Download or read book Space Time and Ways of Seeing written by Mundoli Narayanan and published by Taylor & Francis. This book was released on 2021-08-23 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.
Download or read book Kutiyattam written by Sudha Gopalakrishnan and published by . This book was released on 2011 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kutiyattam is widely acknowledged as the only living link to India's ancient theatrical tradition. This book discusses the theory and practice of the art form and introduces Kutiyattam to a larger readership. It includes the translation of the performance manual of 'Asokavanikanakam', from Saktibhadra's play 'Ascharyachudamani', as an example. Kutiyattam is widely acknowledged as the only living link to India's ancient theatrical tradition. While its origins are hazy, it is said to have an unbroken history of around two thousand years, combining
Download or read book Performing the Ramayana Tradition written by Paula Richman and published by Oxford University Press. This book was released on 2021 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors' two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary re-interpretations of traditional narratives, and the presence of Ramayana discourse in everyday life"--
Download or read book The Routledge Companion to Intangible Cultural Heritage written by Michelle L. Stefano and published by Taylor & Francis. This book was released on 2016-12-08 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection provides an in-depth and up-to-date examination of the concept of Intangible Cultural Heritage and the issues surrounding its value to society. Critically engaging with the UNESCO 2003 Convention for the Safeguarding of the Intangible Cultural Heritage, the book also discusses local-level conceptualizations of living cultural traditions, practices and expressions, and reflects on the efforts that seek to safeguard them. Exploring a global range of case studies, the book considers the diverse perspectives currently involved with intangible cultural heritage and presents a rich picture of the geographic, socioeconomic and political contexts impacting research in this area. With contributions from established and emerging scholars, public servants, professionals, students and community members, this volume is also deeply enhanced by an interdisciplinary approach which draws on the theories and practices of heritage and museum studies, anthropology, folklore studies, ethnomusicology, and the study of cultural policy and related law. The Routledge Companion to Intangible Cultural Heritage undoubtedly broadens the international heritage discourse and is an invaluable learning tool for instructors, students and practitioners in the field.
Download or read book Going Beyond written by Marie-Theres Albert and published by Springer. This book was released on 2017-09-18 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume looks at sustainable protection and sustainable use of cultural and natural heritage, particularly in view of the current challenges of the 21st century. For more than 40 years the World Heritage Convention has regulated the protection of the cultural and natural heritage of humankind, particularly in that heritage shall be protected if it is threatened by modern development. The international community has also adopted sustainability and sustainable development, as objectives to facilitate the protection of cultural and natural heritage. Sustainable heritage protection and use must therefore be preserved in the face of the global challenges it faces and must be perceived in terms of societal, political and corresponding economic paradigms.
Download or read book Theatre Histories written by Phillip B. Zarrilli and published by Taylor & Francis. This book was released on 2010 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Download or read book South Asian Folklore in Transition written by Frank J. Korom and published by Routledge. This book was released on 2020-05-21 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the “lore” and the “life” of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent’s cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.
Download or read book Managing Arts in Times of Pandemics and Beyond written by A Damodaran and published by Oxford University Press. This book was released on 2022-01-12 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Routledge Handbook of Asian Theatre written by Siyuan Liu and published by Routledge. This book was released on 2016-02-05 with total page 875 pages. Available in PDF, EPUB and Kindle. Book excerpt: Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Download or read book History of Indian Theatre Classical theatre written by Manohar Laxman Varadpande and published by Abhinav Publications. This book was released on 1987 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre Histories written by Bruce McConachie and published by Routledge. This book was released on 2016-02-26 with total page 657 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches. Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include: A dedicated chapter on historiography New, up to date, case studies Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.
Download or read book UNESCO on the Ground written by Michael Dylan Foster and published by Indiana University Press. This book was released on 2015-10-12 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly 70 years, the United Nations Educational, Scientific and Cultural Organization (UNESCO) has played a crucial role in developing policies and recommendations for dealing with intangible cultural heritage. What has been the effect of such sweeping global policies on those actually affected by them? How connected is UNESCO with what is happening every day, on the ground, in local communities? Drawing upon six communities ranging across three continents—from India, South Korea, Malawi, Japan, Macedonia and China—and focusing on festival, ritual, and dance, this volume illuminates the complexities and challenges faced by those who find themselves drawn, in different ways, into UNESCO's orbit. Some struggle to incorporate UNESCO recognition into their own local understanding of tradition; others cope with the fallout of a failed intangible cultural heritage nomination. By exploring locally, by looking outward from the inside, the essays show how a normative policy such as UNESCO's intangible cultural heritage policy can take on specific associations and inflections. A number of the key questions and themes emerge across the case studies and three accompanying commentaries: issues of terminology; power struggles between local, national and international stakeholders; the value of international recognition; and what forces shape selection processes. With examples from around the world, and a balance of local experiences with broader perspectives, this volume provides a unique comparative approach to timely questions of tradition and change in a rapidly globalizing world.
Download or read book Modern Asian Theatre and Performance 1900 2000 written by Kevin J. Wetmore, Jr. and published by A&C Black. This book was released on 2014-05-08 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Asian Theatre and Performance 1900 – 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides: ·a historical overview of the culture; ·an outline of theatre history; ·a survey of significant playwrights, actors, directors, companies, plays and productions. With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.
Download or read book Women in Asian Performance written by Arya Madhavan and published by Routledge. This book was released on 2017-02-10 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.
Download or read book Performance and Culture written by Archana Verma and published by Cambridge Scholars Publishing. This book was released on 2011-01-18 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with various aspects of performance in India; especially that related to dance and dance-drama. Rather than being a description of the various dance forms of India, it attempts to discuss the social equations and cultural ideas that a performance attempts to portray. In this sense, a performance is a narrative. At the same time, performances also deal with well-known narratives from the religious traditions of India, often redefining and recounting them in the process of performance. A study of these aspects is important to understand the kind of equations that define these discourses on the performance narratives. Chapter I shows the different forms of dances that are described in the iconographic canons and also the famous dance treatise the Natyashastra, correlating them with the sculptures of dance available in the temples. Here, the temples of south India datable to 6th- 13th centuries have been studied for this purpose. Attempt is made to study the gender equations that are expounded through these dance images and texts, as also the correlation between the audience and the performance and how these ideas are intertwined with the religious images. Chapter II deals with four Sanskrit burlesque plays written in the ancient period, which reverse social equations and classical dramatic representations through the genre of satire. Almost every elite-class person, generally idealized in the classical Sanskrit plays, is lampooned here. Issues of audience perception and the reception of this kind of reversed images of the ideal figures of the society are discussed in this chapter. Chapter III deals with the aesthetics of eroticism that form the basis of many Indian classical dances, how they are intertwined with the notion of devotionalism in Hinduism and how they are negotiated in the Indian classical dances in our contemporary period. A case study is done here of Odissi, the classical dance from the eastern state of Orissa, which draws extensively from the temple sculptures of dance. Chapter IV shows that sacred narrative in India is not always a means of glorifying the divine. Rather, sometimes it is also used to satirize the established notions of religiosity and of divinity. This forms the basis of this very interesting semi-classical dance-drama form called Ottan Thullal from the southern state of Kerala. Kathakali, the classical dance-drama and Mohiniattam, the classical dance from Kerala have dominated the scene so much that this form of dance-drama has been overshadowed and it is little known to the world outside Kerala, even in India. There is not much scholarship on Ottan Thullal. This chapter deals with this form and the manner in which it uses the idiom of satire to narrate the religious legends. Chapter V is a study of the Mithila narratives from the eastern region of Mithila in Bihar to understand the ways in which gender equations in the Mithila society influence the making of these narratives. There is a discussion of the nature of “folk narratives” in this chapter. Chapter VI takes some folk forms of performance and visual narratives from different states of India to show how social equations such as power hierarchy, gender and caste dimensions are negotiated. All these use the traditional religious space to work out these equations. Chapter VII on one hand is a comparative study of two Hindi films made in 1960s, based on the lives of two women dancers from ancient India. One of them is a historical figure and the other is a figure. On the other hand, this is an attempt o show how the narratives of these women dancers are remodeled in literary as well as the cinematic medium, every time these narratives are retold. Effort is made to show how the cultural memory of the ancient history of India that the modern narrators of these stories have been received as a process of acculturation, which influences this recasting of narratives in literature as well as in film. It is also shown that this process of narration through cultural memory is not a new phenomenon, since it occurred even in the ancient period when narrative was being remodeled to present in a new form before the audience.
Download or read book Sangeet Natak written by and published by . This book was released on 2005 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book History of Indian Theatre written by Manohar Laxman Varadpande and published by Abhinav Publications. This book was released on 1987 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of the HISTORY OF INDIAN THEATRE presents most enhanting and colourful panorama of folk and traditional theatre flourishing in India since time immemorial. Utilising various sources the author meticulously and systematically builds up the theatre history, which spans over several centuries. It is for the first time an elaborate account of dramatic rituals associated with the Bhuta or the Cult of Spirits is given here. This will enable the students of theatre understand and relationship of ritual and dramatic performance in its correct perspective. Various ritualistic theatre forms such as Teyyam are described and discussed. The book also tells us how the teachnique of ballad singing was dramatized and finally evolved into full-fledged drama in the course of time. The history of narrative forms is traced from the Vedic times to the present. With the emergence of Bhakti cult the spics were dramatized. This gave rise to the Leela Theatre which dedicated itself to portraying the divine acts of incarnations such as Krishna and Rama. Various forms of Leela Theatre are described in the book. Audiences turn to theatre for entertainment. A class of folk theatre arose in India whose main function was secular entertainment. Swang, Tamasha, Nautanki, Khyal entertained the people with dance, music and song, as well as with humour and pathos, love and war. Their enchanting story is narrated here.
