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Book International Trans avantgarde

Download or read book International Trans avantgarde written by Achille Bonito Oliva and published by . This book was released on 1982 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The international trans avantgarde

Download or read book The international trans avantgarde written by Achille Bonito Oliva and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Italian Trans avantgarde

Download or read book The Italian Trans avantgarde written by Achille Bonito Oliva and published by Politi. This book was released on 1990 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Trans Avantgarde International

Download or read book Trans Avantgarde International written by and published by . This book was released on 1982 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Trans Avant Garde International

Download or read book Trans Avant Garde International written by Achille Bonito Oliva and published by . This book was released on 1987 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Sacred Surrealism  Dissidence and International Avant Garde Prose

Download or read book Sacred Surrealism Dissidence and International Avant Garde Prose written by Vivienne Brough-Evans and published by Routledge. This book was released on 2016-05-05 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vivienne Brough-Evans proposes a compelling new way of reevaluating aspects of international surrealism by means of the category of divin fou, and consequently deploys theories of sacred ecstasy as developed by the Collège de Sociologie (1937–39) as a critical tool in shedding new light on the literary oeuvre of non-French writers who worked both within and against a surrealist framework. The minor surrealist genre of prose literature is considered herein, rather than surrealism's mainstay, poetry, with the intention of fracturing preconceptions regarding the medium of surrealist expression. The aim is to explore whether International surrealism can begin to be more fully explained by an occluded strain of 'dissident' surrealist thought that searches outside the self through the affects of ekstasis. Bretonian surrealism is widely discussed in the field of surrealist studies, and there is a need to consider what is left out of surrealist practice when analysed through this Bretonian lens. The Collège de Sociologie and Georges Bataille's theories provide a model of such elements of 'dissident' surrealism, which is used to analyse surrealist or surrealist influenced prose by Alejo Carpentier, Leonora Carrington and Gellu Naum respectively representing postcolonial, feminist and Balkan locutions. The Collège and Bataille's 'dissident' surrealism diverges significantly from the concerns and approach towards the subject explored by surrealism. Using the concept of ekstasis to organise Bataille's theoretical ideas of excess and 'inner experience' and the Collège's thoughts on the sacred it is possible to propose a new way of reading types of International surrealist literature, many of which do not come to the forefront of the surrealist literary oeuvre.

Book Unpackaging Art of the 1980s

    Book Details:
  • Author : Alison Pearlman
  • Publisher : University of Chicago Press
  • Release : 2003-06-15
  • ISBN : 9780226651453
  • Pages : 288 pages

Download or read book Unpackaging Art of the 1980s written by Alison Pearlman and published by University of Chicago Press. This book was released on 2003-06-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art. Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.

Book Artscribe International

Download or read book Artscribe International written by and published by . This book was released on 1986 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Wifredo Lam and the International Avant Garde  1923 1982

Download or read book Wifredo Lam and the International Avant Garde 1923 1982 written by Lowery Stokes Sims and published by . This book was released on 2002-06-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively portrait of the great Cuban artist explores Lam's influences--including his notable primitivist stage--as well as his important contributions to twentieth century art.

Book The Idea of the Postmodern

Download or read book The Idea of the Postmodern written by Hans Bertens and published by Routledge. This book was released on 2003-09-02 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: At last! Everything you ever wanted to know about postmodernism but were afraid to ask. Hans Bertens' Postmodernism is the first introductory overview of postmodernism to succeed in providing a witty and accessible guide for the bemused student. In clear and straightforward but always elegant prose, Bertens sets out the interdisciplinary aspects, the critical debates and the key theorists of postmodernism. He also explains, in thoughtful and illuminating language, the relationship between postmodernism and poststructuralism, and that between modernism and postmodernism. An enjoyable and indispensible text for today's student.

Book Postmodernism

Download or read book Postmodernism written by Thomas Docherty and published by Routledge. This book was released on 2016-07-01 with total page 541 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader provides a selection of articles and essays by leading figures in the postmodernism debate.

Book Approaching Postmodernism

    Book Details:
  • Author : Douwe W. Fokkema
  • Publisher : John Benjamins Publishing Company
  • Release : 1986-01-01
  • ISBN : 9027286329
  • Pages : 314 pages

Download or read book Approaching Postmodernism written by Douwe W. Fokkema and published by John Benjamins Publishing Company. This book was released on 1986-01-01 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.

Book Magic Realism  World Cinema  and the Avant Garde

Download or read book Magic Realism World Cinema and the Avant Garde written by Felicity Gee and published by Routledge. This book was released on 2021-04-19 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.

Book Critical Vices

    Book Details:
  • Author : Nicholas Zurbrugg
  • Publisher : Routledge
  • Release : 2005-07-15
  • ISBN : 1135299978
  • Pages : 276 pages

Download or read book Critical Vices written by Nicholas Zurbrugg and published by Routledge. This book was released on 2005-07-15 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Book Religion   Contemporary Art

Download or read book Religion Contemporary Art written by Anthony Padgett and published by Lulu.com. This book was released on 2010-02 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays explore the relationship between art and religion. The first part, 2001-2002, is essays about "The Ism," where 1994-9 Padgett united religious and spiritual perspectives by uniting the art-forms appropriate to them. The second part is essays from 2002-2005, when Padgett studied at Wimbledon School of Art, London, for an MA in Theory of Contemporary Art and Performance. Padgett looks at artists (Damien Hirst, Thomas Hirschhorn, Anton Artaud, Jake and Dinos Chapman Brothers, Guillermo Gomez-Pena etc) and develops the idea of "Postmodern Religious Art." His program of uniting the art-forms is progressed by uniting the specific material forms of religions in semi-irony with the profane - whilst keeping the sacred as of highest importance. The final part is the questionnaire that Padgett submitted to the Employment Tribunals, giving the main arguments behind his claim that the Tate Galleries were exercising religious discrimination in the way they selected artworks.

Book Avant Garde Art in Ukraine  1910 1930  Contested Memory

Download or read book Avant Garde Art in Ukraine 1910 1930 Contested Memory written by Myroslav Shkandrij and published by Academic Studies Press. This book was released on 2021-05-18 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: From pre-war years in Paris to the end of the 1920s in Kyiv, Ukrainians or artists from Ukraine produced some of the world's greatest avant-garde art and made major contributions to painting, sculpture, theatre, and film-making. This book tells their story and explores the roots of their inspiration.

Book Making Art History in Europe After 1945

Download or read book Making Art History in Europe After 1945 written by Noemi de Haro García and published by Routledge. This book was released on 2020-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective. Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece. By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’