Download or read book Irony and Identity in Modern Irish Drama written by Ondrej Pilny and published by Litteraria Pragensia. This book was released on 2008-09-18 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collective identity has been a dominant theme throughout the history of modern Irish drama, from the time of the Irish Literary Theatre up till the cultural changes that have resulted from the economic boom of the late 1990s. This book focuses on playwrights from W.B. Yeats and J.M. Synge to Sean OCasey, Denis Johnston, Brian Friel, Stewart Parker and Martin McDonagh and discusses the variegated ironic interactions of their work with the discourse of Irishness, highlighting the difficulties entailed in essentialist definitions of identity, be they called nationalist, post-colonial or otherwise. At the same time, the book points out the sheer amount of theatrical and thematic innovation the ironic relationship with identity has brought about over the decades.
Download or read book The Palgrave Handbook of Contemporary Irish Theatre and Performance written by Eamonn Jordan and published by Springer. This book was released on 2018-09-18 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Download or read book The Oxford Handbook of Modern Irish Theatre written by Nicholas Grene and published by Oxford University Press. This book was released on 2016-07-28 with total page 952 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, and looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting, and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the contributors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Download or read book Irish Theatre in Transition written by D. Morse and published by Springer. This book was released on 2015-01-19 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Irish Theatre in Transition explores the ever-changing Irish Theatre from its inception to its vibrant modern-day reality. This book shows some of the myriad forms of transition and how Irish theatre reflects the changing conditions of a changing society and nation.
Download or read book Irish Drama Modernity and the Passion Play written by Alexandra Poulain and published by Springer. This book was released on 2017-01-19 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
Download or read book The Theatre of Brian Friel written by Christopher Murray and published by A&C Black. This book was released on 2014-04-24 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brian Friel is Ireland's foremost living playwright, whose work spans fifty years and has won numerous awards, including three Tonys and a Lifetime Achievement Arts Award. Author of twenty-five plays, and whose work is studied at GCSE and A level (UK), and the Leaving Certificate (Ire), besides at undergraduate level, he is regarded as a classic in contemporary drama studies. Christopher Murray's Critical Companion is the definitive guide to Friel's work, offering both a detailed study of individual plays and an exploration of Friel's dual commitment to tradition and modernity across his oeuvre. Beginning with Friel's 1964 work Philadelphia, Here I Come!, Christopher Murray follows a broadly chronological route through the principal plays, including Aristocrats, Faith Healer, Translations, Dancing at Lughnasa, Molly Sweeney and The Home Place. Along the way it considers themes of exile, politics, fathers and sons, belief and ritual, history, memory, gender inequality, and loss, all set against the dialectic of tradition and modernity. It is supplemented by essays from Shaun Richards, David Krause and Csilla Bertha providing varying critical perspectives on the playwright's work.
Download or read book The Politics of Identity in Irish Drama written by George Cusack and published by Routledge. This book was released on 2009-06-26 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland’s unique socio-political landscape. Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these authors in the years leading up to Ireland’s revolution.
Download or read book Intertextuality Intersubjectivity and Narrative Identity written by Péter Gaál-Szabó and published by Cambridge Scholars Publishing. This book was released on 2017-01-06 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intertextuality, Intersubjectivity, and Narrative Identity presents recent findings and opens new vistas for research by mapping the potential interconnections of intertextuality and intersubjectivity across a range of fields. Multidisciplinary in its focus, it incorporates various research foci and topoi across time and space. It is largely orchestrated around issues of identity in the fields of narration, gender, space, and trauma in British, Irish, American, South African, and Hungarian contexts. The contributions here centre on narrative identity, mediality, and spatiotemporality; modernism and revivalism; cultural memory, counter-histories, and place; female Künstlerdramas and war testimonies; and parasitical intersubjectivity, trauma, and multiple captivities in slave narratives. The volume brings together the seasoned insight of established researchers and the vivacious freshness of young scholars, providing an engaging read. Ultimately, it will prove to be relevant to researchers, teachers, and the general public given its unique approaches and the diversity of the topics explored.
Download or read book Irish Literature Since 1990 written by Michael Parker and published by Manchester University Press. This book was released on 2013-01-18 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is a distinctive book that examines the diversity and energy of writing in a period marked by the unparalleled global prominence of Irish culture. This collection provides a wide-ranging survey of fiction, poetry and drama over the last two decades, considering both well-established figures and also emerging writers who have received relatively little critical attention. Contributors explore the central developments within Irish culture and society that have transformed the writing and reading of identity, sexuality, history and gender. The book examines the impact of Mary Robinson’s Presidency; growing cultural confidence ‘back home’; legislative reform on sexual and moral issues; the uneven effects generated by the resurgence of the Irish economy (the ‘Celtic Tiger’ myth); Ireland’s increasingly prominent role in Europe; and changing reputation. In its breadth and critical currency, this book will be of particular interest to academics and students working in the fields of literature, drama and cultural studies.
Download or read book Fifty Key Irish Plays written by Shaun Richards and published by Taylor & Francis. This book was released on 2022-08-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.
Download or read book Irish Theatre written by Eamonn Jordan and published by Taylor & Francis. This book was released on 2023-09-27 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book on modern and contemporary Irish theatre traces how social, cultural and economic capital are circulated in order to demonstrate complex and often contradictory outlooks on equality/inequality. Individual chapters analyse property ownership and inheritance; wealth acquisition; employment conditions; educational access; intercultural encounters; sexual intimacy and violation; and acts of resistance, protest and solidarity. This book addresses complex intergenerational, intercultural, racial, sectarian, ethnic, gender and inter- and intraclass dynamics from the perspective of ranked, objectifying, exploitative and coercive relationships but also in terms of commonalities, complicities, reciprocations and retaliations. Notable are the significances of wealth precarity and shaming; the consequences of anti-materialistic dramaturgical leanings; the pathologising of success; the fraught nature of solidarity; and the problematics of merit, divisive partitioning and muddled mésalliances. Ultimately the book wonders about how Irish theatre distinguishes between tolerable and intolerable inequalities that are culturally and socially but principally economically derived.
Download or read book The Grotesque in Contemporary Anglophone Drama written by Ondřej Pilný and published by Springer. This book was released on 2016-06-28 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grotesque features have been among the chief characteristics of drama in English since the 1990s. This new book examines the varieties of the grotesque in the work of some of the most original playwrights of the last three decades (including Enda Walsh, Philip Ridley, Tim Crouch and Suzan-Lori Parks), focusing in particular on ethical and political issues that arise from the use of the grotesque.
Download or read book Codes and Masks written by Mária Kurdi and published by . This book was released on 2000 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Investigating Aspects of Academic Discourse written by Renata Pípalová and published by Charles University in Prague, Karolinum Press. This book was released on 2024-01-01 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Monografie se věnuje anglickému odbornému diskursu a zaměřuje se na několik jeho zásadních rysů. Ačkoli probírá celou řadu dílčích témat, kniha se zabývá především třemi standardy textuality, a sice intertextualitou, koherencí a informativitou. V publikaci se všechny tyto standardy protínají v globálním tématu, které je zde jedinečně uchopeno jako soubor relevantních rysů – je ztvárněno v titulech, v klíčových slovech a jejich výskytu v samotném textu a rozvíjí se v jednotlivých odborných subžánrech, tématech odstavců a dále se prohlubuje zahrnutím relevantních citací. Tato monografie se věnuje výhradně psanému odbornému diskursu. Soustavně vychází z analýzy autentických dat diskursu humanitních věd. Publikaci profilují především stylistické, textově-lingvistické a diskursní analýzy, které čerpají z celé škály relevantních teorií včetně aktuálního členění větného, čímž nepřímo ověřují jejich nosnost. Všechny kapitoly předkládají kvantitativní i kvalitativní analýzu dat, mezi těmito pohledy usilují o rovnováhu a pokoušejí se vždy o funkční interpretaci zjištění. Z epistemologického hlediska jsou všechny studie zahrnuté do této publikace pevně spjaty s funkčně strukturalistickou tradicí Pražské školy, která je přirozeně obohacena o moderní přístupy ze světové lingvistiky. This monograph deals with English academic discourse and focuses on some of its constitutive features. Although a variety of particular topics are addressed, the volume is largely centred on three standards of textuality, namely intertextuality, coherence, and informativity. In this book, all these standards meet in the Global Theme, which is grasped here uniquely as a cluster of relevant features – embodied by the titles, lists of keywords and their in-text use, and further developed through diverse academic subgenres, through paragraph themes and enhanced by integrating relevant citations. This monograph explores written academic discourse exclusively. It is firmly established on the systematic investigation of authentic data drawn from the discourse of the humanities. The book profiles stylistic, text linguistic and discourse analyses, employing a range of relevant theories, including the Functional Sentence Perspective, and thus indirectly verifying their viability. All the chapters provide quantitative as well as qualitative analyses of data, striving to achieve an appropriate balance and to interpret the findings functionally. From the epistemological viewpoint, all of the studies involved in the monograph are rooted in the Prague functionalist tradition, naturally enriched by modern approaches from world linguistics.
Download or read book Cultural Convergence written by Ondřej Pilný and published by Springer Nature. This book was released on 2021 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
Download or read book Prague English Studies and the Transformation of Philologies written by Martin Procházka and published by Karolinum Press. This book was released on 2013-03-01 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collaborative monograph will commemorate the centenary of the Prague English Studies, officially inaugurated in 1912 by the appointment of Vilém Mathesius, the founder of Prague Linguistic Circle and the first Professor of English Language and Literature at Charles University. Apart from reassessing the work of major representatives (Mathesius, Vančura and others) and reviewing important developments in literature-oriented Prague English Studies with respect to the Prague Structuralism, it will focus on the methodological problems of the discipline related to the transformation of humanistic as well as modern philologies, searching for the links between two historically distinct interdisciplinary projects: humanist philology and structuralist semiology. Following Paul de Man, this link can be identified as the problem of rhetoric – its liminal position between grammar and logic, structure and meaning, and its concern with performativity and value of language. Reassessment of this problem appears crucial for understanding the dynamics of present transformation of philologies and structuralist methodologies which will be discussed in the concluding section. The other crucial methodological problem is that of the methodology of literary history. Although the representatives of the Prague English studies managed to overcome the rigidity of synchronic approaches their treatment of dynamic structures is still considerably indebted to traditional notions of function and value. The book is divided into two sections: the first attempts to reassess the significance of the legacy of Mathesius (in literary theory, history and theory of translation) and his followers (especially Zdeněk Vančura and Jaroslav Hornát), the second explores diverse contexts and implications of the Prague Structuralism, from political aspects of Russian formalist theories, via the aesthetics of the grotesque to structuralist psychoanalysis and recent textual genetics.
Download or read book Avant Garde Nationalism at the Dublin Gate Theatre 1928 1940 written by Ruud van den Beuken and published by Syracuse University Press. This book was released on 2021-01-25 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
