Download or read book Parent elles written by association AWARE and published by BoD - Books on Demand. This book was released on 2024-01-11 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le statut des femmes artistes en Occident a connu de nombreuses transformations durant les périodes moderne et contemporaine, du XVIIe au XXIe siècle. Il a été largement dépendant, en un même temps et un même pays, des conditions sociales, économiques et culturelles dans lesquelles elles naissaient, se formaient et pouvaient exercer leur art. Et plus que les hommes, elles ont été tributaires de leur situation familiale et, très fréquemment, du rôle que jouaient, au plus près d'elles, des hommes. De manière ambivalente, la parentèle a longtemps produit chez les femmes des effets de relégation et de subordination, mais elle a aussi permis, dans certaines circonstances, un espace de création. Faisant suite au colloque international organise en septembre 2016 par le Musee Sainte Croix, l'université de Poitiers (Criham) et l'association Archives of Women Artists, Research and Exhibitions (AWARE), cet ouvrage met en évidence la pluralité des situations comme un certain nombre de mécanismes récurrents ou les relations de parentèle choisies, subies ou refusées agissent sur la création individuelle des femmes et émergent parfois comme sujet.

Download or read book Le Travail Qui Nous Attend written by Marie Fraser and published by Muse D'Art Contemporain de Montral. This book was released on 2011 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication accompanies the second anniversary of the Québec Triennial, one of North America¿s largest and most anticipated artistic events. The immense scope of the exhibition - featuring the work of some 50 young artists - is reflected in the book¿s extensive visual documentation and in its scholarly intent. Essays discuss each participant and explore larger issues such as how artists continue to challenge and transform the exhibition space, spawning new and unexpected activities. As the artists discussed are on the front lines of cutting edge international contemporary art, the authors¿ conclusions impact well beyond borders.

Download or read book Women Artists in Interwar France written by Paula Birnbaum and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Incorporating recent theories of feminism and diaspora, Women Artists in Interwar France: Framing Femininities returns the Société des Femmes Artists Modernes, known as FAM, to its proper place in the history of modern art. Paula Birnbaum's study explores how FAM artists including Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka, approached the self-portrait, motherhood and the female nude, as well as their response to marginalization and the reactionary politics of 1930s France.

Download or read book Counterpractice written by Rakhee Balaram and published by Manchester University Press. This book was released on 2022-03-08 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.

Download or read book The Artist Enterprise in the Digital Age written by Xavier Greffe and published by Springer. This book was released on 2016-06-29 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a monograph of cultural economics of a new concept, artist–enterprises. It explores various dimensions that artists embody, i.e., aesthetic, critical, messianic, and economic ones, and screens the multiple challenges faced by the artist–enterprises in terms of pricing, funding, and networking in the Digital Age. It shows how these artist–enterprises are at the core of the contemporary creative industries. Even when they are on their own, artists have to demonstrate or manage a variety of skills, sign contracts both in the early and later stages of their activities, and also maintain relationships and networks that enable them to attain their artistic and economic goals. They are no longer simply entrepreneurs managing their own skills but are the enterprises themselves. The artist–enterprises thus find themselves at the confluence of two dynamics of production—artistic and economic: artistic because they invent new expressions and meanings; and economic because these expressions must be supported by monetary values on the market. The artistic dynamic is part of a long process of artistic enhancement and only an artist can say whether it has reached the point of presentation or equilibrium. The economic dynamic is dependent on the constant endorsement of artists' works by the market to ensure their survival as artist–enterprises. The tension created by this disparity is further aggravated by another tension: the need to overcome a number of risks so that artist–enterprises can progress. This book will be of special interest to artists, managers, students, professionals, and researchers in the fields of the arts, creativity, economics, and development. The author is Emeritus Professor at the University Paris I Panthéon-Sorbonne.

Download or read book Mode unisexe et d construction du genre un manifeste pour la libert d expression written by MAX EDITORIAL and published by Max Editorial. This book was released on 2024-05-29 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: La mode, en tant qu'expression culturelle, a toujours été liée à la construction des identités, y compris du genre. Tout au long de l'histoire, les vêtements et accessoires ont été utilisés pour différencier les hommes des femmes, renforçant les stéréotypes et limitant la liberté d'expression individuelle. Cependant, au cours des dernières décennies, un mouvement a émergé qui remet en question cette logique binaire : la mode unisexe. L'essor de la mode unisexe Les racines de la mode unisexe se trouvent dans les mouvements sociaux et culturels du XXe siècle tels que le féminisme et la contre-culture. La recherche de l'égalité des droits entre hommes et femmes, combinée au défi des normes sociales traditionnelles, a conduit à l'expérimentation de vêtements transcendant le genre. Déconstruire la binaire du genre La mode unisexe va au-delà de la simple esthétique. Il représente une critique de la rigidité des normes de genre et de l'idée selon laquelle les vêtements sont définis par un sexe spécifique. En remettant en question cette dichotomie, la mode unisexe ouvre un espace pour la libre expression de l'identité individuelle, indépendamment des étiquettes prédéfinies. Démonstrations de mode unisexe La mode unisexe se manifeste de diverses manières, depuis des pièces classiques réinterprétées dans des styles neutres jusqu'à des designs innovants qui transcendent les catégories de genre. Les jupes, pantalons, chemises, robes, vestes et accessoires peuvent être portés par n'importe qui, quelle que soit son identité de genre. Impact social et culturel La mode unisexe contribue à construire une société plus tolérante et diversifiée. En remettant en question les stéréotypes et en promouvant l'inclusion, elle remet en question le statu quo et ouvre un espace pour une expression individuelle authentique. La mode unisexe impacte également l'industrie textile, favorisant la création de collections plus fluides et démocratiques. Pionniers et influenceurs Plusieurs artistes, célébrités et marques de mode se sont imposés comme des agents de transformation dans la déconstruction du genre à travers la mode. Des personnages tels que David Bowie, Boy George, Tilda Swinton , Jaden Smith, Zendaya et des marques comme Thom Browne, Hood par Air , EckhausLatta et Marni sont des exemples de pionniers et d'influenceurs de ce mouvement. L'avenir de la mode unisexe La mode unisexe est un mouvement en constante évolution, qui a le potentiel de révolutionner la façon dont nous nous habillons et exprimons notre identité. L'avenir de la mode apparaît comme un espace de plus en plus inclusif, où la fluidité des genres et la liberté d'expression individuelle seront les piliers d'une esthétique innovante et authentique. Conclusion La mode unisexe est bien plus qu'une tendance passagère. Il représente un mouvement social qui remet en question les normes traditionnelles et promeut la construction d'une société plus juste et égalitaire. En déconstruisant la binaire des genres et en ouvrant un espace pour la libre expression de l'identité individuelle, la mode unisexe devient un manifeste pour la liberté d'être qui vous êtes. Apprenez-en bien plus...

Download or read book Independent Theatre in Contemporary Europe written by Manfred Brauneck and published by transcript Verlag. This book was released on 2017-03-31 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.

Download or read book Camille Claudel written by Reine-Marie Paris and published by . This book was released on 1988 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Culture 2030 indicators written by UNESCO and published by UNESCO Publishing. This book was released on 2019-11-18 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Beyond the Happening written by Catherine Spencer and published by Manchester University Press. This book was released on 2020-06-01 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. By the mid-1960s Happenings were widely declared outmoded or even ‘dead’, but this book reveals how many practitioners continued to work with the form during the late 1960s and 1970s, developing it into a vehicle for studying interpersonal communication that simultaneously deployed and questioned contemporary sociology and psychology. Focussing on the artists Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening within a wider network of dynamic international activity. The resulting performances directly intervened in the wider discourse of communication studies, as it manifested in the politics of countercultural dropout, soft power and cultural diplomacy, alternative pedagogies, sociological art and feminist consciousness-raising.

Download or read book Women in Abstraction written by Karolina Lewandowska and published by National Geographic Books. This book was released on 2021-08-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking study of the women of abstract art and their works, presented as a richly illustrated visual history. Women in Abstraction reevaluates the work of women abstract artists, changing the story of modern and contemporary art. A tie-in catalog to a major exhibition at Paris’s Centre Pompidou, this volume explores the fundamental role women artists played in the development of abstract art in the twentieth century. In this rich, sweeping collection, editors Christine Macel and Karolina Lewandowska bring together more than one hundred artists in painting, sculpture, dance, applied arts, photography, film, and performing arts. Understanding that abstract art must be looked at in the light of the artists’ political and personal surroundings, this volume dives into the creation and reception of these artworks over time. From the symbolist abstraction of Hilma af Klint, now widely regarded as the first abstract artist, and the sensual abstraction of Huguette Caland, to the purist non-objective approach of Verena Loewensberg, each artist’s relationship to abstraction is examined. These artworks are presented with thought- provoking essays by esteemed critics, contextualizing and exploring the subjects and themes of the movement. Ultimately, this volume questions the legitimacy of the notion of “female artists” and presents this group as simply artists, full of complexities and paradoxes.

Download or read book Sisters of the Brush written by Tamar Garb and published by Yale University Press. This book was released on 1994-01-01 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the women of the Union were often quite conservative politically, socially, and stylistically, says Garb, they believed that women had a special gift that would enhance France's cultural reputation and maintain the uplifting moral-cultural position that seemed in jeopardy at the turn of the century. Focusing on the developments that made the prominence of the organisation possible, Garb discusses the growth of the women's movement, educational reforms, institutional changes in the art world, and critical debates and contemporary scientific thought.

Download or read book The Visible Word written by Johanna Drucker and published by University of Chicago Press. This book was released on 1994 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.

Download or read book Poets Patrons and Printers written by Cynthia J. Brown and published by Cornell University Press. This book was released on 2019-03-15 with total page 519 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.

Download or read book The Violence of Modernity written by Debarati Sanyal and published by JHU Press. This book was released on 2020-03-03 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.

Download or read book The Practice of Art and AI written by Andreas J. Hirsch and published by Hatje Cantz. This book was released on 2022-01-04 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Multidisciplinary explorations of AI and its implications for art In this multidisciplinary volume, European ARTificial Intelligence Lab, in partnership with Ars Electronica, considers the incredibly rapid development of Artificial Intelligence in the context of the cyber-arts. Bringing together 13 cultural and six scientific institutions from across Europe, this publication explores the interdisciplinary exchange between art and science and summarizes the accomplishments of the AI Lab since its opening. This guide to the events and exhibitions for this project includes more than 500 reproductions, profiles on featured exhibitors and essays. In keeping with the project's focus on the interplay between art and technology, the book includes QR codes which link the reader to video lectures and other supplementary materials. Artists and researchers include: Eva Smrekar, Eduardo Reck Miranda, Ian Gouldstone, Aarati Akkapeddi, Cecilie Waagner Falkenstrøm, Tega Brain, Sam Lavigne, Hannah Jayanti, Sarah Petkus, Mark J. Koch, Mimi Onuoha, Caroline Sinders, LaJuné McMillian, Victoria Vesna and many more.

Download or read book Philosophy in a Time of Terror written by Giovanna Borradori and published by University of Chicago Press. This book was released on 2013-05-28 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea for Philosophy in a Time of Terror was born hours after the attacks on 9/11 and was realized just weeks later when Giovanna Borradori sat down with Jürgen Habermas and Jacques Derrida in New York City, in separate interviews, to evaluate the significance of the most destructive terrorist act ever perpetrated. This book marks an unprecedented encounter between two of the most influential thinkers of our age as here, for the first time, Habermas and Derrida overcome their mutual antagonism and agree to appear side by side. As the two philosophers disassemble and reassemble what we think we know about terrorism, they break from the familiar social and political rhetoric increasingly polarized between good and evil. In this process, we watch two of the greatest intellects of the century at work.