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Book Konstantin Bessmertny

    Book Details:
  • Author : Konstantin Bessmertny
  • Publisher :
  • Release :
  • ISBN :
  • Pages : 0 pages

Download or read book Konstantin Bessmertny written by Konstantin Bessmertny and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Konstantin Bessmertny

Download or read book Konstantin Bessmertny written by and published by . This book was released on 2013 with total page 3 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Konstantin Bessmertny

Download or read book Konstantin Bessmertny written by and published by . This book was released on 2002 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Konstantin Bessmertny

    Book Details:
  • Author : Konstantin Bessmertny
  • Publisher :
  • Release : 1999
  • ISBN :
  • Pages : 115 pages

Download or read book Konstantin Bessmertny written by Konstantin Bessmertny and published by . This book was released on 1999 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Konstantin Bessmertny

Download or read book Konstantin Bessmertny written by and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Macao   Cultural Interaction and Literary Representations

Download or read book Macao Cultural Interaction and Literary Representations written by Katrine K. Wong and published by Routledge. This book was released on 2013-10-15 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Macao, the former Portuguese colony in southeast China from the 1550s until its return to China in 1999, has a long and very interesting history of cultural interaction between China and the West. As an entity with independent political power and a unique social setting and cultural development, the identity of Macao’s people is not only indicative of the legacy and influence of the region’s socio-historical factors and forces, but it has also been altered, transformed and maintained because of the input, action, interaction and stimulation of creative arts and literatures. Held together by racial accommodation and tolerance and active cultural interactions, Macao’s phenomenon can be characterized as hybridization. This book is a presentation of the ongoing hybridization of Macao and is in itself a hybrid, covering a wide range of issues. Putting forward substantial new research findings, the book explores the nature of cultural interaction in Macao, and how the city has been constructed and perceived through literature and other art forms. It is a companion volume to Macao – The Formation of a Global City .

Book I Like Hong Kong

    Book Details:
  • Author : Frank Vigneron
  • Publisher : The Chinese University of Hong Kong Press
  • Release : 2010-06-15
  • ISBN : 9629964317
  • Pages : 376 pages

Download or read book I Like Hong Kong written by Frank Vigneron and published by The Chinese University of Hong Kong Press. This book was released on 2010-06-15 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Chinese art is nowadays a subject area widely taught and researched in academic and nonacademic publications, but it has not yet been studied by 'localizing' the research in specific cultural areas within the Chinese world. Selecting Hong Kong for a first such study was an obvious choice, since Hong Kong culture has had for already quite a long time very specific features which have put it apart from the generally accepted definition of Chinese national culture. Although it is not a survey of 'Hong Kong art,' as such a study would demand many more books, the works of about eighty artists working in Hong Kong (and sometimes outside) have been analyzed and contextualized in these pages.

Book Black Dragon River

    Book Details:
  • Author : Dominic Ziegler
  • Publisher : Penguin
  • Release : 2016-11-08
  • ISBN : 0143109898
  • Pages : 370 pages

Download or read book Black Dragon River written by Dominic Ziegler and published by Penguin. This book was released on 2016-11-08 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: “As the book’s subtitle indicates, Mr. Ziegler uses one of the world’s great rivers as a vehicle to pursue this story—and what a vehicle it is. . . . [He] writes beautifully, and with the fervor of a naturalist.” —The Wall Street Journal “The writing is superb . . . a true labour of love, Black Dragon River is a triumph.” —The Spectator Black Dragon River is a personal journey down one of Asia’s great rivers that reveals the region’s essential history and culture. The world’s ninth largest river, the Amur serves as a large part of the border between Russia and China. As a crossroads for the great empires of Asia, this area offers journalist Dominic Ziegler a lens with which to examine the societies at Europe's only borderland with east Asia. He follows a journey from the river's top to bottom, and weaves the history, ecology and peoples to show a region obsessed with the past—and to show how this region holds a key to the complex and critical relationship between Russia and China today. One of Asia’s mightiest rivers, the Amur is also the most elusive. The terrain it crosses is legendarily difficult to traverse. Near the river’s source, Ziegler travels on horseback from the Mongolian steppe into the taiga, and later he is forced by the river’s impassability to take the Trans-Siberian Railway through the four-hundred-mile valley of water meadows inland. As he voyages deeper into the Amur wilderness, Ziegler also journeys into the history of the peoples and cultures the river’s path has transformed. The known history of the river begins with Genghis Khan and the rise of the Mongolian empire a millennium ago, and the story of the region has been one of aggression and conquest ever since. The modern history of the river is the story of Russia's push across the Eurasian landmass to China. For China, the Amur is a symbol of national humiliation and Western imperial land seizure; to Russia it is a symbol of national regeneration, its New World dreams and eastern prospects. The quest to take the Amur was to be Russia’s route to greatness, replacing an oppressive European identity with a vibrant one that faced the Pacific. Russia launched a grab in 1854 and took from China a chunk of territory equal in size nearly to France and Germany combined. Later, the region was the site for atrocities meted out on the Russian far east in the twentieth century during the Russian civil war and under Stalin. The long shared history on the Amur has conditioned the way China and Russia behave toward each other—and toward the outside world. To understand Putin’s imperial dreams, we must comprehend Russia’s relationship to its far east and how it still shapes the Russian mind. Not only is the Amur a key to Putinism, its history is also embedded in an ongoing clash of empires with the West.

Book Chinese Art and Its Encounter with the World

Download or read book Chinese Art and Its Encounter with the World written by David Clarke and published by Hong Kong University Press. This book was released on 2011-08-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese Art and Its Encounter with the Worldexamines Chinese art from the mid-eighteenth century to the present, beginning with discussion of a Chinese portrait modeler from Canton who traveled to London in 1769, and ending with an analysis of art and visual culture in post-colonial Hong Kong. By means of a series of six closely-focused case studies, often deliberately introducing non-canonical or previously marginalized aspects of Chinese visual culture, it analyzes Chinese art's encounter with the broader world, and in particular with the West. Offering more than a simple charting of influences, it uncovers a pattern of richly mutual interchange between Chinese art and its others. Arguing that we cannot fully understand modern Chinese art without taking this expanded global context into account, it attempts to break down barriers between areas of art history which have hitherto largely been treated within separate and often nationally-conceived frames. Aware that issues of cultural difference need to be addressed by art historians as much as by artists, it represents a pioneering attempt to produce art historical writing which is truly global in approach. David Clarkeis Professor in the Department of Fine Arts, University of Hong Kong.

Book Belief  History and the Individual in Modern Chinese Literary Culture

Download or read book Belief History and the Individual in Modern Chinese Literary Culture written by Artur K. Wardega and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: A value system in constant change; a longing for stability amid uncertainties about the future; a new consciousness about the unlimited challenges and aspirations in modern life: these are themes in modern Chinese literature that attract the attention of overseas readers as well as its domestic audience. They also provide Chinese and foreign literary researchers with complex questions about human life and achievements that search beyond national identities for global interaction and exchange. This volume presents ten outstanding essays by Chinese and European scholars who have undertaken such exchange for the purpose of examining the individual and society in modern Chinese literature.

Book Contemporary Painting  World of Art

Download or read book Contemporary Painting World of Art written by Suzanne Hudson and published by Thames & Hudson. This book was released on 2021-04-13 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: This international survey of contemporary painting by a leading author features artwork from over 250 renowned artists whose ideas and aesthetics characterize the painting of our time. The twentieth century brought radical changes in art—including the shift from modernism to postmodernism—which were accompanied by fierce debates regarding the place of painting in contemporary culture. Contemporary Painting argues that the medium has not only persisted in the twenty-first century but expanded and evolved alongside changes in art, technology, politics, and other factors, developing a unique energy and diversity. Renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject, organized into seven thematic chapters, each of which explores an aspect of contemporary painting, from appropriation to the ways in which artists address and engage the body. Hudson’s inclusive and compelling text is sensitive to issues such as queer narratives, race, activism, and climate and demonstrates the continued relevance of painting today. Bringing together more than 250 eminent artists from around the world, such as Cecily Brown, Julie Mehretu, Theaster Gates, Kara Walker, Kehinde Wiley, Takashi Murakami, and Zhang Xiaogang, this is an essential volume for art history enthusiasts, students, critics, and practitioners interested in discovering how painting is approached, reimagined, and challenged by today’s artists.

Book AsianArtNews

Download or read book AsianArtNews written by and published by . This book was released on 2009-07 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book China   Art   Modernity

    Book Details:
  • Author : David Clarke
  • Publisher : Hong Kong University Press
  • Release : 2019-01-22
  • ISBN : 9888455915
  • Pages : 248 pages

Download or read book China Art Modernity written by David Clarke and published by Hong Kong University Press. This book was released on 2019-01-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London

Book Konstantin Bessmertny

    Book Details:
  • Author : Konstantin Bessmertny
  • Publisher : Anna Maria Rossi & Fabio Rossi Publications
  • Release : 2010
  • ISBN : 9781906576172
  • Pages : 51 pages

Download or read book Konstantin Bessmertny written by Konstantin Bessmertny and published by Anna Maria Rossi & Fabio Rossi Publications. This book was released on 2010 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Venice Biennale and the Asia Pacific in the Global Art World

Download or read book The Venice Biennale and the Asia Pacific in the Global Art World written by Stephen Naylor and published by Routledge. This book was released on 2020-05-14 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.

Book Review of culture

Download or read book Review of culture written by and published by . This book was released on 2014 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Hong Kong Soft Power

    Book Details:
  • Author : Frank Vigneron
  • Publisher : The Chinese University of Hong Kong Press
  • Release : 2018-03-15
  • ISBN : 9629968045
  • Pages : 490 pages

Download or read book Hong Kong Soft Power written by Frank Vigneron and published by The Chinese University of Hong Kong Press. This book was released on 2018-03-15 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late 2014, the prodemocracy demonstrations that were called the "Umbrella Movement" revealed to the world that Hong Kong was not the moneyobsessed society it had often been portrayed as. Hong Kong Soft Power is a description of the complex relationship the artists and activists of this city have had with the country it has been part of since 1997. Trying to understand all the varied forms of art practices possible in the Special Administrative Region by locating them within a relational model, and situating them within the dynamic and changing art ecosystem that has developed over the last decade, Hong Kong Soft Power describes the local art field as a site of struggle where the connections with Chinese Mainland institutions and art practices play a fundamental role. This is not to say that this influence has entirely dominated the local art field, and this book also emphasizes how the artists of the city have engaged in practices ranging from the most personal to the most sociallyoriented. With the analysis of the works of about fifty local art practitioners and a representative range of art institutions, Hong Kong Soft Power is the portrait of a culture going through the trials and tribulations of rapid political and economic changes in both its negative and positive effects.