Download or read book The Care of Prints and Drawings written by Margaret Holben Ellis and published by Rowman & Littlefield. This book was released on 2016-12-15 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 2nd edition of The Care of Prints and Drawings provides practical, straightforward advice to those responsible for the preservation of works on paper, ranging from curators, facility managers, conservators, registrars, collection care specialists, private collectors, artists, or students of museum studies, visual arts, art history, or conservation. A greater emphasis is placed on preventive conservation, a trend among collecting institutions, which reflects the growing recognition that scarce resources are best expended on preventing deterioration, rather than on less effective measures of reversing it. Expanded and richly illustrated chapters include: Supports for Prints and Drawings discusses the properties of parchment and paper and introduces the general preservation needs and conservation problems of all works on paper, regardless of their media. Conservation Problems Related to the Paper Support of Prints and Drawings presents a guide to recognizing the symptoms and diagnosing the causes of damage specific to paper. Conservation Problems Related to the Materials and Techniques of Prints describes the conservation problems that affect certain printmaking materials and arise from specific processes. Conservation Problems Related to the Materials and Techniques of Drawings focuses on the various materials used to create marks on paper. Item-Level Collection Protection: Envelopes, Sleeves, Folders, Enclosures, Mats, Boxes, Frames, and Furniture, discusses measures taken for prints and drawings so that they can better withstand the rigors of handling, examination, exhibition, travel, and adverse environmental conditions. Preventive Conservation for Prints and Drawings describes how the integration of a comprehensive Collections Care Program into a Collections Management Policy can reduce the need for item-level conservation treatments. Basic Paper Conservation Procedures provides instructions on how to stabilize damaged works. How to Make Starch Paste and Methyl Cellulose Adhesive and Suppliers of Paper Conservation Materials and Equipment are appended as well as a Glossary.

Download or read book The Prints of Michael Mazur with a Catalogue Raisonn 1956 1999 written by T. Victoria Hansen and published by Hudson Hills. This book was released on 2000 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This magnificent volume brings together essays from four different leading authorities, covering various aspects of Mazur's life and career, along with a comprehensive catalogue raisonne of his prints. 44 colour& 121 b/w illustrations

Download or read book Polymer Photogravure written by Clay Harmon and published by Routledge. This book was released on 2018-12-07 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists’ works, illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color, and represent a variety of genres, including still lifes, portraits, nudes, landscapes, urban-scapes and more. Featuring over 30 artists and 200 full-color images, Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies, evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking, wiping and printing method Advanced printing techniques such as chine collé, à la poupée, and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival, consisting of only ink and paper. With Harmon’s instructions, continuous tone intaglio prints are within the reach of all.

Download or read book Judging the Authenticity of Prints by the Masters written by David Rudd Cycleback and published by Lulu.com. This book was released on 2007-12 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by prominent authentication and forgery detection expert David Rudd Cycleback, Judging the Authenticity of Prints by The Masters is a brief primer for starting collectors, investors and art fans. The book covers the essential basics to making sound judgments about the authenticity, or lack thereof, of prints by artists from Dali to Warhol. Topics include printing process and paper identification, how to research an artista s work, states, editions, provenance, letters of authenticity and standard methods for identifying common fakes and reprints. The book has been used in college and university art and art education courses.

Download or read book The Complete Intaglio Print written by John Ross and published by . This book was released on 1974 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Renaissance Print 1470 1550 written by David Landau and published by Yale University Press. This book was released on 1994-01-01 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.

Download or read book The Intaglio Prints of Albrecht D rer written by Albrecht Dürer and published by Conran Octopus. This book was released on 1977 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Artists Prints written by Deborah Wye and published by The Museum of Modern Art. This book was released on 2004 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

Download or read book Etching Engraving and Other Intaglio Printmaking Techniques written by Ruth Leaf and published by Courier Corporation. This book was released on 2012-07-12 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.

Download or read book Complete Printmaker written by John Ross and published by Simon and Schuster. This book was released on 2009-12-01 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and expanded edition takes the reader step by step through the history and techniques of over forty-five print-making methods. From the traditional etching, engraving, lithography, and relief print processes to today’s computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes, The Complete Printmaker covers various aspects of fine printmaking. The book also includes a survey of issues and contemporary concerns in the printmakers world.

Download or read book Prints and Printmaking written by Antony Griffiths and published by Univ of California Press. This book was released on 1996 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.

Download or read book Richard Diebenkorn Intaglio Prints 1961 1978 written by Richard Diebenkorn and published by . This book was released on 1979 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Making Collagraph Prints written by Suzie MacKenzie and published by The Crowood Press. This book was released on 2019-06-28 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collagraph printmaking is an accessible and environmentally friendly way of making striking prints with a unique texture. At its simplest it is a method of printing from collaged plates; at its most sophisticated, it is an innovative and exciting experimental medium. This book is a guide to the technique, with step-by-step instructions for creating and printing simple plates for the beginner, as well as tips, ideas and directions for those with more experience. There is advice on how to get started at the kitchen table; a guide to additional materials and equipment; step-by-step instructions for building collagraph plates and techniques for printing in monochrome using relief and intaglio methods. This will be of great interest to all printmakers, designers, artists, textile designers, teachers and craftsmen. It is superbly illustrated with 133 colour photographs, and Suzie MacKenzie is an award-winning artist printmaker with has private collections worldwide.

Download or read book Practical Guide to Etching and Other Intaglio Printmaking Techniques written by Manly Banister and published by Courier Corporation. This book was released on 1986-01-01 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detailed illustrated instruction in etching, engraving, aquatint, drypoint, mezzotint from preparing plate to mounting print. No better guide for beginners."

Download or read book A Guide to Collecting Fine Prints written by Jack Harold Upton Brown and published by Scarecrow Press. This book was released on 1989 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a source of information on buying, selling, and collecting prints for the amateur and beginning professional collector.

Download or read book Old Ship Prints written by Edward Keble Chatterton and published by . This book was released on 1927 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Intaglio Simultaneous Color Printmaking written by Krishna Reddy and published by SUNY Press. This book was released on 1988-01-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here is a straightforward, comprehensive reference on the art of color printmaking created by Krishna Reddy, one of the world's greatest and most innovative printmakers. This book doesn't expect the reader to know a lot, but at the same time, it doesn't omit any technical detail. There are complete formulas, lists of materials and equipment, and step-by-step instructions documented by photos. An outstanding innovator and experimenter, Krishna Reddy sees the plate as a sculpted surface, and intaglio printing as a three-dimensional process. Reddy creates a philosophy for working the image. By varying ink viscosity and roller density, he has achieved colors of extraordinary complexity on the plate. Reddy's discovery of the principle of color viscosity has greatly simplified technical processes while at the same time increasing the expressiveness and intensity of the image. This book demonstrates the intimate connection of the artist with his materials. Krishna Reddy's artistic genius brought him universal acclaim: fifty one-man exhibitions have been mounted not only in the U.S. and Europe, but also in Montreal, Bombay, Melbourne, New Delhi, Buenos Aires, Tokyo, and Beijing. He serves on numerous award juries, ranging from the Society of American Graphic Artists to the Lalit Kala Akademi of India. But it is not his artistic prowess alone that uniquely qualified Krishna Reddy to write a book on printmaking. He is also a consummate teacher: "He can initiate people to an entirely different field of expression," observes a collaborator at Paris' famed Atelier 17, which Reddy directed for more than 10 years. Today he directs the Graphics Program at New York University.