Download or read book La cr ation musicale par ordinateur written by Frédéric Levé and published by . This book was released on 1987 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Mod les physiques cr ation musicale et ordinateur written by ACROE and published by Les Editions de la MSH. This book was released on 1994 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: L'informatique musicale a déjà une histoire. Depuis son origine, quasiment identique à celle de l'ordinateur, elle a developpé des techniques de synthèse de son, aidé à comprendre le fonctionnement de la perception, proposé des systèmes pour l'analyse et la construction de structures musicales, créé des outils pour la composition... Récemment est apparu un courant nouveau : celui de la synthèse par “modèle physique” auquel on doit de nombreuses réalisations, depuis les premiers algorithmes de simulation d'objets vibrants vers la fin des années 70, jusqu'aux circuits intégrés spécialisés bientôt disponibles, en passant par des machines étudiées pour la simulation physique en temps-réel. Essentiellement attaché à la production du phénomène sonore dans les systèmes musicaux informatiques, il annonce véritablement une mutation dans la manière même d'envisager le rôle de l'ordinateur dans le processus général de représentation et de création.

Download or read book Composition Musicale Par Ordinateur written by Canadian Commission for Unesco and published by Canadian Commission for Unesco = Commission canadienne pour l'Unesco. This book was released on 1980 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This report includes "acknowledgements, an article briefly describing the project ... 14 of the papers presented at the final workshop in Aarhus in 1978. Six of these are illustrated by sound examples on recorded tape ..."

Download or read book Mod les physiques cr ation musicale et ordinateur written by and published by Maison des Sciences de l'Homme. This book was released on 1994 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Mod les physiques cr ation musicale et ordinateur written by and published by Maison des Sciences de l'Homme. This book was released on 1994 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cr ation musicale et technologies nouvelles written by Marie-Noël Heinrich and published by Editions L'Harmattan. This book was released on 2003-09-01 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: L'objectif de ce livre est d'identifier les ruptures techniques et théoriques que connaît la musique au XXe siècle. A travers une approche historique et théorique, est mise en lumière la rencontre entre musique, science et technologie : la "recherche musicale". L'arrivée des nouvelles techniques pour la création musicale provoque incontestablement deux types de transformations : la disparition de la relation instrumentale et de l'instrument lui-même ; la dissolution de la frontière entre production et exécution, entre son et composition. Les nouvelles techniques changent ainsi les statuts de l'objet musical et de la musique..

Download or read book Interfaces homme machine et cr ation musicale written by Hugues Vinet and published by Hermes Science Publications. This book was released on 1999 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: En musique, l'informatique joue un rôle central dans la création contemporaine. L'utilisation de l'ordinateur en composition prend de multiples formes en rapport avec la diversité des approches esthétiques. Après deux générations informatiques avant vu se succéder systèmes conversationnels et graphiques, quel bilan peut-on tirer des outils de création musicale du point de vue de leurs interfaces d'utilisation ? Dans quelle mesure la conception et l'évaluation de celles-ci peuvent-elles être rationalisées ? Les créateurs doivent-ils se conformer aux représentations proposées par la machine ou peuvent-ils les infléchir à leur idée ? Quelles améliorations peut-on attendre des évolutions technologiques et des recherches liées aux interfaces homme-ordinateur ? C'est à ces questions qu'ont été invités à répondre chercheurs en informatique musicale, spécialistes des interfaces, concepteurs de logiciels, compositeurs et musicologues dans le cadre d'un colloque, organisé les 11 et 12 décembre 1998 par l'Ircam et l'Ina-GRM, dont les actes sont réunis dans cet ouvrage. La première partie propose plusieurs perspectives historiques sur les rapports entretenus entre nombres, techniques et musique, aboutissant à la présentation des plus récents environnements informatiques de composition. Les deux parties suivantes sont respectivement consacrées aux interfaces graphiques et gestuelles. La quatrième regroupe des témoignages de compositeurs dans leur rapport à la technologie. La dernière partie transcrit la table ronde qui a clôturé le colloque.

Download or read book Cr ation musicale sur PC written by Olivier Deforge and published by CampusPress. This book was released on 2001 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: A la fois clair et détaillé, cet ouvrage va vous permettre d'aborder et de mettre en application les différentes facettes de la musique par ordinateur. Grâce à une démarche progressive et à de nombreux exercices, vous apprendrez à manipuler les outils de création que sont les séquenceurs MIDI et les éditeurs audionumériques, les logiciels de synthèse sonore, etc. Vous découvrirez également comment optimiser votre système informatique, graver vos CD et utiliser la compression MP3. Au terme de votre lecture, vous maîtriserez les techniques de l'échantillonnage du son, du mixage Audio et MIDI, du sampling, de la réalisation de maquettes sur CD et bien d'autres choses encore !

Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Download or read book Musical Haptics written by Stefano Papetti and published by Springer. This book was released on 2018-05-02 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.

Download or read book Cubase written by Thierry Demougin and published by CampusPress. This book was released on 2001 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Voici l'ouvrage idéal pour maîtriser rapidement Cubase, logiciel de référence en matière de création musicale assistée par ordinateur. Pour une meilleure prise en main de ce séquenceur, une description des grands principes théoriques liés à l'audionumérique et au système MIDI forme la première partie de l'ouvrage. Vous découvrirez ensuite le concept VST (Virtual Studio Technology), devenu moteur du logiciel, et ses outils audionumériques puissants. Au terme de votre lecture, les outils d'édition, les effets, le mixage, les plug-in et toutes les fonctionnalités de Cubase n'auront plus aucun secret pour vous.

Download or read book Gesture Based Communication in Human Computer Interaction written by Antonio Camurri and published by Springer. This book was released on 2011-04-02 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research on the multifaceted aspects of modeling, analysis, and synthesis of - man gesture is receiving growing interest from both the academic and industrial communities. On one hand, recent scienti?c developments on cognition, on - fect/emotion, on multimodal interfaces, and on multimedia have opened new perspectives on the integration of more sophisticated models of gesture in c- putersystems.Ontheotherhand,theconsolidationofnewtechnologiesenabling “disappearing” computers and (multimodal) interfaces to be integrated into the natural environments of users are making it realistic to consider tackling the complex meaning and subtleties of human gesture in multimedia systems, - abling a deeper, user-centered, enhanced physical participation and experience in the human-machine interaction process. The research programs supported by the European Commission and s- eral national institutions and governments individuated in recent years strategic ?elds strictly concerned with gesture research. For example, the DG Infor- tion Society of the European Commission (www.cordis.lu/ist) supports several initiatives, such as the “Disappearing Computer” and “Presence” EU-IST FET (Future and Emerging Technologies), the IST program “Interfaces & Enhanced Audio-Visual Services” (see for example the project MEGA, Multisensory - pressive Gesture Applications, www.megaproject.org), and the IST strategic - jective “Multimodal Interfaces.” Several EC projects and other funded research are represented in the chapters of this book. Awiderangeofapplicationscanbene?tfromadvancesinresearchongesture, from consolidated areas such as surveillance to new or emerging ?elds such as therapy and rehabilitation, home consumer goods, entertainment, and aud- visual, cultural and artistic applications, just to mention only a few of them.

Download or read book Composing Music with Computers written by Eduardo Miranda and published by CRC Press. This book was released on 2001-04-27 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike. The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by research centres world-wide, including Nyquist, Bol Processor, Music Sketcher, SSEYO Koan, Open Music and the IBVA brainwaves control system, among others. This book will be interesting to anyone wishing to use the computer as a companion to create music. It is a comprehensive guide, but the technical terms are explained so it is suitable for students, professionals and enthusiasts alike.

Download or read book Votre PC en musique La cr ation musicale sur PC written by Collectif, and published by . This book was released on 2001-06-09 with total page 71 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Guide pratique de Home Studio et M A O written by Chris Middleton and published by . This book was released on 2017-10-11 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bienvenue dans l'univers de la création musicale numérique du XXIe siècle. Le livre. Abondamment illustré et tout en couleurs, ce guide pratique vous ouvre les portes du home studio. Il vous explique pas à pas comment composer, enregistrer, éditer, mixer, masteriser et remixer de la musique et des sons : de l'usage des échantillons libres de droits à la maîtrise complète de l'enregistrement multipiste, en passant par la synthèse, le mixage, les séquenceurs MIDI, le son multicanal, les microphones, les logiciels de traitement, les formats de fichiers, le mastering... Découvrez sans plus tarder les suggestions d'équipement, les conseils et les secrets de production de professionnels passionnés et chevronnés. Grâce à cet ouvrage unique, marchez dans les pas des plus grands et entrez à votre tour dans la légende ! Les "+" en ligne. Passez sans tarder à la pratique en découvrant, en versions freeware ou d'évaluation, différents logiciels de MAO, accompagnés de nombreux fichiers sonores (samples et boucles).

Download or read book Cr ation musicale assist e par ordinateur en milieu scolaire written by Philippe Galleron and published by . This book was released on 2012 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Virtual Music written by David Cope and published by MIT Press. This book was released on 2004-01-30 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text.