Download or read book Metaphors of Invention and Dissension written by Rajeshwari S. Vallury and published by Rowman & Littlefield. This book was released on 2017-08-16 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metaphors of Invention and Dissension explores the relationship between aesthetics and politics in the postcolonial Algerian novel, examining six novels written by two Algerian authors of French expression, Tahar Djaout and Rachid Mimouni. Rajeshwari S. Vallury argues that postcolonial literature demonstrates a conscious, rational, and deliberate engagement with the question of democracy. The author shows how the metaphors of literature invent an arena or platform for the enactment of democratic dissension. Postcolonial texts stage contentious debates about the principles that can and must sustain a life of the common. The capacity of the poetic word to regenerate and recreate forms of thinking, being, saying, and doing lies at the heart of the political power of literature. In the case of Algeria, the dual forces of military rule and radical Islamism have not succeeded in stifling the revolutionary will of the people, which continues to find self-expression in the idea of the nation, the concept of universal human rights, the notion of civility, and the philosophical traditions of pluralism and toleration within Islam. This book argues that postcolonial literature attests to the dissonance of democracy by staging the nation as the space of a universal equality and civility.

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Download or read book New Media in Art History written by Régine Bonnefoit and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-09-18 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: New media in art history The history of art and new media are inextricably linked – both historically and in the present day. This publication can be described as an interdisciplinary reflection: it examines the confrontation and interaction between art history and new media, highlighting key developments, opportunities, and tensions. In eight studies, eleven researchers present new findings and explore the techniques and methods of new media – from electronic to digital and post-digital media – and the challenges these pose for art history. The book covers a wide range of topics, from the history and historiography of new media to their practical application, use, and reception, as well as creative processes, material conservation, and mediation. With new research findings, this book bridges the gap between art history and media studies With contributions by Keyvane Alinaghi, Sarah Amsler, Katharina Brandl, Fleur Chevalier, Aline Guillermet, Thomas Hänsli, Dominik Lengyel, Catherine Toulouse, Caroline Tron-Carroz, Zsofi Valyi-Nagy, and Nina Zschocke Cooperative project between the Swiss Association of Art Historians (VKKS) and the University of Neuchâtel

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