Download or read book Javanese Shadow Theatre written by Roger Long and published by Ann Arbor, Mich. : UMI Research Press. This book was released on 1982 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Javanese Shadow Plays Javanese Selves written by Ward Keeler and published by Princeton University Press. This book was released on 2017-03-14 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: As with many performing arts in Asia, neither the highly stylized images of the Javanese shadow play nor its musical complexity detracts from its wide popularity. By a context-sensitive analysis of shadow-play performances, Ward Keeler shows that they fascinate so many people in Java because they dramatize consistent Javanese concerns about potency, status, and speech. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book On Thrones of Gold written by James R. Brandon and published by University of Hawaii Press. This book was released on 1993-07-01 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: ¿Perhaps the best English-language puppetry book in years.¿ ¿Library Journal ¿Accessible and unexpectedly involving ... an essential book for anyone seriously interested in wayang.¿ ¿
Download or read book The Shadow Puppet Theatre of Malaysia written by Beth Osnes and published by McFarland. This book was released on 2014-01-10 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.
Download or read book Wayang Its Doubles written by Jan Mrázek and published by National University of Singapore Press. This book was released on 2019 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much has been said about how Javanese puppet theatre, Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. 0For decades, television has been as intensely part of the Javanese world as Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' - intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.0This encounter is explored on many levels including performance aesthetics, the technicalities of television production, issues of time, space, light, place, and movement, audience experience of live and televised performances, and the collaboration and struggle between performers and television producers. Central to the book are personal perspectives and experiences, as well as Javanese discussions surrounding the interaction between Wayang and television and their cultures.0They are brought into a conversation with reflections on media and technology by writers such as Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel. Wayang's relationship with television is considered in the context of the theatre's intercourse with older and newer media, including electricity, radio, audio- and video-recording, the internet and social media.
Download or read book Shadow Theatre in Java written by Alit Veldhuisen-Djajasoebrata and published by . This book was released on 1999 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Javanese society and wayang theatre are closely connected; not only are ideas from the wayang stories deeply embedded in Javanese culture, wayang is also a means of expression. The heroes of wayang stories, accompanied by their servants, demons and gods, have been part of everyday life in Java for centuries. They have played the part of role models and examples, but at times they have also served as mouthpieces that are able to express sentiments that would otherwise remain unspoken. Over the centuries, the ancient wayang theatre has developed into a distinctive form of art. Foreign influences provided new stories, characters were added, new styles were refined at the courts, and, in the twentieth century, wayang theatre even served as a vehicle for propaganda, especially during the struggle for independence from Dutch colonial rule."--
Download or read book Javanese Wayang Kulit written by Edward C. Van Ness and published by Oxford University Press, USA. This book was released on 1980 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perhaps no other culture has placed so much emphasis on a theatrical form as a medium of transmitting cultural values as the Javanee. Wayang Kulit--the shadow play performed with puppets--provides one of the oldest continuous traditions of storytelling in the region. This is the first account of the subject for the general reader, explaining its importance in the everyday life of the Javanese.
Download or read book Shadows of Empire written by Laurie Jo Sears and published by Duke University Press. This book was released on 1996 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds of years, our knowledge of its history, performance practice, and role in Javanese society only begins with Dutch documentation and interpretation in the nineteenth century. Analyzing the Mahabharata and Ramayana tales in relation to court poetry, Islamic faith, Dutch scholarship, and nationalist journals, Sears shows how the shadow theater as we know it today must be understood as a hybrid of Javanese and Dutch ideas and interests, inseparable from a particular colonial moment. In doing so, she contributes to a re-envisioning of European histories that acknowledges the influence of Asian, African, and New World cultures on European thought--and to a rewriting of colonial and postcolonial Javanese histories that questions the boundaries and content of history and story, myth and allegory, colonialism and culture. Shadows of Empire will appeal not only to specialists in Javanese culture and historians of Indonesia, but also to a wide range of scholars in the areas of performance and literature, anthropology, Southeast Asian studies, and postcolonial studies.
Download or read book Tall Tree Nest of the Wind written by Ben Arps and published by . This book was released on 2015 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shadow Play written by Sheri Lynn Gibbings and published by University of Toronto Press. This book was released on 2021 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shadow Play examines how members of the urban underclass in Indonesia seek to negotiate their rights to urban space in a country undergoing significant social, political, and economic change.
Download or read book WAYANG WONG written by R.M. Soedarsono and published by UGM PRESS. This book was released on 2021-11-24 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wayang wong performances we put on stage at the dawn of the day because it was karsa-Dalĕm, the Sultan’s will. In my opinion, there must be something particularly significant behind the creation of wayang wong, because the Surakarta court never performed this dance genre, and I realized that to obtain satisfactory answers to these questions I would have to do extensive research on this subject. In August, 1977, when I participated in the World Music Congress at Berkeley, I met Professor Judith Becker. On onve occasion I taled with her concerning the possibility of my pursuin a Ph.D. degree at the University of Michigan with a dissertation topic, “Wayang Wong”. She responded wholeheartedly and, without any delay, made a long distance call to her husband, Professor Alton L. Becker. Both of them became my teachers, advisors and co-chairmen. After my return from Berkeley I started to do research on some aspects of wayang wong. In 1980 I began my course work in Southeast Asian Studies at the University of Michigan emphasizing three areas of study: (1) Southeast Asian Performance Traditions; (2) Southeast Asian History; and (3) Southeast Asian Literature. With the assistance of the Asian Cultural Council I continued my research at the Asia Society and the Library of Performing Arts in New York. There I scrutinized wayang wong films, especially the one of the lakon Mintaraga made by Mr. Tassilo Adam in 1926. Although the film is very choppy, it gave me priceless information about he magnificent production and also about the large audience of kawula-Dalĕm, the Sultan’s subjects. Who witnessed the perfor-mance. With the assistance of the Asian Cultural Council, the Ford Foundation and the University of Michigan I returned to Java during the summer of 1981 to continue by research at the Yogya-karta court libraries. The Sanabudaya Museum, and to interview numerous ex-wayang wong dancers. From these activities the first evidence for my hypothesis emerged, i.e., that wayang wong was a state ritual and not just a mere entertainment in the Yogyakarta court. By reading numerous wayang wong texts –Sĕrat Kandha and Sĕrat Pocapan, all in Javanese handwriting--, manuscripts about he Yogyakarta’s pusakas, and by analysing the conception of kingship of Mataram, I obtainded enough data to confirm my hypothesis further. It became apparent to me that wayang wong was created by Sultan Hamĕngkubuwana I in the late 1970’s as a revival of the Old javanese wayang wang. Photographs play a significant role in this work, since visual information about this dance drama gives us a clear image of numerous scenes. With the exception of figures nos. 1317, 69 and 84 all the photographs and pictures are from my own collection and drawing. Photographs are, nevertheless, motionless shots of dance movement and, therefore, cannot distinguish the movements of one character from another. Hence I have felt it necessary to put the basic movements of the twenty-one wayang wong types of character in Labanotation.
Download or read book Inside the Puppet Box written by Felicia Katz-Harris and published by Museum of International Folk Art & Macedonian Arts Council. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indonesianwayang kulit(shadow puppet) performance is one of the oldest and greatest storytelling traditions in the world and lies close to the heart of Javanese culture. These flat puppets, made from water buffalo hide, are elaborately decorated and perforated to cast spectacular shadows when used in performances that are usually based on classical literature with contemporary issues incorporated into particular scenes, and are always accompanied by a gamelon orchestra. An art of and for the people,wayang kulitremains a popular and significant form of cultural expression to this day. This book describes a collection of gold and bronze leaf Surakarta-style wayang kulit including over 200 wayang characters, which are identified by name and briefly introduced, providing a glimpse inside the puppet box. Felicia Katz-Harrisis the curator of Asian and Middle Eastern folk art at the Museum of International Folk Art in Santa Fe, New Mexico.
Download or read book Listening to an Earlier Java written by Sarah Weiss and published by BRILL. This book was released on 2010-01-01 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: In "old-style" Central Javanese wayang, still known to many shadow-puppet performers and musicians in Java today, the male dhalang and his primary accompanist, usually a female gender player, are gendered embodiments of a Javanese aesthetic that has its origins in early Java. Analysis of the musical tradition known as "female style" grimingan—melodies played on the gender as the puppeteer sings, narrates or describes a scene—makes it possible to "listen back" to and reconstruct aesthetics for Javanese performance that can be felt in literary sources as early as the 12th century and that has endured into the present through cultural and political upheaval and globalised change during the colonial and postcolonial periods. Ethnomusicologist Sarah Weiss, herself a gamelan musician who has directed ensembles in Australia and the United States over many years, examines for the first time the musical practices, concepts, stories, changing historical circumstances, and myths that have shaped "female-style" gender playing into a uniquely significant mode of artistic practice. This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats.
Download or read book Shadow Woman written by Grant Hayter-Menzies and published by McGill-Queen's Press - MQUP. This book was released on 2013-10-01 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.
Download or read book Women in the Shadows written by Jennifer Goodlander and published by Ohio University Press. This book was released on 2016-10-31 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy. In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, “tradition” in Bali must be understood as a system of power that is inextricably linked to gender hierarchy. She examines the very idea of “tradition” and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.
Download or read book Bodies of Enchantment written by Nicola Levell and published by . This book was released on 2021-10-26 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Puppeteers have enthralled audiences for millennia with their unique charm, not just telling stories but enacting history, sharing knowledge, and preserving culture. In this dazzling and immersive volume based on the 2019 exhibition Shadows, Strings and Other Things (UBC Museum of Anthropology), puppets from all corners of the globe are resplendent in striking photographs that illustrate texts from ten scholars and puppeteers. Bodies of Enchantment highlights still-vital traditional puppetry practices, as well as examples of modern adaptations of the form: translucent leather shadow puppets depict ancient Indian epics in modern-day Indonesia; Taiwan's long-running Pili glove puppetry show thrives in the digital era; and Indigenous filmmaker Amanda Strong uses stop-motion animation to create entrancing new realms. Bodies of Enchantment: Puppets from Asia, Europe, Africa and the Americas features over 150 full-color images, and chapters by nine additional contributors: Anthony Alan Shelton revels at the alluring uncanniness of puppets; Annie Katsura Rollins explores Chinese shadow puppetry; Sutrisno Setya Hartana introduces us to Indonesian wayang; Jo Ann Cavallo unpacks the archetypes of Sicilian opera dei pupi; Mary Jo Arnoldi encounters the Sogobò masquerade in Malí; Izabela Brochado shows the continued vibrancy of mamulengo in Brazil; Kathy Foley and Catherine Ries uncover the significance of clothing in Javanese wayang golak cepak; and Jill Baird shares the history of puppetry at the Museum of Anthropology.
Download or read book Performing Faith written by Marzanna Poplawska and published by Routledge. This book was released on 2020-02-10 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.
