Download or read book Ottoman Empire and European Theatre Vol I written by Michael Hüttler and published by Hollitzer Wissenschaftsverlag. This book was released on 2013-06-15 with total page 1093 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.

Download or read book A Chronology of Music in the Florentine Theater 1751 1800 written by Robert Lamar Weaver and published by Information Coordinators, Incorporated. This book was released on 1993 with total page 1050 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Book Bulletin written by Chicago Public Library and published by . This book was released on 1924 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The New Grove Dictionary of Opera E Lom written by Stanley Sadie and published by . This book was released on 1992 with total page 1352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alfabetisk ordnet opslagsværk over operaer, operasangere, librettoforfattere, dirigenter, operahuse, og steder

Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage written by John Towers and published by . This book was released on 1910 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Bizarre written by and published by . This book was released on 1854 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Opera Companies and Houses of Western Europe Canada Australia and New Zealand written by Karyl Lynn Zietz and published by Jefferson, N.C. : McFarland. This book was released on 1999 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although books have been written about various opera houses throughout the world, no one work has covered more than a relatively small number of the larger, well known companies and houses, and none have made more than brief mention of the smaller houses. No book has comprehensively listed opera repertories. Little, in sum, has been written about any of the smaller companies and houses located in non-English-speaking countries. This is the most comprehensive reference book ever written on opera companies and houses in Western Europe, Canada, Australia and New Zealand-over 300, from the well known to the smaller. Each entry includes a history of the opera house or company, the works (title and composer) and type of productions offered, company staff, world and country premieres, repertory, and practical information on the theater's address, nearby hotel accommodations and how to order tickets. Most entries conclude with a bibliography.

Download or read book The New Grove Dictionary of Music and Musicians Glinka to Harp written by Stanley Sadie and published by . This book was released on 2001 with total page 976 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book R pertitres written by François Verschaeve and published by Lulu.com. This book was released on 2007 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1910 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book I libretti italiani a stampa dalle origini al 1800 C D written by Claudio Sartori and published by . This book was released on 1990 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book La perla de Inglaterra y peregrina de Ungria De un ingenio de la Universidad de Salamanca Comedia famosa written by PERLA. and published by . This book was released on 1780 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Virtuoso written by Yelena Moskovich and published by Serpent's Tail. This book was released on 2019-01-17 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Longlisted for the Swansea University Dylan Thomas Prize 2020 'A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song ... Moskovich writes sentences that lilt and slink, her plots developing as a slow seduction and then clouding like a smoke-filled room.' Guardian Zorka. She had eyebrows like her name. 1980s Prague. For Jana, childhood means ration queues and the smell of boiled potatoes on the grey winter air. But just before Jana's seventh birthday, a new family moves in to their building: a bird-eyed mamka in a fox-fur coat, a stubble-faced papka - and a raven-haired girl named Zorka. As the first cracks begin to appear in the communist regime, Zorka teaches Jana to look beyond their building, beyond Prague, beyond Czechoslovakia ... and then, Zorka just disappears. Jana, now an interpreter in Paris for a Czech medical supply company, hasn't seen her in a decade. As Jana and Zorka's stories slowly circle across the surreal fluctuations of the past and present, the streets of 1980s Prague, the suburbs of 1990s Wisconsin and the lesbian bars of present-day Paris, they lead inexorably to a mysterious door on the Rue de Prague ... Written with the dramatic tension of Euripidean tragedy and the dreamlike quality of a David Lynch film, Virtuoso is an audacious, mesmerising novel of love in the post-communist diaspora.

Download or read book Catalogue or alphabetical index written by New York city, Astor libr and published by . This book was released on 1859 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dizionario operistico written by Franz Stieger and published by . This book was released on 1975 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book I vicini di Mozart written by Maria Teresa Muraro and published by . This book was released on 1989 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Virtuoso as Subject written by Zarko Cvejić and published by Cambridge Scholars Publishing. This book was released on 2016-06-22 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.