Download or read book La Clemenza Di Tito written by John A. Rice and published by Cambridge University Press. This book was released on 1991-06-24 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Download or read book 1791 Mozart s Last Year written by H. C. Robbins Landon and published by Thames & Hudson. This book was released on 1999-01-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The premature death of Mozart is the subject of 1791, a study based upon Professor Landon's unrivalled understanding of source material relating to Mozart, his music and the events that became an enigma, a tragedy and a source of great controversy.
Download or read book Mozart written by Jan Swafford and published by HarperCollins. This book was released on 2020-12-08 with total page 832 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
Download or read book Mozart s Operas written by Daniel Heartz and published by Univ of California Press. This book was released on 1990 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Download or read book Opera 101 written by Fred Plotkin and published by Hyperion. This book was released on 1994-12 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.
Download or read book Theological Anthropology in Mozart s La clemenza di Tito written by Steffen Lösel and published by Taylor & Francis. This book was released on 2022-07-13 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.
Download or read book The Cambridge Companion to Mozart written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2003-05-22 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book Mozart the Dramatist written by Brigid Brophy and published by Faber & Faber. This book was released on 2013-09-19 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brigid Brophy first published her passionate, profoundly original Mozart the Dramatist in 1964, revisiting it subsequently in 1988. Organised by theme, the text offers brilliant readings of Mozart's five most famous operas - Die Entführung aus dem Serail, Le Nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte - while a 1988 preface reconsiders Idomeneo and La Clemenza di Tito. Brophy's analysis is richly informed by her readings and interests in psychoanalysis, myth, and relations between the sexes, but her stress above all is on Mozart's 'unique excellence', his 'double supremacy' both as a 'classical' and 'psychological' artist. 'An illuminating, invigorating, thought-provoking and profoundly human book, of immense value to any lover of Mozart.' Jane Glover
Download or read book Music and the Politics of Negation written by James R. Currie and published by Indiana University Press. This book was released on 2012-08-23 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.
Download or read book A Life in Letters written by Wolfgang Amadeus Mozart and published by Penguin. This book was released on 2007-03-27 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The letters of one of the world’s greatest composers Wolfgang Amadeus Mozart—seen variously as a child prodigy, musical genius, tragic Romantic artist, and cultural icon—is among the most written-about of all composers. This fascinating set of his letters offers a new understanding of his life story—his marriage, compositions, performances, occasional money worries, opinions of fellow musicians, and complex relationship with his father—and a revealing portrait of both the man and the musician.
Download or read book Unpremeditated Art written by Philip Whitmore and published by Oxford University Press, USA. This book was released on 1991 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a history of the cadenza in the Classical keyboard concerto. Whitmore focuses attention on the changing relations between performer and composer and between performer and audience in the course of the Classical period. The greater part of the book consists of an attempt to situate the concertos and cadenzas produced during the period within the broad historical development outlined in the first few chapters, placing particular emphasis on the contributions of C.P.E. Bach, Mozart, and Beethoven.
Download or read book Vivaldi Motezuma and the Opera Seria written by Michael Talbot and published by Brepols Publishers. This book was released on 2008 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Great was the interest among Vivaldians and opera-lovers when a score of a large portion of Vivaldi's lost opera Motezuma (1733) was unexpectedly discovered among manuscripts from the Sing-Akademie zu Berlin returned to Berlin from Kiev in 2000. The find was providential, since in recent decades practically all of Vivaldi's performable operatic music has been presented to the public. The newly discovered work has thus given a much-needed fillip to everyone concerned with Vivaldi's operas. Scholarly discussion was initiated in an international symposium held at the De Doelen concert hall in Rotterdam in June 2005 alongside the work's first modern performance. From the start, it was planned that the papers read at the symposium, augmented by essays commissioned from other scholars, would be gathered into a book centring on Motezuma. The starting point for the contributions, all of which appear in English, is Steffen Voss's 'Vivaldi's Music for the Opera Motezuma, RV 723'. This focuses on the opera itself: its origins, transmission, dramaturgy and music. Reinhard Strohm follows with 'Vivaldi and His Operas, 1730-1734: A Critical Survey': a chronicle of Vivaldi's operatic activities during the creative period surrounding Motezuma. Strohm's essay enables one to identify more clearly what is typical - for Vivaldi and for its period - in Motezuma, and what is less typical. Micky White and Michael Talbot then offer a sidelight on Venetian opera from the same period by charting the chequered career of a nephew of Vivaldi in 'Pietro Mauro, detto 'il Vivaldi': Failed Tenor, Failed Impresario, Failed Husband, Acclaimed Copyist'. Briefly, during the late 1730s, Mauro's career in opera mirrored Vivaldi's own at a humbler level, and a scandal in which the former became embroiled may even have had repercussions for his uncle. We move next to the world of librettos and dramaturgy. The 'American' dimension of the opera is explored in Jurgen Maehder's 'Alvise Giusti's Libretto Motezuma and the Conquest of Mexico in Eighteenth-Century Italian Opera Seria'. To choose an American subject for an opera seria was a novelty at the time, and the libretto for Motezuma casts an interesting light on contemporary attitudes towards the Conquista and towards the indigenous civilizations that it brought to a brutal end. Carlo Vitali's essay 'A Case of Historical Revisionism in the Theatre: Some Undeclared Sources for Vivaldi's Motezuma' probes more deeply into the libretto's historical antecedents. Melania Bucciarelli, in 'Taming the exotic: Vivaldi's Armida al campo d'Egitto', explores the treatment of an Ottoman theme in a Vivaldi opera of the period leading up to Motezuma. In a sense, the Ottoman empire formed a prototype of 'alterity' on which later operatic depictions of non-European peoples could draw, while also supplying a test-bed for the treatment of topical subjects during a tense period of intermittent warfare with the Sublime Porte. The next two contributions redirect the focus towards the music of Motezuma. Kurt Markstrom, in 'The Vivaldi-Vinci Interconnections, 1724-26 and beyond: Implications for the Late Style of Vivaldi', considers the interaction in the operatic arena between Vivaldi and his brilliant contemporary Leonardo Vinci, who briefly burst on to the Venetian scene in the 1720s before his premature death in 1730 robbed the all-conquering Neapolitan style of one of its heroes. Markstrom shows how Vivaldi was both influenced by, and an influence on, Vinci. Michael Talbot's essay 'Vivaldi's 'Late' Style: Final Fruition or Terminal Decline?' ponders whether there is any objective basis in positing a 'late' style in Vivaldi's case and, if so, where its boundaries lie. His conclusion is that there is indeed a late style, beginning in the second half of the 1720s and divisible into two sub-periods, with Motezuma close to the end of the first. 'Final fruition' is an apt description of the first sub-period, 'terminal decline' (with qualifications) of the second. Fittingly, the concluding essay, Frederic Delamea's 'Vivaldi in scena: Thoughts on The Revival of Vivaldi's Operas', confronts the world of present-day staged performance. Why, this author asks, do we commonly pay such respect to notions of historical fidelity in the musical realization of the operas, while we trample so brutally on authenticity in the matter of stagecraft and production. This essay promises to become a seminal text for an ongoing debate.
Download or read book Mozart s The Magic Flute written by Wolfgang Amadeus Mozart and published by Opera Journeys Publishing. This book was released on 2005 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Download or read book Mozart Reimagined written by Tyson Vick and published by Lulu.com. This book was released on 2015-10-10 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mozart Reimagined brings a fresh new perspective to the operas of renowned classical composer Wolfgang Amadeus Mozart. Nearly one hundred photographs by artist Tyson Vick illustrate scenes from each and every one of Mozart's theatrical works. Every image is lushly costumed and gorgeously staged, vividly bringing the stories and music of Mozart to life. Mozart Reimagined promises to be the most informative, humorous and entertaining book you will find about Mozart! Whether you love opera, hate opera or don't know a thing about opera, you will be positively yearning to listen to a Mozart opera after reading Mozart Reimagined.
Download or read book Mozart in Prague written by Daniel E. Freeman and published by Calumet Editions. This book was released on 2021-03-15 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dismissed in Vienna as a composer of excessively complicated music with little popular appeal, Mozart found complete recognition for his talents in Prague, likely as a byproduct of the exceptional musical literacy of the general population. Accounts of the affection lavished on Mozart by the people of Prague can be deeply moving for those acquainted with his bleak struggles for recognition in Vienna. Indeed, he was manhandled like a rock star at the concert in 1787 that featured the first performance of the "Prague" Symphony in a way that he never experienced anywhere else. And in contrast to the tawdry ceremonies that accompanied Mozart's burial in Vienna in 1791, his funeral in Prague, attended by thousands of mourners, brought life there to a standstill. It was the residents of Prague, not Vienna, who took responsibility to provide for Mozart's widow and children. Mozart in Prague tells the story of the amazing civic revival that was responsible for Mozart's unique personal and musical relationship with this beautiful city and the colorful characters who helped shape it, including Marie Antoinette and Giacomo Casanova.
Download or read book Antiquity and Its Reception written by Helena Trindade Lopes and published by BoD – Books on Demand. This book was released on 2020-01-08 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do we talk about when we talk about antiquity? For the majority of the population, the term immediately transports us to the notion of an ancient age or ancient world (the Parthenon, Athens, and the Coliseum of Rome), which condenses in itself the Greco-Roman world. This reduces antiquity to antiquity that was structurally essential for the construction and emergence of the civilization called occidental.For others, because of their religious backgrounds, antiquity goes back in time and enlarges, in part, its space of action, allowing the emergence of Palestine as a primordial territory.But these two visions (old and supported by a scientific ignorance of the ancient geographies and chronologies) enclose the history in a limited time and space. As if there would never have been a world before that time. As if the civilization that we comfortably call ourselves as inheritors, the so-called "Occidental Civilization" was the first step in the history of man on earth.
Download or read book Mozart on the Stage written by John A. Rice and published by Cambridge University Press. This book was released on 2009-01-22 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Telling the story of Mozart's operas from concept to stage, this book outlines Mozart's achievements as an operatic composer.
