Download or read book Le Guide Musical written by and published by . This book was released on 1880 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Translation Exegesis and Critical Analysis of the First Major Division of La Jolie Musique by Emile Jaques Dalcroze written by Carol Landolfi and published by . This book was released on 1973 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The National Union Catalog Pre 1956 Imprints written by and published by . This book was released on 1968 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Book Catalogues written by and published by . This book was released on 1887 with total page 890 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book While the Music Lasts written by David A. Powell and published by Bucknell University Press. This book was released on 2001 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the same time, Sand's musical referencing techniques afford a culturally based method for looking at French society and the need for a humanist reform, all the while exploring feminist statements, narrative strategies, love plots, and questions of communication, language, and nationhood."--BOOK JACKET.
Download or read book Dictionary Catalog of the Music Collection written by New York Public Library. Reference Department and published by . This book was released on 1964 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical Dictionary of Romantic Music written by John Michael Cooper and published by Scarecrow Press. This book was released on 2013-10-17 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Historical Dictionary of Romantic Music provides detailed and authoritative articles for the most important composers, concepts, genres, music educators, performers, theorists, writings, and works of cultivated music in Europe and the Americas during the period 1789-1914. The roster of biographical entries includes not only canonical composers such as Beethoven, Berlioz, Brahms, Chopin, Fauré, Grieg, Liszt, Mahler, Mendelssohn, Mussorgsky, Rossini, Schubert, Robert Schumann, Sibelius, Strauss, Tchaikovsky, Verdi, Wagner, and Wolf, but also less-well-known distinguished contemporaries of those composers (among them George Whitefield Chadwick, Cécile Chaminade, Ernesto Elorduy, Chiquinha Gonzaga, Fanny Hensel, C. H. Parry, and Clara Schumann, to name but a few). Significant literary and cultural topics such as Goethe’s Faust and Wagner’s theoretical writings of the 1850s, as well as entries on other cultural luminaries who significantly influenced music’s Romanticisms – among them J. S. Bach, Goethe, Haydn, Handel, Heine, Mozart, Schiller, and Shakespeare – are also included. Entries on important institutions (conservatory, orphéon, Männerchor), concepts (biographical fallacy, copyright, exoticism, feminism, nationalism, performance practice), and political caesurae and movements (First and Second French Empire, First, Second, and Third French Republic, Franco-Prussian War, Revolutions of 1848, Risorgimento) round out the dictionary section. Like other volumes in this series, this book's more than 500 entries are preceded by an introductory essay that explains the essential concepts necessary for understanding and exploring further the vast and complex musical landscape of Romanticism, plus a detailed Chronology. Concluding the volume is an extensive bibliography that lists the most important source-critical series of editions of Romantic music, important general writings on the period and its music, and composer-by-composer bibliographies.
Download or read book O Kelly written by Axel Klein and published by BoD – Books on Demand. This book was released on 2014-05-05 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book describes the careers and the music of four generations of Irish musicians in 19th and early 20th-century France. It is a fascinating story of hopes and disappointments, successes and failures, musical talent and tastes, as this family integrated more and more into French society. Joseph Kelly (1804-1854), a Dublin-born piano teacher, emigrated to Boulogne-sur-Mer, where his five sons were born, three of whom became musicians. They lived in Paris since c.1835 but close links to Boulogne remained. Joseph O'Kelly (1828-1885) became the best-known member of the family. He is the author of nine operas, four cantatas and numerous songs and piano pieces, with some excellent music to be rediscovered. Auguste O'Kelly (1829-1900) was a music publisher in Paris between 1872 and 1888. George O'Kelly (1831-1914) was a pianist, composer and teacher in Boulogne and Paris. Henri O'Kelly sr. (1859-1938) was a pianist, organist, conductor and composer in Paris for many years. Gustave O'Kelly (1872-1937) was a piano maker in Paris between 1898 and 1917. Henri O'Kelly jr. (1881-1922) was a double bass player and composer in Paris. The book collects documentary evidence about all members of the family with numerous music examples and other illustrations. It is not only a study of the prototype minor composer in one of Europe's musical capitals, but also discusses issues of identity, change, aesthetics and Irishness in exile. It is a contribution to both French and Irish musical history.
Download or read book Opera Acts written by Karen Henson and published by Cambridge University Press. This book was released on 2015-01-15 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Download or read book His Master s Voice La Voix de Son Maitre written by Alan Kelly and published by Bloomsbury Publishing USA. This book was released on 1990-09-27 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a companion volume to the Italian catalogue, La Voce del Padrone, already published by Greenwood Press. This new volume provides a complete catalogue of French gramophone recordings made by the Gramophone Company Ltd. between 1898 and 1929. During this period the Compagnie Francaise du Gramophone was the continental European, African, and Asian end of a powerful partnership between the Victor Talking Machine Company and the Gramophone Company Ltd. The volume includes details of Victor recordings issued outside the Americas and hence is a useful adjunct to the series The Encyclopedic Discography of Victor Recordings, also published by Greenwood Press. The first three sections conform to the previously established pattern of listing Gramophone black and celebrity labels followed by the Zonophone green labels and the Gramophone green labels. In 1920, it was decided to issue records specifically for the Belgian/Flemish market; these are detailed in the fourth section. The contents of each section are listed in numerical order following the pattern of the early printed catalogues, that is, bands followed by orchestras followed by talking, etc. A list of the series actually used precedes each section and acts as a table of contents for the section. Each catalogue entry comprises as much as possible of the following information: the original numerical catalogue number; the matrix (serial) number; the date of the recording; the name of the artist(s) involved; the title of the piece; alternative issue numbers; and occasional notes. The introduction provides an overview of the company's recording practices and cataloging systems. This volume provides much-needed guidance for the serious collector and will be a valuable resource for the music historian.
Download or read book Bizet written by Hugh Macdonald and published by Oxford University Press. This book was released on 2014-07-23 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today Georges Bizet is most immediately recognized as the composer of the acclaimed opera Carmen. One of the most frequently performed operas for over a century, Carmen explores concepts such as the femme fatale and murderous jealousy with vivacity, color, and a wealth of melody. Yet it is only one act in Bizet's story. In Bizet, renowned musicologist Hugh Macdonald goes beyond the composer's most famous opera to take an in-depth look at his entire life and oeuvre. In so doing, Macdonald identifies a number of previously unknown pieces by Bizet, assembling the first comprehensive catalogue of the composer's work. Incorporating these little-known pieces with a thorough reading of primary sources, Macdonald considers the latest in Bizet scholarship to create a complete biography of the composer. Revealing the true extent of Bizet's work as arranger and transcriber, Macdonald sheds light on the composer's complex relationships with his contemporaries, and traces the strange misrepresentation of Bizet's work by French publishers and opera houses in the 1880s, when Carmen rose to worldwide popularity ten years after the composer's early death. The first biography of Bizet in the Master Musicians series in nearly four decades, Bizet will be essential reading for students and scholars of nineteenth-century opera, as well as for Carmen devotees and opera fans.
Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1910 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From the Clarinet D Amour to the Contra Bass written by Albert R. Rice and published by Oxford University Press. This book was released on 2009-03-31 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1959 with total page 1054 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book America in the French Imaginary 1789 1914 written by Diana R. Hallman and published by Boydell & Brewer. This book was released on 2022-05-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Download or read book Fromental Hal vy and His Operas 1799 1841 written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2021-04-20 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.
