Download or read book La scrittura e l interpretazione Dalle origini al manierismo 1610 written by Romano Luperini and published by . This book was released on 1998 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La scrittura e l interpretazione Dalle origini al manierismo 1610 6 v written by and published by . This book was released on 1998 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dalle origini al Manieismo 1610 written by Romano Luperini and published by . This book was released on 2000 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La scrittura e l interpretazione written by and published by . This book was released on 2008 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Body and Spirit in the Middle Ages written by Gaia Gubbini and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-08-10 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: A crucial question throughout the Middle Ages, the relationship between body and spirit cannot be understood without an interdisciplinary approach – combining literature, philosophy and medicine. Gathering contributions by leading international scholars from these disciplines, the collected volume explores themes such as lovesickness, the five senses, the role of memory and passions, in order to shed new light on the complex nature of the medieval Self.
Download or read book Bernini s Michelangelo written by Carolina Mangone and published by Yale University Press. This book was released on 2020-06-16 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.
Download or read book Paragons and Paragone written by Rudolf Preimesberger and published by Getty Publications. This book was released on 2011 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Preimesberger's incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning."--Jacket.
Download or read book Loss and the Other in the Visionary Work of Anna Maria Ortese written by Vilma De Gasperin and published by OUP Oxford. This book was released on 2014-03-27 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the vre of Anna Maria Ortese (1914-1998) from her first literary writings in the Thirties to her great novels in the Nineties. The analysis focusses on two interweaving core themes, loss and the Other. It begins with the shaping of personal loss of an Other following death, separation, abandonment, coupled with melancholy for life's transience as depicted in autobiographical works and in her masterpiece Il porto di Toledo. The book then addresses Ortese's literary engagement with social themes in realist stories set in post-war Naples in her collection Il mare non bagna Napoli and then explores her continuing preoccupation with socio-ethical issues, imbued with autobiographical elements, in non-realist texts, including her masterful novels L'Iguana, Il cardillo addolorato and Alonso e i visionari The book combines theme and genre analysis, highlighting Ortese's adoption and hybridization of diverse literary forms such as poetry, the novel, the short story, the essay, autobiography, realism, fairy tales, fantasy, allegory. In her work Ortese weaves an ongoing dialogue with literary and non-literary works, through direct quotations, allusions, echoes, adoption of motifs and topoi. The book thus highlights the intertextual relationship with her sources: Leopardi, Dante, Petrarch, Manzoni, Collodi, Montale, Serao; Shakespeare, Milton, Keats, Blake, Joyce, Conrad, Melville, Poe, Hawthorne, Hardy; Manrique, Gongora, de Quevedo, Villalón, Bello, Cantar del mio Cid; Heine, Valery, Puccini's Madam Butterfly, folklore, popular songs, and the Bible. Ortese thus shapes her literary themes in the background of social, political and economic upheavals over six decades of Italian history, culminating in an allegorical critique of modernity and a call for a renewed bond between humans and the Other.
Download or read book The Fortunes of the Courtier written by Peter Burke and published by John Wiley & Sons. This book was released on 2013-04-29 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to understand the different readings of Castiglione's Cortegiano or Book of the Courtier from the Renaissance to the twentieth century.
Download or read book Gender Narrative and Dissonance in the Modern Italian Novel written by Silvia Valisa and published by Toronto Italian Studies. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining close textual readings with a broad theoretical perspective, this book is a study of the ways in which gender shapes the characters and narratives of seven important Italian novels of the nineteenth and twentieth centuries.
Download or read book A History of Early Modern Women s Literature written by Patricia Phillippy and published by Cambridge University Press. This book was released on 2018-01-18 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains expansive, multifaceted narrative of British women's literary and textual production from the Reformation to the Restoration.
Download or read book Bernini s Biographies written by Maarten Delbeke and published by Penn State Press. This book was released on 2006 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini's son, Domenico (1713). This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography's author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history, and art and literary theory offer major new insights into the multifarious connections between biography, art history, and aesthetics, inviting readers to rethink Bernini's life, art, and milieu. Contributors are Eraldo Bellini, Heiko Damm, John D. Lyons, Sarah McPhee, Tomaso Montanari, Rudolf Preimesberger, Robert Williams, and the editors.Maarten Delbeke is Assistant Professor of architectural history and theory at the universities of Ghent and Leiden. Formerly the Scott Opler Fellow in Architectural History at Worcester College (Oxford), he is the author of several articles and a forthcoming book on Seicento art and theory.Evonne Levy is Associate Professor of the History of Art at the University of Toronto. She is also the author of Propaganda and the Jesuit Baroque (2004).
Download or read book Giorgio Vasari written by Patricia Lee Rubin and published by Yale University Press. This book was released on 1995-01-01 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vasari's Lives of the Painters, Sculptors, and Architects are and always have been central texts for the study of the Italian Renaissance. They can and should be read in many ways. Since their publication in the mid-sixteenth century, they have been a source of both information and pleasure. Their immediacy after more than four hundred years is a measure of Vasari's success. He wished the artists of his day, himself included, to be famous. He made the association of artistry and genius, of renaissance and the arts so familiar that they now seem inevitable. In this book Patricia Rubin argues that both the inevitability and the immediacy should be questioned. To read Vasari without historical perspective results in a limited and distorted view of The Lives. Rubin shows that Vasari had distinct ideas about the nature of his task as a biographer, about the importance of interpretation, judgment, and example - about the historian's art. Vasari's principles and practices as a writer are examined here, as are their sources in Vasari's experiences as an artist.
Download or read book The Life of Bernini written by Filippo Baldinucci and published by Penn State University Press. This book was released on 2006 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Initially published by Penn State Press in 1965, Catherine Enggass's translation of Filippo Baldinucci's Life of Bernini was the first English-language edition of this historic biography. Out of print for many years, The Life of Bernini is now available in a new paperback edition with an introduction by Maarten Delbeke, Evonne Levy, and Steven F. Ostrow, the editors of Bernini's Biographies. Baldinucci's unusual stand-alone biography of Bernini, begun while his subject was still alive, offers important insights into contemporary perceptions of the artist, the motivations of its author, and the nature of literary biography in seventeenth-century Italy.
Download or read book Creating the Divine Artist From Dante to Michelangelo written by Patricia Emison and published by BRILL. This book was released on 2004-05-01 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.
Download or read book Style in the Art Theory of Early Modern Italy written by Philip Sohm and published by Cambridge University Press. This book was released on 2001-10-08 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Style is one of the oldest and most powerful analytic tools available to art writers. Despite the importance of style as an artistic, literary, and historiographic practice, the study of it as a concept has been intermittent, perhaps, as Philip Sohm argues, because style has resisted neat definition since the very origins of art history as a discipline. His analysis of the language that painters and their literate public used to characterize painters and paintings will enrich our understanding about the concept of style.
Download or read book Interpreting Avicenna written by Peter Adamson and published by Cambridge University Press. This book was released on 2013-07-04 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines many aspects of the philosophy of Avicenna, the greatest philosopher of the Islamic world.
