Download or read book L Anconitana written by Ruzante and published by Univ of California Press. This book was released on 2023-04-28 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Italy Angelo Beolco, called Ruzante, is recognized as the most original of the Italian Renaissance dramatists. However, his plays are hardly known in English, mainly because few translators have been able to take on the Pavano dialect Ruzante employed for the character he played. With Nancy Dersofi's vigorous and faithful translation of L'Anconitana, presented opposite the authoritative version of the Italian text, Ruzante's most successful play is now available to English-speaking audiences for the first time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. In Italy Angelo Beolco, called Ruzante, is recognized as the most original of the Italian Renaissance dramatists. However, his plays are hardly known in English, mainly because few translators have been able to take on the Pavano dialect Ruzante employed
Download or read book L Anconitana written by Ruzante and published by Univ of California Press. This book was released on 2023-04-28 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Italy Angelo Beolco, called Ruzante, is recognized as the most original of the Italian Renaissance dramatists. However, his plays are hardly known in English, mainly because few translators have been able to take on the Pavano dialect Ruzante employed for the character he played. With Nancy Dersofi's vigorous and faithful translation of L'Anconitana, presented opposite the authoritative version of the Italian text, Ruzante's most successful play is now available to English-speaking audiences for the first time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. In Italy Angelo Beolco, called Ruzante, is recognized as the most original of the Italian Renaissance dramatists. However, his plays are hardly known in English, mainly because few translators have been able to take on the Pavano dialect Ruzante employed
Download or read book L Anconitana written by Ruzzante and published by . This book was released on 1994 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Italy Angelo Beolco, called Ruzante, is recognized as the most original of the Italian Renaissance dramatists. However, his plays are hardly known in English, mainly because few translators have been able to take on the Pavano dialect Ruzante employed for the character he played. With Nancy Dersofi's vigorous and faithful translation of L'Anconitana, presented opposite the authoritative version of the Italian text, Ruzante's most successful play is now available to English-speaking audiences for the first time.
Download or read book Women Rhetoric and Drama in Early Modern Italy written by Alexandra Coller and published by Taylor & Francis. This book was released on 2017-07-06 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- PART I: Women as Protagonists in Male-Authored Drama: Comedy and tragedy -- 1 Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy"--2 Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siècle Italian Tragedies -- PART II: Women as Authors/Women as Protagonists: Pastoral Tragicomedy -- 3 Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4 Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5 Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm -- Appendix -- Bibliography -- Index
Download or read book Lelia s Kiss written by Laura Giannetti and published by University of Toronto Press. This book was released on 2009-01-01 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Lelia's Kiss, Laura Giannetti offers a new perspective on the way gender and marriage were portrayed, imagined, and critiqued on stage during the Italian Renaissance. Going beyond the traditional canon, Giannetti focuses her study on the social and cultural scripts found in a wide array of comedies of the period to reveal the relativity of sex and gender roles and their cultural construction in Renaissance society. Giannetti argues that the comedic dialogue and cross-dressing characters so prevalent in Italian Renaissance comedies played with the presuppositions of the day and engaged with contemporary social norms, expectations, and desires. Cross-dressing female characters reveal the relativity of sex and gender roles, and also present a vision of female empowerment. At the same time, cross-dressing male characters suggest a unique perception of the male life cycle that was more uncertain and contested than often assumed, and show more broadly how masculinity was also socially and culturally constructed. In discussing marriage, sexuality, and gender roles, the comedies deploy a social scripting that not only reflects and comments on the everyday life of the time, but also interacts with it with playful humor and revealing insight.
Download or read book Shakespeare and Renaissance Literary Theories written by Michele Marrapodi and published by Routledge. This book was released on 2016-04-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.
Download or read book John of Rupescissa s VADE MECUM IN TRIBULACIONE 1356 written by Matthias Kaup and published by Routledge. This book was released on 2016-12-08 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: The VADE MECUM IN TRIBULACIONE was meant as an eschatological manual for the thirteen catastrophic years between its composition in December 1356 and the Thousand-Year Reign of Christ expected to begin in 1370. This manual, permeated by passion for clerical reform, was intended to give righteous Christians practical and spiritual advice on how to survive this period of tribulation. Likewise, it aimed to inform them about what to expect from the envoys of Satan, the Western and the Eastern Antichrists, but also from Christ’s warriors, the papal restorer and his secular assistant, the French-Roman Emperor. Moreover, it offered a brief outline of Christ’s Thousand-Year Reign and of Armageddon. The VADE MECUM was written by John of Rupescissa OFM (c. 1310-1366), the most prolific apocalyptic author of the Middle Ages, as the central work of in all three manuals designed to prepare Christendom for the impending crises. As a completely new text type and summary of the late Rupescissa’s doctrines, this eschatological manual fascinated numerous readers in the Late Middle Ages, who copied, reworked and translated it and made it thus a pivotal text of medieval apocalypticism: ten versions of the Latin VADE MECUM in more than forty manuscripts have come down to us. Rupescissa’s eschatological manual is his last known and most widely distributed work; the present study provides an annotated critical edition equipped with an English translation. It inducts in the manual’s contents, places them in the context of Rupescissa’s work and medieval prophetic literature, investigates important aspects of its reception and clarifies the relationships between its different versions. Furthermore, it ends with a critical edition of the VENI MECUM IN TRIBULACIONE, the most influential compendious version of the VADE MECUM. Thus this book offers an indispensable fundamental contribution to the flourishing studies of Rupescissa and medieval apocalypticism.
Download or read book Eroticism in Early Modern Music written by Bonnie Blackburn and published by Routledge. This book was released on 2016-03-09 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Download or read book The History of the Harlequinade written by Maurice Sand and published by . This book was released on 1915 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monsters and Borders in the Early Modern Imagination written by Jana Byars and published by Routledge. This book was released on 2018-06-14 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era. The book investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment. Zones of interaction include chronological change – from the early New World encounters through the seventeenth century – and cultural and scientific changes, in the margins between national boundaries, and also cultural and intellectual boundaries.
Download or read book Attempt at a Catalogue of the Library of the Late Prince Louis Lucien Bonaparte Index of Authors written by prince Louis-Lucien Bonaparte and published by . This book was released on 1894 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Voices of Early Modern Women written by Thomasin LaMay and published by Routledge. This book was released on 2017-05-15 with total page 499 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent scholarship has offered a veritable landslide of studies about early modern women, illuminating them as writers, thinkers, midwives, mothers, in convents, at home, and as rulers. Musical Voices of Early Modern Women adds to the mix of early modern studies a volume that correlates women's musical endeavors to their lives, addressing early modern women's musical activities across a broad spectrum of cultural events and settings. The volume takes as its premise the notion that while women may have been squeezed to participate in music through narrower doors than their male peers, they nevertheless did so with enthusiasm, diligence, and success. They were there in many ways, but as women's lives were fundamentally different and more private than men's were, their strategies, tools, and appearances were sometimes also different and thus often unstudied in an historical discipline that primarily evaluated men's productivity. Given that, many of these stories will not necessarily embrace a standard musical repertoire, even as they seek to expand canonical borders. The contributors to this collection explore the possibility of a larger musical culture which included women as well as men, by examining early modern women in "many-headed ways" through the lens of musical production. They look at how women composed, assuming that compositional gender strategies may have been used differently when applied through her vision; how women were composed, or represented and interpreted through music in a larger cultural context, and how her presence in that dialog situated her in social space. Contributors also trace how women found music as a means for communicating, for establishing intellectual power, for generating musical tastes, and for enhancing the quality of their lives. Some women performed publicly, and thus some articles examine how this impacted on their lives and families. Other contributors inquire about the economics of music and women, and how in different situations some women may have been financially empowered or even in control of their own money-making. This collection offers a glimpse at women from home, stage, work, and convent, from many classes and from culturally diverse countries - including France, Spain, Italy, England, Austria, Russia, and Mexico - and imagines a musical history centered in the realities of those lives.
Download or read book Baroque Venice Theatre Philosophy written by Will Daddario and published by Springer. This book was released on 2017-06-02 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
Download or read book European Theatre Performance Practice 1580 1750 written by Robert Henke and published by Routledge. This book was released on 2016-12-05 with total page 815 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750. The particular focus is on the nature of playing spaces, staging, acting and audience response in professional theatre and the selection of previously published research articles and book chapters includes significant works on topics such as Shakespearean staging, French and Spanish theatre audiences, the challenging aspects of the evolution of Italian renaissance acting practice, and the ’hidden’ dimensions of performance. The essays provide coherent transnational coverage as well as detailed treatments of their individual topics. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres. This volume is an indispensable reference work for university libraries, lecturers, researchers and practitioners and offers a coherent overview of early modern comparative performance practice, and a deeper understanding of the field’s major topics and developments.
Download or read book Italian Literature before 1900 in English Translation written by Robin Healey and published by University of Toronto Press. This book was released on 2011-12-15 with total page 1184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors – Dante Alighieri, Machiavelli, and Boccaccio – and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.
Download or read book Biographie Universelle Ancienne Et Moderne written by and published by . This book was released on 1843 with total page 1424 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionnaire Critique Et Documentaire Des Peintres Sculpteurs Dessinateurs Graveurs de Tous Les Temps Et de Tous Les Pays A C written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 1200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
