Download or read book La Caccia di Enrico IV or Henry the IVth of France s hunting party An heroi comic opera in two acts etc Ital Eng written by B. Serafino BUONAIUTI and published by . This book was released on 1812 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La Caccia di Enrico IV or Henry the IVth of France s Hunting Party An heroi comic opera in two acts taken from a comedy by Monsieur Coll by S Buonaiuti totally altered and re written as represented at the King s Theatre etc Ital Eng written by Charles COLLÉ and published by . This book was released on 1809 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Three favorite airs from the opera of La Caccia di Enrico iv composed by Pucitta arranged for the Pianoforte written by T. Latour and published by . This book was released on 1816 with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage written by John Towers and published by . This book was released on 1910 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Books written by and published by . This book was released on 1885 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La Caccia di Enrico IV or Henry the IVth of France s Hunting Party An heroi comic opera in two acts taken from a comedy by Monsieur Coll by S Buonaiuti totally altered and re written as represented at the King s Theatre etc Ital Eng written by Charles COLLÉ and published by . This book was released on 1809 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Books in the Library of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1885 with total page 1082 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Opera Librettos Printed Before 1800 written by Library of Congress. Music Division and published by . This book was released on 1914 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mime Music and Drama on the Eighteenth Century Stage written by Edward Nye and published by Cambridge University Press. This book was released on 2011-07-21 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1881 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera in the Tropics written by Rogério Budasz and published by Oxford University Press. This book was released on 2019-03-22 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.
Download or read book History Through the Opera Glass written by George Jellinek and published by Hal Leonard Corporation. This book was released on 2000 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Limelight). This first-of-its-kind, highly entertaining, and carefully researched account reveals how nearly 200 operas by leading composers and librettists have portrayed the major events and personalities of more than 2000 years of history. In a continuous and absorbing narrative, the book sweeps from Roman times to 1820, with a cast of characters that includes Julius Caesar, Antony and Cleopatra, Attila, Charlemagne, Henry VIII, Elizabeth I, Catherine the Great, Napoleon and hundreds more. All are seen as the figures historians generally perceive them to have been and as their on-stage counterparts, created and re-imagined by some of opera's greatest artists.
Download or read book Opera on Stage written by Lorenzo Bianconi and published by University of Chicago Press. This book was released on 2002-07 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press, USA. This book was released on 2020 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's past, present and future. Why is the art form apparently so arthritically canonical, with the top ten titles, all more than a century old, accounting for nearly a quarter of all performances world-wide? Why is this top-heavy system of production becoming still more restrictive, even while the repertory is seemingly expanding, notably to include early music? Why did the operatic canon evolve so differently from that of concert music? And why has that evolution attracted so comparatively little attention from scholars? Why, finally, if opera houses all over the world are dutifully honoring their audiences' loyalty to these favorite works, are they having to struggle so hard financially? Answers to these and other problems are offered here by 26 musicologists, historians, and industry professionals working in a wide range of contexts. Topics range from the seventeenth century to the present day, and from Russia to England and continental Europe to the Americas. In an effort to reflect the contested nature of most of the issues facing opera, each topic is addressed by two essays, introduced jointly by the respective authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways: for example, by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions and expectations, and breathes fresh air into the fields of music and cultural history.
Download or read book Giovanni Battista Rubini and the Bel Canto Tenors written by Dan H. Marek and published by Scarecrow Press. This book was released on 2013-06-06 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.
Download or read book The American History and Encyclopedia of Music written by and published by . This book was released on 1908 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American History and Encyclopedia of Music written by William Lines Hubbard and published by . This book was released on 1908 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt:
