Download or read book Alan Jackson Precious Memories Songbook written by Alan Jackson and published by Hal Leonard Corporation. This book was released on 2006-08-01 with total page 69 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.

Download or read book Jazz Fest Memories written by Smith, Michael P. and published by Pelican Publishing. This book was released on 1997 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jazz Memories written by Jerry Stoll and published by Pomegranate. This book was released on 1987-01-01 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: In date book format, with blank spaces to record appointments, etc.; features selected birthdays, festival openings, and other events in jazz history. Photographs of musicians on each facing page.

Download or read book Insights In Jazz e book written by John A. Elliott and published by Dr John A Elliott. This book was released on with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jazz memories written by Herman Leonard and published by Filipacchi. This book was released on 1995 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le monde " Les photos d'Herman Leonard, celles d'Oscar Pettiford par exemple, racontent une histoire simple, une histoire en noir et blanc comme les notes sur une portée ou les touches d'un piano. " Elle " Une galerie de portraits-souvenirs exceptionnels à la gloire du jazz. " La république de Seine-et-Marne " De quoi faire se pâmer tous les amoureux du jazz ! " Libération (...) outre un manuel de l'esthétique " Swing Street " et un long poème visuel en hommage à la nostalgie be-bop, l'une des plus attachantes histoires du jazz des années 50. Le quotidien du médecin " Ses photographies en bichromie, réalisées à partir de 1948, dévoilent, au-delà des visages, par les attitudes et les mimiques, l'âme même des musiciens. L'Evénement du Jeudi " C'est tout bonnement à couper le souffle. " Le Nouvel Observateur " Confident des musiciens, Herman Leonard a su avec son appareil voler un peu de leur secret. (...) Du jazz plein les yeux. Photo " Le jazz avait déjà ses poètes, ses historiens, ses techniciens, il a trouvé son photographe. Herman Leonard donne aux amateurs du monde entier la vision concrète des hommes qu'ils admirent. " L'Express " De tous les photographes du jazz, Herman Leonard, un Américain vivant à Paris, est sans conteste le plus raffiné. " Photo Reporter " Ses images ont la densité émotionnelle du concert " live " et la rigueur du studio. Tout simplement fabuleux : il ne manque pas une veine saillante, une volute de fumée à la légende passionnée des " jazz-heros. " Paris Match " Des documents d'une beauté exceptionnelle. " Jazz magazine " Je ne peux qu'évoquer la finesse du grain, la texture précieuse de ces clichés. Souligner combien Leonard nous révèle la photogénie du jazz. Peut-être parce que tout ce jeu de noirs et blancs se répondant et s'impliquant mutuellement, emblématise la trame même du jazz cependant qu'il assure la structuration lumineuse de la photographies. " Smithsonian Institution- Washington " De toute évidence, votre travail mérite d'être présenté à la Smithsonian Institution en même temps que d'autres trésors nationaux tels que les manuscrits de Duke Ellington, la trompette de Dizzy Gillepsie et les violons de Stradivarius ! Nous serions très heureux et honorés d'établir une 'Collection Herman Leonard' réunissant vos photos. " Sunday Times- Londres " Herman Leonard ne se trouva pas seulement là où il fallait au bon moment, il a saisi la richesse tonale et l'aspect fugitif du jazz comme nul autre photographe actuel. Design Week- Londres " Il n'y a aucun doute, Leonard est maître de la photographie en noir et blanc. Ses superbes compositions, aux subtiles gradations de lumière, ressuscitent l'époque du be-bop, où les jeunes créateurs de cet art novateur et vigoureux défièrent le monde de la musique. " Russell Davies-BBC Arts Review " Plus que tout autre photographe, Leonard a saisi les géants du jazz des années 40 et 50 dans un style rendant avec une extraordinaire intensité les grands moments de l'histoire de cette musique. " Creative arts- Los Angeles " Billie Holiday chantait le blues, Dizzy Gillepsie sidérait le public du Royal Roost. Herman Leonard a préservé pour l'éternité chaque note incandescente et nuance de cette grande époque du jazz. " People Magazine-New York " il existe peu de remarquables photographes du jazz des années 40 et 50, mais Herman Leonard en est le plus extraordinaire. " Washington Review-Washington " Photo après photo, le spectateur est frappé par cet ineffable 'moment de vérité' que Leonard a pu saisir. " Quincy Jones s'adressant à des musiciens à une séance d'enregistrement de Michael Jackson " Ce type fait avec son appareil photo ce que vous faites avec vos instruments ! " Ray Brown-Contrebassiste " Herman est le Charlie Parker des photographes ! " Miles Davis " Herman ? C'est lui le meilleur ! " Dizzy Gillepsie " Peut-on aller plus loin ? "

Download or read book I Remember Jazz written by Al Rose and published by LSU Press. This book was released on 1999-03-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Al Rose has known virtually every noteworthy jazz musician of this century. For many of them he has organized concerts, composed songs that they later played or sang, and promoted their acts. He has, when called upon, bailed them out of jail, straightened out their finances, stood up for them at their weddings, and eulogized them at their funerals. He has caroused with them in bars and clubs from New Orleans to New York, from Paris to Singapore -- and survived to tell the story. The result has been a lifetime of friendship with some of the music world's most engaging and rambunctious personalities. In I Remember Jazz, Rose draws on this unparallelled experience to recall, through brief but poignant vignettes, the greats and the near-greats of jazz. In a style that is always entertaining, unabashedly idiosyncratic, and frequently irreverent, he writes about Jelly Roll Morton and Bunny Berigan, Eubie Blake and Bobby Hackett, Earl Hines and Louis Armstrong, and more than fifty others. Rose was only twenty-two when he was first introduced to Jelly Roll Morton. He quickly discovered that they had more in common than a love of music. Something of a peacock at that age, Rose was dressed in a "polychromatic, green-striped suit, pink shirt with a detachable white collar, dubonnet tie, buttonhole, and handkerchief" -- and so was Jelly Roll. About Eubie Blake, Rose notes that he was not only a superb musician but also a notorious ladies' man. Rose recalls asking the noted pianist when he was ninety-seven, "How old do you have to be before the sex drive goes?" Blake's reply: "You'll have to ask someone older than me." Once in 1947, Rose was asked to assemble a group of musicians to play at a reception to be hosted by President Truman at Blair House in Washington, D.C. The musicians included Muggsy Spanier, George Brunies, Pee Wee Russell, Pops Foster, and Baby DOdds. But the hit of the evening was President Truman himself, who joined the group on the piano to play "Kansas City Kitty" and the "Missouri Waltz." I Remember Jazz is replete with such amusing and affectionate anecdotes -- vignettes that will delight all fans of the music. Al Rose does indeed remember jazz. And for that we can all be grateful.

Download or read book Tallinn 67 Jazz Festival written by Heli Reimann and published by Routledge. This book was released on 2021-08-14 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.

Download or read book Christmas Memories Book 2 written by Melody Bober and published by Alfred Music. This book was released on 2007-07-18 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Christmas Season brings wonderful traditions and thus creates happy memories. The sharing of traditional Christmas carols is one such tradition. In Christmas Memories, Book 2, Melody Bober shares some of her favorite carols arranged in her signature style with lyrical melodies and lush harmonies. Titles: * Angels We Have Heard on High * Away in a Manger * The First Noel * Good Christian Men, Rejoice * I Saw Three Ships * It Came Upon a Midnight Clear * O Come, All Ye Faithful * Silent Night

Download or read book Jazz Memories written by Dan Bied and published by . This book was released on 1994 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Unfinished Blues written by Harold Battiste and published by Louisiana Artists Biography. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Arrangements and productions": p. 177-179.

Download or read book A Life in Jazz written by Danny Barker and published by Springer. This book was released on 2016-07-27 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,

Download or read book The Jazz Image written by K. Heather Pinson and published by Univ. Press of Mississippi. This book was released on 2010-12-01 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Typically, a photograph of a jazz musician has several formal prerequisites: black-and-white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. That's the jazz archetype that photography created. Author K. Heather Pinson discovers how such a steadfast script developed visually and what this convention meant for the music. Album covers, magazines, books, documentaries, art photographs, posters, and various other visual extensions of popular culture formed the commonly held image of the jazz player. Through assimilation, there emerged a generalized composite of how mainstream jazz looked and sounded. Pinson evaluates representations of jazz musicians from 1945 to 1959, concentrating on the seminal role played by Herman Leonard (b. 1923). Leonard's photographic depictions of African American jazz musicians in New York not only created a visual template of a black musician of the 1950s, but also became the standard configuration of the music's neoclassical sound today. To discover how the image of the musician affected mainstream jazz, Pinson examines readings from critics, musicians, and educators, as well as interviews, musical scores, recordings, transcriptions, liner notes, and oral narratives.

Download or read book Phonographic Memories written by Njelle W. Hamilton and published by Rutgers University Press. This book was released on 2019-05-03 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization.

Download or read book Jazz Books in the 1990s written by Janice Leslie Hochstat Greenberg and published by Scarecrow Press. This book was released on 2010-03-18 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.

Download or read book Women in Jazz written by Marie Buscatto and published by Routledge. This book was released on 2021-12-30 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways in which women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men – even when musicians, critics and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author’s postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world.

Download or read book Jazz and Culture in a Global Age written by Stuart Nicholson and published by Northeastern University Press. This book was released on 2014-06-03 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Noted jazz scholar, biographer, and critic Stuart Nicholson has written an entertaining and enlightening consideration of the music's global past, present, and future. Jazz's emergence on the world scene coincided with America's rise as a major global power. The uniqueness of jazz's origins--America's singularly original gift of art to the world, developed by African Americans--adds a level of complexity to any appreciation of jazz's global presence. In this volume, Nicholson covers such diverse and controversial topics as jazz in the iPod musical economy, issues of globalization and authenticity, jazz and American exceptionalism, jazz as colonial tip of the sword, global interpretation, and the limits of jazz as a genre. Nicholson caps the volume with fascinating and anecdote-rich discussions of jazz as a form of "modernism" in the twentieth century, the history of jazz fads (such as the cakewalk) that elicited very different reactions among American and European audiences, and a hearty defense of Paul Whiteman and his efforts to legitimize jazz as art. Stuart Nicholson has written a thought-provoking and opinionated work that should equally engage and enrage all manner of jazz lovers, scholars, and aficionados.

Download or read book Global Jazz written by Clarence Bernard Henry and published by Routledge. This book was released on 2021-08-30 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.