Download or read book Jacques Offenbach and the Making of Modern Culture written by Laurence Senelick and published by Cambridge University Press. This book was released on 2017-09-21 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Download or read book Offenbach s Songs from the Great Operettas written by Jacques Offenbach and published by Courier Corporation. This book was released on 2013-10-01 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expert compilation of original sheet music features 38 popular songs from 14 operettas. Complete French texts to selections from Orpheé aux enfers, La belle Hélène, and other operettas, plus English translations.
Download or read book Offenbach in America written by Jacques Offenbach and published by . This book was released on 1877 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mad Loves written by Heather Hadlock and published by Princeton University Press. This book was released on 2016-07-26 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject. Les Contes d'Hoffmann is also examined as both a continuation and a retraction of tendencies in Offenbach's earlier operettas and opéra-comiques. Hadlock investigates the political climate of the 1870s that influenced the composer's vision and the reception of his last work. Drawing upon insights from feminist, literary, and cultural theory, she considers how the opera's music and libretto took shape within a complex literary and theatrical tradition. Finally, Hadlock ponders the enigmas posed by the score of this unfinished opera, which has been completed many times and by many different hands since its composer's death shortly before the premiere in 1881. In this book, the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself.
Download or read book Hoffmanns Erz hlungen written by Jacques Offenbach and published by . This book was released on 1986 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Operas of Gilbert and Sullivan written by Percy Hetherington Fitzgerald and published by . This book was released on 1894 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adult Piano Adventures Classics Book 1 written by Nancy Faber and published by Hal Leonard Corporation. This book was released on 2016-03-01 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Faber Piano Adventures ). Adult Piano Adventures Classics Book 1 celebrates great masterworks of Western music, including symphony themes, opera gems, and classical favorites. The melodies of Bach, Beethoven, Brahms, and other master composers are arranged at just the right level for adult beginners and for those who are returning to the keyboard. Section 1 features piano arrangements with minimal hand position changes, and many selections include an optional duet part. Section 2 introduces the I, IV, and V7 chords in the key of C major, harmonizing themes such as Sibelius's Finlandia, Schubert's The Trout, and Mendelssohn's Spring Song. Section 3 presents the primary chords in the key of G major, with arrangements of Vivaldi's Autumn (from The Four Seasons), Mozart's theme from The Magic Flute, Lizst's Liebestraum, and more.
Download or read book The Tsimbalist written by Sasha Margolis and published by . This book was released on 2016-02-16 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: At once a thrilling whodunnit, a maddening romance, and an invigorating plunge into history, The Tsimbalist is a tale of Jews and Russians, depicting their complicated friendships, their dangerous enmities, and their illicit loves, all seen through the eyes of Avrom, a barber, musician, all-around mensch, and born detective. The year is 1871. The inhabitants of Balativke live in delicate balance -until a young Russian aristocrat is found murdered near the home of Koppel, a poor Jew. With the police unable to unravel the mystery of the aristocrat's murder, and blame falling upon Koppel amid a rising tide of anti-Jewish feeling, a desperate Avrom attempts to prevent disaster for his community by searching out the truth himself. Learning as much about the people he lives among as he does about the slain Arkady Olegovich, Avrom finds that few are who they seem. But could one of his neighbors really be a murderer?
Download or read book Manet Wagner and the Musical Culture of Their Time written by Therese Dolan and published by Routledge. This book was released on 2017-07-05 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the tumult caused by German composer Richard Wagner result in the first modernist painting? In the first full-length book dedicated to the study of Edouard Manet and music, art historian Therese Dolan demonstrates that the 1862 painting Music in the Tuileries represents the progressive musical culture of his time, heretofore read by scholars predominantly through the words of Charles Baudelaire. Dolan sees in this painting's radical style the conceptual shift to modernism in both painting and music, a transition that, she convincingly argues, received a strong impetus from Manet's Music in the Tuileries and Wagner's controversial Tannh?er, which premiered the previous year. Supplemental to analysis of the painting, Dolan incorporates discussion of texts by Theophile Gautier, Champfleury, and Baudelaire who are represented in the painting. This book incorporates studies of the major artistic, literary, and musical figures of nineteenth-century France. It represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century, a period of intense literary, artistic, and musical activity that formed the crucible for modernism.
Download or read book Les Contes D hoffmann the Tales of Hoffmann Classic Reprint written by Jacques Offenbach and published by Forgotten Books. This book was released on 2018-10-10 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Les Contes D'hoffmann (the Tales of Hoffmann) Ti-re lan la! Du Vin! Da vin! Du Vin! Du Vin! Tra la 1a 1a! More wine and beer! More wine and beer! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Operetta written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2015-10-05 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.
Download or read book The Tales of Hoffmann written by Mary Dibbern and published by Pendragon Press. This book was released on 2002 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mary Dibbern, Music Director of Education and Family Programs at The Dallas Opera, and adjunct faculty member at the University of North Texas has created a Performance Guide for Offenbach's opera The Tales of Hoffmann. This contribution to the Vox Musicae series presents a word-by-word translation and IPA transcription of the published versions of the French libretto, and her translations of its literary sources trace the libretto's development from E.T.A. Hoffmann's "Tales." The Guide includes an interview with French opera specialist Janine Reiss, and a Foreword by Thomas Grubb. This well-rounded volume is designed for use by singers, vocal coaches, conductors, producers and directors, as well as opera-lovers.
Download or read book Fragments of Modernity Routledge Revivals written by David Frisby and published by Routledge. This book was released on 2013-09-13 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fragments of Modernity, first published in 1985, provides a critical introduction to the work of three of the most original German thinkers of the early twentieth century. In their different ways, all three illuminated the experience of the modern urban life, whether in mid nineteenth-century Paris, Berlin at the turn of the twentieth century or later as the vanguard city of the Weimar Republic. They related the new modes of experiencing the world to the maturation of the money economy (Simmel), the process of rationalization of capital (Kracauer) and the fantasy world of commodity fetishism (Benjamin). In each case they focus on those fragments of social experience that could best capture the sense of modernity.
Download or read book Four Last Songs written by Linda Hutcheon and published by University of Chicago Press. This book was released on 2016-11-04 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Later life is a fraught topic in our commercialized, anti-aging, death-denying culture. Where does creativity fit in? The canonical composers whose stories are told in this book--Giuseppe Verdi (1813-1901), Richard Strauss (1864-1949), Olivier Messiaen (1908-1992), and Benjamin Britten (1913-1976)--offer radically individual responses to that question. In their late years, each of these national icons wrote an opera around which coalesced major issues about their own creativity and aging, ranging from declining health to the critical expectations that accompany success and long artistic careers. They also had to deal with the social, political and aesthetic changes of their time, including World Wars and the rise of musical modernism. By investigating their attitudes to their creativity in the face of aging, together with their late compositions and the critical reception of them, this book tells the stories of their different but creative ways of dealing with those changes. Bringing their respective specialties of medicine and literary criticism to bear on the study, the authors show how the late nineteenth century, where these stories begin, saw the discovery and definition of "old age” as a social, economic, and medical construct. And thus were born, in the twentieth century, both geriatrics and gerontology as disciplines. Despite recent medical advances and increased life expectancy, the strikingly dichotomous cultural views of age and aging--both positive and negative--have not changed much at all. What also has not changed are the reception of late-life works as caught between decline and apotheosis and the fraught discourse of "late style.” The stories in this book weave all these elements together, highlighting both the shared vicissitudes of aging and the individual power of creativity as a way to meet them.
Download or read book On Music Money and Markets written by Thomas Baumert and published by Springer Nature. This book was released on 2024-01-31 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Did you know that Bach invested in mines? That Rossini improved his income by running casinos in the opera houses which on weekends performed his operas? Or that Puccini composed shorter arias to make them fit the length of gramophone disks as they reported him huge revenues? Or who was, in financial terms, the most successful classical composer in history? This book —the first of its kind— studies and compares the finances of twenty classical composers in their historical and economical context. Each chapter details and quantifies the sources of income of these musicians (wages, royalties, subsidies, percentages over the number of performances, arrangements, investments in the musical sector, etc), thus allowing to estimate the income they obtained due to their artistic — primarily compositional, but also related— activities. In addition, it also estimates the composer’s expenditures, thus drawing a relatively complete image of their personal finances. This not only allows to conclude to create a ranking of composers according to their economic success, but —more importantly— for the first time gives an accurate image of the financial situation of a broad set of composers. This allows to correct many false believes while also giving new insights on the relation between economics and music history.
Download or read book Music Theater and Cultural Transfer written by Annegret Fauser and published by University of Chicago Press. This book was released on 2009-12-15 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
Download or read book Opera in Paris from the Empire to the Commune written by Mark Everist and published by Routledge. This book was released on 2018-11-21 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
