Download or read book International Dictionary of Black Composers written by Samuel A. Floyd and published by Routledge. This book was released on 1999 with total page 1273 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This exceptional work provides information on composers of African heritage from around the world during the last 300 years. The 185 signed essays, most of which are accompanied by full-page portraits, are substantial in their coverage and analysis. Lists of compositions by genre, discographies, and printed works are also included. Those wanting further information will find the extensive bibliographies and inclusion of major archival holdings indispensable. Although all music genres are embraced, nearly half of the 185 entries are on classical composers who have seldom received significant public notice or mention in other reference sources. This is a truly outstanding source that libraries will not want to do without."--"Outstanding reference sources 2000", American Libraries, May 2000. Comp. by the Reference Sources Committee, RUSA, ALA.
Download or read book International Dictionary of Black Composers written by and published by . This book was released on 2023 with total page 1326 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book International Dictionary of Black Composers Vol 2 written by Jr Samuel A. Floyd and published by . This book was released on 1999 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book International Dictionary of Black Composers Vol 1 written by Jr Samuel A. Floyd and published by . This book was released on 1999 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book International dictionary of black composers 1 Abrams Jenkins written by Chicago Center for Black Music Research and published by . This book was released on 1999 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book String Music of Black Composers written by and published by Greenwood. This book was released on 1991-10-16 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the pattern established with his pioneering work, Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the string music of Black composers. Composers from Africa as well as the Diaspora are covered in this, the most comprehensive work on the topic yet published. Organized in alphabetical order by composer, each entry provides information, where available, on the composer's life and career, and then details all works that include strings as well as information about commission, premiere, and composer bibliography and discography. The volume includes a string index, as well as a general discography and bibliography. This work should prove invaluable for scholars examining the impact of Black composers on classical music, opera, and ballet, and it will be equally valuable to those devising repertoire for teaching and concert purposes.
Download or read book Brass Music of Black Composers written by Aaron Horne and published by Bloomsbury Publishing USA. This book was released on 1996-05-16 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
Download or read book Woodwind Music of Black Composers written by and published by Greenwood. This book was released on 1990-01-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The preponderance of early Black composers wrote choral music and even the most outstanding among them did not compose works for woodwinds. However, the later half of the twentieth century has witnessed a rise in compositions for woodwinds, both for solo and chamber ensembles by relatively unknown Black composers. This pioneering volume will become the standard source of information on nineteenth and twentieth century Black composers from three continents as well as their woodwind compositions. It contains the most current and complete biographical data on 90 African composers, Afro-American composers, Afro-Latin composers, and Afro-European composers, including their education and professional experience and information on their continuing musical influence. A distinctive feature is the separate, easy-to-use woodwind music index of both published and unpublished works for solo and chamber ensembles that groups the music by medium and numbers into 27 categories that contain some 430 works. Exact instrumentation, dedication or commission, premiere performance, and publisher are also found here. A list of abbreviations, key to publishers, collections, and manuscripts, and a discography of 38 recordings of woodwind works by 26 of the included composers complete the volume. This first bibliography of woodwind music by Black composers is an excellent reference work for Black composers, for the woodwind repertoire, and for American music in general. It will be highly useful in college-level courses such as Survey of Afro-American Music and Woodwind Literature as well as to woodwind players, ensemble directors, and scholars.
Download or read book Black Composers of Southern Africa written by Yvonne Huskisson and published by HSRC Press. This book was released on 1992 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication contains details of a new up-and-coming generation of composers. It provides information on 318 composers and as such is a standard reference word on local composers.
Download or read book Keyboard Music of Black Composers written by and published by Greenwood. This book was released on 1992-08-21 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the pattern established with his pioneering works String Music of Black Composers and Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the piano and related instruments (such as accordion, harpsichord, and organ). Composers from Africa as well as the Diaspora are covered in this volume, the most comprehensive work on the topic yet published. Organized in alphabetical order by composer, each of the more than 200 entries provides information, where available, on the composer's life and career, and then details all works that include piano as well as information about commission, premiere, and composer bibliography and discography. The volume includes a keyboard music index as well as a general discography and a bibliography. This work should prove invaluable for scholars examining the impact of Black composers on music and dance, and it will be equally valuable to those devising repertoire for teaching and concert purposes.
Download or read book Encyclopedia of African American Music 3 volumes written by Tammy L. Kernodle and published by Bloomsbury Publishing USA. This book was released on 2010-12-17 with total page 1267 pages. Available in PDF, EPUB and Kindle. Book excerpt: African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
Download or read book The Garland Encyclopedia of World Music written by Ellen Koskoff and published by Routledge. This book was released on 2017-09-25 with total page 2651 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.
Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Download or read book Sourcebook for Research in Music Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Download or read book Latin American Classical Composers written by Miguel Ficher and published by Scarecrow Press. This book was released on 2002-10-16 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on the strengths of the first edition, the second edition of Latin American Classical Composers: A Biographical Dictionary presents expanded and updated coverage of its topic with an aim to be comprehensive. The authors have conducted exhaustive research to fill in gaps and correct minor errors in the first edition, adding young composers and documenting deaths since 1996, when the first edition appeared. Hundreds of composers are represented in this volume, which presents biographical data, including dates of birth and death, personal information about composers' background and training, and a selective listing of each composer's works. Sources for further study are noted within each entry. An index of composers by country rounds out this work.
Download or read book From Spirituals to Symphonies written by Helen Walker-Hill and published by University of Illinois Press. This book was released on 2007 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.
Download or read book The Transformation of Black Music written by Samuel A. Floyd (Jr.) and published by Oxford University Press. This book was released on 2017 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Transformation of Black Music includes a full spectrum of black musics from four continents as it argues for a re-codification of black musics and performers. Framed by a call and response argument, the authors present not only a more holistic and historically accurate understanding of musics in the African Diaspora, but also an intellectually robust future for the field of black music research.
