Download or read book La scienza e l arte della conservazione dei beni culturali written by Giovanni Urbani and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La scienza e l arte della conservazione written by and published by . This book was released on 1982 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alcune Notizie Intorno Alla Vita E Alle Opere Di Gian Domenico Romagnosi written by .. Grillenzoni and published by . This book was released on 1837 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical and Philosophical Issues in the Conservation of Cultural Heritage written by Nicholas Price and published by Getty Publications. This book was released on 2016-09-23 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-six texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin, The Seven Lamps of Architecture; Bernard Berenson, Aesthetics and History in the Visual Arts; Clive Bell, The Aesthetic Hypothesis; Cesare Brandi, Theory of Restoration; Kenneth Clark, Looking at Pictures; Erwin Panofsky, The History of Art as a Humanistic Discipline; E. H. Gombrich, Art and Illusion; Marie Cl. Berducou, The Conservation of Archaeology; and Paul Philippot, Restoration from the Perspective of the Social Sciences. The fully illustrated book also contains an annotated bibliography and an index.
Download or read book Cultural Heritage and Value Creation written by Gaetano M. Golinelli and published by Springer. This book was released on 2014-09-01 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Informed by systems thinking, this book explores new perspectives in which culture and management are harmoniously integrated and cultural heritage is interpreted both as an essential part of the social and economic context and as an expression of community identity. The combination of a multidisciplinary approach, methodological rigor and reference to robust empirical findings in the fertile field of analysis of UNESCO’s contribution mean that the book can be considered a reference for the management of cultural heritage. It casts new light on the complex relation of culture and management, which has long occupied both scholars and practitioners and should enable the development of new pathways for value creation. The book is based on research conducted within the framework of the Consorzio Universitario di Economia Industriale e Manageriale (University Consortium for Industrial and Managerial Economics), a network of universities, businesses and public and private institutions that is dedicated to the production and dissemination of knowledge in the field. This volume will be of interest to all who are involved in the study and management of the cultural heritage.
Download or read book Kermes 94 95 written by and published by Claudio Aita. This book was released on with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Numero doppio, 160 pagine, cm21x29,7, brossura, illustrato a colori, anno 2015 Questo numero speciale di Kermes, nell’ambito delle celebrazioni per il 350° anniversario della morte di Nicolas Poussin (1594-1665), esce in concomitanza con la mostra ‘Poussin et Dieu’ che il Musée du Louvre presenta nella primavera del 2015. Omaggio al ‘pittore-filosofo’, il volume si pone quale strumento scientifico di riferimento che riporta lo stato dell’arte a livello internazionale negli studi tecnici poussiniani e accompagna la mostra come adeguato complemento al catalogo per la comprensione scientifica delle tematiche. La pubblicazione è stata l’occasione per attivare un dibattito internazionale – quasi un convegno ideale con sede in Kermes – a cui hanno aderito con entusiasmo oltre venti autori, proponendo significativi ed estesi studi in una dimostrazione esemplare d’interazione fra ricerche storico artistiche e tecnico-scientifiche. … It is with great enthusiasm that Kermes supported this initiative hosting the studies, as though these were part of a conference, ‘ideal’ in that it never took place physically, but very much real in terms of the international plurality of its contributions, presented here thanks to lively exchange of information across frontiers … This publication is the fruit of a perfect and exemplary collaboration between curators, conservators and scientists brought together from all countries… The publication here before us provides a number of answers – let us be brave and use the word ‘definitive’ – to questions which have long been an issue of debate … Comme l’affirme ici même Sheila McTighe, toute vision plus large de la pratique de Poussin doit dorénavant prendre en compte et intégrer ces nouvelles données techniques. (Pierre Rosenberg de l’Académie française, Président-directeur honoraire du Musée du Louvre) This volume of the journal Kermes devoted to the meticulous technical analysis of several works by Nicolas Poussin, reveals the wealth of knowledge acquired through the implementation of new methods of physico-chemical analysis taken together with the detailed investigation of the handling and materials deployed during the process of creating the work of art. A number of different means have been employed in order to investigate in the greatest detail the nature of a particular pigment, its impurities, the effects of the addition of a medium as well as the effects created by mixtures … (Philippe Walter, Directeur du Laboratoire d’archéologie moléculaire et structurale, CNRS-UMR 8820, Université Pierre et Marie Curie) indice/Index: speciale – NICOLAS POUSSIN. TECHNIQUE, PRACTICE, CONSERVATION a cura di Helen Glanville, Claudio Seccaroni Helen Glanville, Claudio Seccaroni Nota introduttiva dei curatori / Editors’ Introductory Note Pierre Rosenberg Du progrès en histoire de l’art / On Developments in the History of Art Philippe Walter Combiner les regards sur les œuvres de Nicolas Poussin / A Combined Vision of the Works of Nicolas Poussin Sheila McTighe Poussin’s Practice: A New Plea for Poussin as a Painter Helen Glanville Nicolas Poussin: Creation and Perception Paolo Bensi Supporti e preparazioni: aspetti delle scelte esecutive di Poussin a confronto con le tecniche pittoriche dell’ambiente romano (1620-70) Chiara Merucci, Claudio Seccaroni Qualche osservazione sui Baccanali di putti della Galleria Nazionale d’Arte Antica in Palazzo Barberini Marcia Steele Transmitted Light Infrared Imaging of Two Paintings by Poussin at the Cleveland Museum of Art David Piurek The Cleveland Museum of Art Painting Conservation. Transmitted IR Photography Setup Sophia Plender, Aviva Burnstock Technical Examination and Conservation of The Triumph of David by Nicolas Poussin Laurie Benson, Carl Villis The Crossing of the Red Sea in the National Gallery of Victoria, Melbourne John Twilley, Nicole Myers, Mary Schafer Poussin’s Materials and Techniques for The Triumph of Bacchus at the Nelson-Atkins Museum of Art Jean Cadogan, Stephen Kornhauser, Patricia Sherwin Garland The Crucifixion by Nicolas Poussin in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut Rikke Foulke The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth Laurence de Viguerie, Philippe Walter, Helen Glanville Some Preliminary Remarks on Nicolas Poussin’s Painting Technique in L’Orage: Complementary X-ray Fluorescence and X-ray Diffraction Study Carol Woods Sawyer Discoveries Concerning Poussin’s Technique Made during the Examination and Treatment of Achilles among the Daughters of Lycomedes Characteristics of the Canvases Used by Nicolas Poussin Bibliographic References Abstracts CULTURA PER I BENI CULTURALI CSRP-The Central Scientific Restoration Project Workshop – Moscow: I metodi di restauro dei monumenti architettonici di legno in russia ARI: Il tesoro sottratto di Roma SUPSI: Studio comparativo di metodi diagnostici per la valutazione dei distacchi degli intonaci e del loro trattamento AICRAB: “Digital Humanities” alla Biblioteca Capitolare di Vercelli OPD: Avanzamenti circa il restauro dell’ Adorazione dei Magi di Leonardo da Vinci MNEMOSYNE: Riprendere le proposte di Giovani Urbani per la cura dei contesti ambientali e condizione per la duratura conservazione anche delle singole opere d’arte CCR La Venaria Reale: Campagna di documentazione dello stato di conservazione dell’opera La Bella Principessa attribuita a Leonardo da Vinci Taccuino IG-IIC: Sostenibilità della conservazione, ma oltre le mode … LA RECENSIONE Licia Vlad Borrelli, La fucina di Vulcano. I metalli nel mondo antico: storia, tecnologia, conservazione Giorgio Bonsanti Giuseppina Perusini, Simon Horsin-Déon e il restauro in Francia alla metà del XIX secolo Paolo Bensi Christoph Schölzel, Gemäldegalerie Dresden: Bewahrung und Restaurierung der Kunstwerke von den Anfängen der Galerie bis 1876 Giorgio Bonsanti Antonio Sgamellotti, Brunetto G. Brunetti and Costanza Miliani (edited by), Science and Art. The Painted Surface Giorgio Bonsanti Elena Pecchioni, Fabio Fratini, Emma Cantisani, Atlante delle malte antiche in sezione sottile al microscopio ottico / Atlas of the ancient mortars in thin section under optical microscope Deodato Tapete Maria Beatrice Failla, Susanne Adina Meyer, Chiara Piva, Stefania Ventra (a cura di), La cultura del restauro. Modelli di ricezione per la museologia e la storia dell’arte Giorgio Bonsanti
Download or read book The Painting Technique of Pietro Vannucci Called Il Perugino written by Brunetto Giovanni Brunetti and published by . This book was released on 2003 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Spectroscopic Imaging and Chemometrics for the characterization of materials of artistic and cultural interest written by Antonella Guida and published by Basilicata University Press - BUP. This book was released on 2023-07-24 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Volume collects all the dissemination contributions presented at the Christmas Workshop devoted to chemometric analysis for the processing of experimental data, with particular reference to spectroscopic imaging. The training objective was achieved and all the participants were provided with the necessary technical supports and software needed to follow the lessons and demonstration exercises held by expert teachers in multivariate analysis. The lectures addressed the topic of caring and preserving environmental and cultural heritages, highlighting the importance of diagnostics, the use of integrated and innovative techniques, and advanced statistic for data interpretation. Overall, the Volume is the results of the synergistic cooperation between different disciplines, too surreptitiously classified into humanities and technical-scientific.
Download or read book Encausto and Ganosis written by Agneta Freccero and published by . This book was released on 2002 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Pen to Pixel written by Patrizia Fortini and published by L'ERMA di BRETSCHNEIDER. This book was released on 2021-01-31 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Efforts to build, rebuild and maintain the Forum Romanum, Rome's historic urban epicenter, are likely as old as the place it self - some 2800 years. As a result the historic significance and archaeological richness of the Forum cannot be overestimated. Despite its many changes the Forum Romanum's survival today represents an outstanding example of cultural heritage continuity. Its highest possible protection status among monuments conservation agencies in Italy and its early listing on UNESCO's World Heritage List in 1980 are testaments to this. Due to its remarkable physical survival, the Forum Romanum has been the object of extensive research, documentation, restoration and preservation efforts over the past two centuries especially. The sophistication of these measures evolved to include a wide range of expertise. Lay interest among antiquarians and architects in Rome's past from the Renaissance through the eighteenth century was supplanted by the emerging new disciplines of archaeology, architectural restoration and museology. From the late nineteenth century corresponding advancements in archaeological method and conservation theory and science were increasingly applied. From this time on as well, expectations for preserving and presenting the Forum Romanum were high, the famous site being a matter of intense Roman pride, political interest, and serving as a must see' destination for visitors to Rome. Leading historians, archaeologists and conservators have been central to the story of the Forum's survival and interpretation. While numerous noted antiquarians and historians preceded him the architect and archaeologist Giocomo Boni (1859-1925) was unusual, even prescient, in his approach and treatment of the place during his tenure as director of excavations of the Forum Romanum from 1898 until 1925. His combined talents as an architect, archaeologist and conservator set a standard at the time for careful research, thorough documentation, and responsible conservation measures. The sponsors of the DHARMA conference have wisely chosen to focus on archaeological research and conservation in the Forum during Giacomo Boni's tenure since his work reflects early best practices' in researching, preserving and interpreting such places. To frame the discussion some precedents and influences of the work of Giacomo Boni are offered.
Download or read book Risk management in the cultural heritage sector written by Salvatore Lorusso and published by Mimesis. This book was released on 2017-10-09T00:00:00+02:00 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Risk Management in the Cultural Heritage Sector: Museums, Libraries, Archives” is the second volume in the Book Series “Education and Research in the Sector of Cultural and Environmental Heritage”. Its contents can be traced preliminarily to a historical overview of the regulatory situation regarding the safety of cultural heritage in Italy and internationally, with a consequent discussion of procedures for evaluation and prevention, guidelines and security systems, in particular, in confined environments. Attention then focuses on the various types of risk and relevant scientific methodologies, comparing methodological paths and monitoring standards established by Italian and International Organisations. A number of case studies carried out by the Diagnostic Laboratory for Cultural Heritage of the Department of Cultural Heritage at the Alma Mater Studiorum University of Bologna are examined.
Download or read book The Italian Genius on Display written by Francesco Barreca and published by BRILL. This book was released on 2022-07-04 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Held in Florence in 1929, the First National Exhibition of History of Science was a pivotal event in the shaping of Italian cultural panorama. With more than 8000 items on display coming from public and private lenders, it showed the general public how rich the Italian scientific heritage was and how it could be regarded as part of a general nation-claiming narrative, thus laying the foundation for today’s protection policy and scholarly research. Moreover, it is also a telling case-study that offers precious insights into the complex relationships between cultural enterprises and political power during the fascist era, helping us understand how today’s geography of Italian cultural institutions have been shaped and reshaped through time.
Download or read book Della conservazione e del restauro degli oggetti d arte e di cultura written by and published by . This book was released on 1987 with total page 43 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Atti del Congresso internazionale di scienze storiche Roma 1 9 aprile 1903 written by and published by . This book was released on 1905 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Science and Conservation for Museum Collection written by Bruno Fabbri and published by Nardini Editore. This book was released on 2017-06-06 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea of the book “Science and Conservation for Museum Collections” was born as a result of the experience made by CNR-ISTEC (Faenza) in the implementation of a course for Syrian restorers at the National Museum in Damascus. The book takes into consideration archaeological artefacts made out of the most common materials, like stones (both natural and artificial), mosaics, ceramics, glass, metals, wood and textiles, together with less diffuse artefacts and materials, like clay tablets, goldsmith artefacts, icons, leather and skin objects, bones and ivory, coral and mother of pearl. Each type of material is treated from four different points of view: composition and processing technology; alteration and degradation causes and mechanisms; procedures for conservative intervention; case studies and/or examples of conservation and restoration. Due to the high number of materials and to the great difference between their conservation problems, all the subjects are treated in a schematic, but precise and complete way. The book is mainly addressed to students, young restorers, conservators and conservation scientists all around the world. But the book can be usefully read by expert professionals too, because nobody can know everything and the experts often need to learn something of the materials not included in their specific knowledge. Twenty- two experts in very different fields of activity contributed with their experience for obtaining a good product. All they are Italian experts, or working in Italy, so that the book can be seen as an exemplification on how the conservation problem of Cultural Heritage is received and tackled in Italy. —————————————————— SCIENCE AND CONSERVATION FOR MUSEUM COLLECTIONS INTRODUCTION 1 – PREVENTIVE CONSERVATION 1.1 Introduction 1.2 International standards and guidelines 1.3 Environment-material interaction 1.4 Microclimate and monitoring 1.5 Handling works of art 1.6 Exhibition criteria 1.7 MUSA project: intermuseum network for conservation of artistic heritage Bibliography Acknowledgements 2 – STONE ARTEFACTS 2.1 What conservation means 2.2 Natural Stones 2.3 Artificial stones 2.4 Deterioration of the stone 2.5 Cleaning of stone artefacts 2.6 Consolidation and Protection 2.7 Case studies Bibliography 3 – MOSAICS 3.1 Manufacturing techniques 3.2 History of the mosaic 3.3 Degradation of mosaic 3.4 Restoration of mosaics 3.5 Case study Bibliography 4 – CERAMICS 4.1 Ceramic technology 4.2 Technological classification of ceramics 4.3 Alteration and degradation processes 4.4 Ceramic conservation and restoration 4.5 Case studies 4.6 Examples of restoration Bibliography Acknowledgements 5 – CLAY TABLETS 5.1 Defnition 5.2 Deterioration 5.3 Conservative intervention 5.4 Case study: Syrian tablets Bibliography Acknowledgements 6 – GLASS 6.1 General information 6.2 Processing techniques 6.3 Glass deterioration 6.4 Glass conservation and restoration 6.5 Case studies Bibliography Acknowledgements 7 – METALS 7.1 Origin of metals 7.2 Manufacturing techniques 7.3 Conservation state of metals 7.4 Conservative intervention for metals 7.5 Case studies: Recovery of metallic artefacts from terracotta containers Bibliography Acknowledgements 8 – GOLDSMITH ARTEFACTS 8.1 Goldsmith’s metals 8.2 Enamels 8.3 Precious stones 8.4 Alteration and degradation 8.5 Conservative intervention 8.6 Case studies Bibliography 9 – WOOD ARTEFACTS 9.1 Characteristics of the wood 9.2 Working techniques 9.3 Degradation of wood 9.4 How to start restoring 9.5 Restoration of a small inlaid table 9.6 Restoration of a commemorating wooden tablet 9.7 The restoration of a seventeenth-century wooden crucifix Bibliography 10 – ICONS 10.1 The construction of icons 10.2 Degradation and damages of icons 10.3 Methods of conservation and restoration of icons 10.4 Examples of conservative interventions Bibliography 11 – TEXTILE FINDS 11.1 Morphology, characteristics and properties of textiles 11.2 Decay of textile fibres 11.3 Conservation treatments of archaeological textiles 11.4 Conservation practice: two case histories Bibliography Acknowledgements 12 – LEATHER AND ANIMAL SKIN OBJECTS 12.1 Introduction 12.2 Skin 12.3 The tanning process 12.4 Parchment 12.5 Leather degradation 12.6 Conservative intervention 12.7 Examples of conservative interventions Bibliography 13 – INORGANIC MATERIALS OF ORGANIC ORIGIN 13.1 The materials 13.2 The restoration operations 13.3 Cases of study Bibliography Acknowledgements 14 – ANALYTICAL TECHNIQUES 14.1 General information 14.2 Optical microscopy 14.3 Spectroscopic techniques 14.4 Radiochemical techniques 14.5 Chromatography 14.6 Electron microscopy 14.7 Thermal analyses 14.8 Open porosity measurements 14.9 Analysis of microbial colonization Bibliography Acknowledgements
Download or read book e176 After Warburg written by Maurizio Ghelardi and published by Edizioni Engramma. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Editoriale a cura di Maurizio Ghelardi e Daniela Sacco. Maurizio Ghelardi, Edgar Wind, Percy Schramm e il Warburg-Kreis. Sui concetti di Nachleben, renovatio, correctio. Ianick Takaes, The Demented, the Demonic, and the Drunkard. Edgar Wind’s Anarchic Art Theory. Adrian Rifkin, Mnemosyne, Itself. Elizabeth Sears, Warburg and Steinmann as Forschertypen. Lucrezia Not, La complessa vicenda editoriale di Saturno e la melanconia. Quattro lettere inedite del carteggio Einaudi-Warburg Institute. Lucas Burkart, “Le fantasticherie di alcuni confratelli amanti dell’arte...”. Sulla situazione della Biblioteca Warburg per la Scienza della Cultura tra il 1929 e il 1933, traduzione di Costanza Giannaccini. Roberto Ohrt e Axel Heil, Sul Nachleben di Mnemosyne.Bilderatlas Mnemosyne-The Original. Eine Konflikt Geschichte. Interview with Roberto Ohrt, on the exhibition in Berlin. Interview by Bianca Maria Fasiolo Neville Rowley, Atlas redux.
Download or read book PROCEEDINGS 4th International Congress on Science and Technology for the Safeguard of Cultural Heritage in the Mediterranean Basin VOL I written by and published by Angelo Ferrari. This book was released on with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt:
