Download or read book La Nitteti nuovo dramma per musica in three acts and in verse etc written by Pietro Metastasio and published by . This book was released on 1756 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Museum Catalogue of Printed Books written by and published by . This book was released on 1892 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General catalogue of printed books written by British museum. Dept. of printed books and published by . This book was released on 1931 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books to 1955 written by British Museum. Dept. of Printed Books and published by . This book was released on 1967 with total page 1230 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Printed Books in the Library of the British Museum written by British Library and published by . This book was released on 1946 with total page 874 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Museum Catalogue of Printed Books 1881 1900 Mene Tekel to Mollat written by British Museum. Department of Printed Books and published by . This book was released on 1946 with total page 872 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary Catalog of the Music Collection written by New York Public Library. Reference Department and published by . This book was released on 1964 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1965 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Library General Catalogue of Printed Books to 1975 written by British Library and published by . This book was released on 1979 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.

Download or read book Cyclopedia of Music Musicians written by John Denison Champlin and published by . This book was released on 1893 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books to 1955 written by British Museum. Department of Printed Books and published by . This book was released on 1967 with total page 1288 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Puccini written by Mosco Carner and published by . This book was released on 1959 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: The life and works of Giacomo Puccini, composer of La Boheme, Madama Butterfly, Tosca, Turandot, and other universal operatic favorites, are here presented in detail for the first time in any language in a book unlikely ever to be superseded. A full-length recounting of Puccini's fascinating life, rich in previously unused materials, is followed by detailed analyses of each of his operas and other compositions. The author, a Viennese conductor and musicologist, has performed this monumental task with knowledge, grace, and insight. The biography brings to life a curious, somewhat ambiguous man whose greatly successful career was marked alternately by storms, tragedies, and triumphs, a genius who somehow missed the final greatness. His relations with his family, colleagues, librettists, singers, conductors--and his peculiar, convoluted relationship with his wife--have some of the very drama that has made his operas so enduringly popular. Puccini's letters are quoted extensively, many of them in English for the first time. The opera analyses, constantly evaluating the music in terms of drama and libretto, are unique in musical literature and in their completeness and illumination. They are, furthermore, judicious and soundly musical, for instead of accepting ready-made opinions (many of which are quoted), they go directly to the scores themselves.

Download or read book Naaman Zwillingsbr der written by John Denison Champlin and published by . This book was released on 1893 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Vivaldi Motezuma and the Opera Seria written by Michael Talbot and published by Brepols Publishers. This book was released on 2008 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Great was the interest among Vivaldians and opera-lovers when a score of a large portion of Vivaldi's lost opera Motezuma (1733) was unexpectedly discovered among manuscripts from the Sing-Akademie zu Berlin returned to Berlin from Kiev in 2000. The find was providential, since in recent decades practically all of Vivaldi's performable operatic music has been presented to the public. The newly discovered work has thus given a much-needed fillip to everyone concerned with Vivaldi's operas. Scholarly discussion was initiated in an international symposium held at the De Doelen concert hall in Rotterdam in June 2005 alongside the work's first modern performance. From the start, it was planned that the papers read at the symposium, augmented by essays commissioned from other scholars, would be gathered into a book centring on Motezuma. The starting point for the contributions, all of which appear in English, is Steffen Voss's 'Vivaldi's Music for the Opera Motezuma, RV 723'. This focuses on the opera itself: its origins, transmission, dramaturgy and music. Reinhard Strohm follows with 'Vivaldi and His Operas, 1730-1734: A Critical Survey': a chronicle of Vivaldi's operatic activities during the creative period surrounding Motezuma. Strohm's essay enables one to identify more clearly what is typical - for Vivaldi and for its period - in Motezuma, and what is less typical. Micky White and Michael Talbot then offer a sidelight on Venetian opera from the same period by charting the chequered career of a nephew of Vivaldi in 'Pietro Mauro, detto 'il Vivaldi': Failed Tenor, Failed Impresario, Failed Husband, Acclaimed Copyist'. Briefly, during the late 1730s, Mauro's career in opera mirrored Vivaldi's own at a humbler level, and a scandal in which the former became embroiled may even have had repercussions for his uncle. We move next to the world of librettos and dramaturgy. The 'American' dimension of the opera is explored in Jurgen Maehder's 'Alvise Giusti's Libretto Motezuma and the Conquest of Mexico in Eighteenth-Century Italian Opera Seria'. To choose an American subject for an opera seria was a novelty at the time, and the libretto for Motezuma casts an interesting light on contemporary attitudes towards the Conquista and towards the indigenous civilizations that it brought to a brutal end. Carlo Vitali's essay 'A Case of Historical Revisionism in the Theatre: Some Undeclared Sources for Vivaldi's Motezuma' probes more deeply into the libretto's historical antecedents. Melania Bucciarelli, in 'Taming the exotic: Vivaldi's Armida al campo d'Egitto', explores the treatment of an Ottoman theme in a Vivaldi opera of the period leading up to Motezuma. In a sense, the Ottoman empire formed a prototype of 'alterity' on which later operatic depictions of non-European peoples could draw, while also supplying a test-bed for the treatment of topical subjects during a tense period of intermittent warfare with the Sublime Porte. The next two contributions redirect the focus towards the music of Motezuma. Kurt Markstrom, in 'The Vivaldi-Vinci Interconnections, 1724-26 and beyond: Implications for the Late Style of Vivaldi', considers the interaction in the operatic arena between Vivaldi and his brilliant contemporary Leonardo Vinci, who briefly burst on to the Venetian scene in the 1720s before his premature death in 1730 robbed the all-conquering Neapolitan style of one of its heroes. Markstrom shows how Vivaldi was both influenced by, and an influence on, Vinci. Michael Talbot's essay 'Vivaldi's 'Late' Style: Final Fruition or Terminal Decline?' ponders whether there is any objective basis in positing a 'late' style in Vivaldi's case and, if so, where its boundaries lie. His conclusion is that there is indeed a late style, beginning in the second half of the 1720s and divisible into two sub-periods, with Motezuma close to the end of the first. 'Final fruition' is an apt description of the first sub-period, 'terminal decline' (with qualifications) of the second. Fittingly, the concluding essay, Frederic Delamea's 'Vivaldi in scena: Thoughts on The Revival of Vivaldi's Operas', confronts the world of present-day staged performance. Why, this author asks, do we commonly pay such respect to notions of historical fidelity in the musical realization of the operas, while we trample so brutally on authenticity in the matter of stagecraft and production. This essay promises to become a seminal text for an ongoing debate.

Download or read book Baroque 1620 1800 written by Michael Snodin and published by . This book was released on 2009 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Josef Myslive ek Il Boemo written by Daniel E. Freeman and published by . This book was released on 2009 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of all the prominent musicians born in Bohemia in the eighteenth century, none is surrounded with as much mystery and mystique as Josef Myslivecek (1737-1781), known as "Il Boemo" ("The Bohemian") in Italy among music lovers unable to grapple with his unpronounceable Czech name. Scion of a wealthy family of millers from Prague (and himself a master miller), he acquired training as a composer only in his twenties; nonetheless he quickly became one of the most talented composers active in late eighteenth-century Europe. Despite a composing career of only eighteen years, Myslivecek produced a large and diverse body of work: twenty-seven operas, eight oratorios, many shorter vocal compositions, about fifty symphonies, twenty-nine overtures, sixteen concertos, and one hundred thirty-four instrumental chamber works. Prodigious, successful, and resourceful, he lived most of his adult life as an itinerant composer in Italy, uninterested in employment at any aristocratic or ecclesiastical musical establishment. A friend of both Wolfgang and Leopold Mozart for eight years between 1770 and 1778, his dynamic personality ("full of fire, spirit, and life" according to Wolfgang) is vividly brought to life in the Mozart correspondence - and not only the praiseworthy aspects, but also the air of scandal that often followed him. Complete and accurate information about Myslivecek's biography and works has remained elusive for many years. The present study narrates his life in light of all available biographical documentation, offers analytical discussions of all the genres in which he composed, and for the first time presents catalogs of all his music fully detailing its sources, editions, and recordings. During much of the last century Myslivecek's contributions to music literature were largely forgotten outside the Czech lands, in part, it is argued, because of national biases. In this book Myslivecek's particular style of composition is approached more systematically, and his participation in the creation of what is now recognized as an era of "high classicism" in European art music evaluated more comprehensively than in any previous study. There is also a critical re-appraisal of Myslivecek's relationship with the Mozart family and of his place in Wolfgang's musical development. Some twenty-eight letters in the surviving Mozart family correspondence mention Myslivecek, and for no other composer did Wolfgang express such a degree of affection. Indeed, the full implications of their strong personal rapport invite revision of older assumptions about their standing with each other: through scrutiny of specific works by both composers, the author makes the case the Myslivecek was a distinctive compositional model for the young Mozart.