Download or read book General catalogue of printed books written by British museum. Dept. of printed books and published by . This book was released on 1931 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Books in the Hirsch Library written by Hirsch Library and published by . This book was released on 1959 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book General Catalogue of Printed Books to 1955 written by British Museum. Dept. of Printed Books and published by . This book was released on 1967 with total page 1306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Subject Index of the Modern Works Added to the British Museum Library written by and published by . This book was released on 1951 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The British Library General Catalogue of Printed Books to 1975 written by British Library (London) and published by . This book was released on 1982 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Subject Index of Modern Books Acquired written by British Library and published by . This book was released on 1974 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Counterpoint written by Knud Jeppesen and published by Courier Corporation. This book was released on 1992-01-01 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: First paperback edition of classic introductory text by world-renowned musicologist and authority on Palestrina. Features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples. New foreword by Alfred Mann. Introduction.
Download or read book An Introduction to Sixteenth Century Counterpoint and Palestrina s Musical Style written by Robert Stewart and published by Scarecrow Press. This book was released on 1994-01-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Download or read book A Manual of Sixteenth century Contrapuntal Style written by Charlotte Smith and published by University of Delaware Press. This book was released on 1989 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.
Download or read book A Practical Approach to 16th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Download or read book A Practical Approach to Sixteenth century Counterpoint written by Robert Gauldin and published by Prentice Hall. This book was released on 1985 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Download or read book Study of Counterpoint written by Johann Fux and published by W. W. Norton & Company. This book was released on 1965 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Download or read book The Study of Fugue written by Alfred Mann and published by Courier Corporation. This book was released on 2012-11-20 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Download or read book The Performance of Italian Basso Continuo written by Giulia Nuti and published by Routledge. This book was released on 2017-07-05 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.
Download or read book The Style of Palestrina and the Dissonance written by Knud Jeppesen and published by . This book was released on 1926 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modal and Tonal Counterpoint written by Harold Owen and published by Cengage Learning. This book was released on 1992 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a comprehensive study of the development of counterpoint form the sixteenth century through the first half of the twentieth century. Deriving the rules of counterpoint from the music itself, each chapter begins with a complete musical example followed by questions for class discussion. Chapter observations and subsequent musical examples amplify the concepts discoverd through individual analysis. --book cover.
Download or read book Sixteenth century Polyphony written by Arthur Tillman Merritt and published by . This book was released on 1939 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: