing it up to date. I hope readers will discover some new insights into many of their favourite artists. Fully illustrated, with notes and bibliography. Large format. 220 pages. ISBN 9781861714428. This third edition has been completely rewritten. www.crmoon.com
Download or read book Larry Poons written by Larry Poons and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painting After Postmodernism written by Barbara Rose and published by Lannoo Publishers (Acc). This book was released on 2016-11-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: * A unique dialogue between Belgian and American painting by acclaimed American art critic, Barbara Rose* Contains works from Ed Moses, Larry Poons, Jan Vanriet, & Marc Maet* Accompanies an exhibition at 'The Underground' in BrusselsPainting after Postmodernism: Belgium - USA investigates why so many believed Marcel Duchamp when he made his infamous statement of 1918: that painting was dead. After all, as Barbara Rose eloquently argues , Duchamp was wrong. In the decades before and after World War II, Picasso, Matisse, Mir� and the New York School continued to make monumental mural scale paintings on the level of the greatest art of the past. However, in the politically radical 1960s and 1970s it once again became fashionable to toll the death knell for painting, perceived as the product of bourgeois culture. In its place galleries and museums defined the avant-garde as conceptual art, video, mixed media and installations, all of which denied painting its position of pre-eminence. Painting was reduced to just another broken-down offshoot of postmodernism. Highly influential art critic Barbara Rose investigates how contemporary artists rediscovered the art of painting, juxtaposing works from Belgian and American artists to create a cross-cultural dialogue.
