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Book Japanese Prints and Western Painters

Download or read book Japanese Prints and Western Painters written by Frank Whitford and published by . This book was released on 1977 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the impact of Japanese prints on Western artists, in particular the French artists in the 19th Century.

Book Japonisme

    Book Details:
  • Author : Siegfried Wichmann
  • Publisher :
  • Release : 1999
  • ISBN :
  • Pages : 436 pages

Download or read book Japonisme written by Siegfried Wichmann and published by . This book was released on 1999 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japan's door to the outside world was opened in 1858, ending a 200-year period of total isolation. The wealth of superb Japanese traditions of ceramics, metalwork and architecture, as well as printmaking and painting, reached the West and brought with it electrifying new ideas of composition, colour and design. In this book, Siegfried Wichmann, the internationally renowned expert on Japonisme, accompanies his breathtaking illustrations with a text that marshals a wealth of detail and opens up new lines of enquiry.

Book Maximum Embodiment

    Book Details:
  • Author : Bert Winther-Tamaki
  • Publisher :
  • Release : 2012-01-31
  • ISBN :
  • Pages : 260 pages

Download or read book Maximum Embodiment written by Bert Winther-Tamaki and published by . This book was released on 2012-01-31 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the “Western painting” of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhaps the most critical marker of Yoga was its association with the medium of oil-on-canvas, which differed greatly from the water-based pigments and inks of earlier Japanese painting. Yoga encompassed both establishment fine art and avant-gardist insurgencies, but in both cases, as the term suggests, it was typically focused on techniques, motifs, canons, or iconographies that were obtained in Europe and deployed by Japanese artists. Despite recent advances in Yoga studies, important questions remain unanswered: What specific visuality did the protagonists of Yoga seek from Europe and contribute to modern Japanese society? What qualities of representation were so dearly coveted as to stimulate dedication to the pursuit of Yoga? What distinguished Yoga in Japanese visual culture? This study answers these questions by defining a paradigm of embodied representation unique to Yoga painting that may be conceptualized in four registers: first, the distinctive materiality of oil paint pigments on the picture surface; second, the depiction of palpable human bodies; third, the identification of the act and product of painting with a somatic expression of the artist’s physical being; and finally, rhetorical metaphors of political and social incorporation. The so-called Western painters of Japan were driven to strengthen subjectivity by maximizing a Japanese sense of embodiment through the technical, aesthetic, and political means suggested by these interactive registers of embodiment. Balancing critique and sympathy for the twelve Yoga painters who are its principal protagonists, Maximum Embodiment investigates the quest for embodiment in some of the most compelling images of modern Japanese art. The valiant struggles of artists to garner strongly embodied positions of subjectivity in the 1910s and 1930s gave way to despairing attempts at fathoming and mediating the horrifying experiences of real life during and after the war in the 1940s and 1950s. The very properties of Yoga that had been so conducive to expressing forceful embodiment now produced often gruesome imagery of the destruction of bodies. Combining acute visual analysis within a convincing conceptual framework, this volume provides an original account of how the drive toward maximum embodiment in early twentieth-century Yoga was derailed by an impulse toward maximum disembodiment.

Book Japanesque

Download or read book Japanesque written by Karin Breuer and published by Prestel Publishing. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated book examines the profound influence of Japanese prints on the Impressionists and their American contemporaries.

Book Japonisme

Download or read book Japonisme written by and published by . This book was released on 1986 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Looking East

    Book Details:
  • Author : Helen Burnham
  • Publisher :
  • Release : 2014
  • ISBN : 9780878468102
  • Pages : 0 pages

Download or read book Looking East written by Helen Burnham and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Published in conjunction with the exhibition Looking East, organized by the Museum of Fine Arts, Boston; Frist Center for the Visual Arts, Nashville, Tennessee, January 31-May 11, 2014; Setagaya Art Museum, Tokyo, Japan, June 28-September 15, 2014; Kyoto Municipal Museum of Art, Japan, September 30-November 30, 2014; Nagoya/Boston Museum of Fine Arts, Japan, January 2-May 10, 2015; Musee National des Beaux-Arts du Quebec, Canada, June 11-September 27, 2015; Asian Art Museum, San Francisco, California, October 30, 2015-January 24, 2016"--Colophon.

Book The Politics of Painting

    Book Details:
  • Author : Asato Ikeda
  • Publisher : University of Hawaii Press
  • Release : 2018-05-31
  • ISBN : 0824872126
  • Pages : 165 pages

Download or read book The Politics of Painting written by Asato Ikeda and published by University of Hawaii Press. This book was released on 2018-05-31 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.

Book Japanese Prints and Western Painting

Download or read book Japanese Prints and Western Painting written by Frank Whitford and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Japanese Prints and Western Painters

Download or read book Japanese Prints and Western Painters written by Frank Whitford and published by . This book was released on 1977 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the impact of Japanese prints on Western artists, in particular the French artists in the 19th Century.

Book Images of a Changing World

Download or read book Images of a Changing World written by Donald Jenkins and published by . This book was released on 1983 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Monet   Japan

Download or read book Monet Japan written by Claude Monet and published by . This book was released on 2001 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany the exhibition at the National Gallery of Australia, Canberra, 9 March - 11 June 2001, and the Art Gallery of Western Australia, Perth, 7 July - 16 September 2001.

Book Warriors of Art

    Book Details:
  • Author : Yumi Yamaguchi
  • Publisher : Kodansha International
  • Release : 2007
  • ISBN : 9784770030313
  • Pages : 190 pages

Download or read book Warriors of Art written by Yumi Yamaguchi and published by Kodansha International. This book was released on 2007 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently the West has been inundated by a steady flow of images from manga, anime, and the video games that are a key part of todays Japanese visual culture. At the same time, Japanese contemporary artists are gaining a higher profile overseas: many Westerners are already familiar with Takashi Murakamis brightly colored, cartoonlike characters, or with Junko Mizunos grotes-cute Lolita-style girls. Perhaps less familiar are the absurd fighting machines of Kenji Yanobe, the many disguises of Tomoko Sawada, or the grotesque fairytale landscapes of Tomoko Konoike. Warriors of Art features the work of forty of the latest and most relevant contemporary Japanese artists, from painters and sculptors, to photographers and performance artists, with lavish full-color spreads of their key works. Author Yumi Yamaguchi offers an insightful introduction to the main themes of each artist, and builds up a fascinating portrait of the society that has given birth to them: a Japan that still bears the scars of atomic destruction, a Japan with a penchant for the cute and the childish, a Japan whose manga and anime industries have come to dominate the world. Warriors of Art takes its title from a phrase used to describe Taro Okamoto (1911-1996), perhaps the first truly influential contemporary artist to emerge in postwar Japan, who fought to bring modern art to a wider audience. Following in Okamotos footsteps, the forty artists featured in this book are a new generation of warriors, attacking our senses with a shocking mix of the cute, the grotesque, the sexy, and the violent, forcing us to sit up and take notice of their vision of Japan.

Book Japanese Prints

    Book Details:
  • Author : Christie, Manson & Woods International Inc
  • Publisher :
  • Release : 1991
  • ISBN :
  • Pages : pages

Download or read book Japanese Prints written by Christie, Manson & Woods International Inc and published by . This book was released on 1991 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Hokusai  First Manga Master

Download or read book Hokusai First Manga Master written by Jocelyn Bouquillard and published by . This book was released on 2007-06 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hokusai's "Mangas" constitute a comprehensive visual encyclopaedia of the Japanese civilization in the XIXth Century. He also depicts the Japanese landscape: wildlife, vegetation, mountains, countryside, seaside, the changes of weather, architecture as well as religious and mythological themes.

Book Japanese Art in Detail

    Book Details:
  • Author : John Reeve
  • Publisher : Harvard University Press
  • Release : 2005
  • ISBN : 9780674023918
  • Pages : 152 pages

Download or read book Japanese Art in Detail written by John Reeve and published by Harvard University Press. This book was released on 2005 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is Japanese art? This book supplies an answer that gives a reader both a true picture and a fine understanding of Japanese art. Arranged thematically, the book includes chapters on nature and pleasure, landscape and beauty, all framed by themes of serenity and turmoil, the two poles of Japanese culture ancient and modern.

Book Challenging Past And Present

    Book Details:
  • Author : Ellen P. Conant
  • Publisher : University of Hawaii Press
  • Release : 2006-01-01
  • ISBN : 9780824829377
  • Pages : 346 pages

Download or read book Challenging Past And Present written by Ellen P. Conant and published by University of Hawaii Press. This book was released on 2006-01-01 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: The complex and coherent development of Japanese art during thecourse of the nineteenth century was inadvertently disrupted by apolitical event: the Meiji Restoration of 1868. Scholars of both thepreceding Edo (1615-1868) and the succeeding Meiji (1868-1912) erashave shunned the decades bordering this arbitrary divide, thus creatingan art-historical void that the former view as a period of waningtechnical and creative inventiveness and the latter as one threatenedby Meiji reforms and indiscriminate westernization and modernization.Challenging Past and Present, to the contrary, demonstrates that theperiod 1840-1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turnmade possible the creative achievements of the twentieth century