Download or read book Heinrich Schenker written by and published by Pendragon Press. This book was released on 1978 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Download or read book Istitutioni Harmoniche written by Gioseffo Zarlino and published by . This book was released on 1983 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reading Renaissance Music Theory written by Cristle Collins Judd and published by Cambridge University Press. This book was released on 2000-11-30 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Download or read book Istitutioni harmoniche written by Gioseffo Zarlino and published by . This book was released on 1976 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le Istitutioni Harmoniche of Gioseffo Zarlino Part 1 written by Lucille Corwin and published by . This book was released on 2008 with total page 1094 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Renaissance Reform of Medieval Music Theory written by Stefano Mengozzi and published by Cambridge University Press. This book was released on 2010-02-11 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Download or read book Adrian Willaert and the Theory of Interval Affect written by Timothy R. McKinney and published by Routledge. This book was released on 2016-03-23 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.
Download or read book Source Readings in Music History written by William Oliver Strunk and published by W. W. Norton & Company. This book was released on 1998 with total page 1584 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive collection of great writings on music from ancient Greece through the twentieth century.
Download or read book Le Istitutioni Harmoniche written by Gioseffo Zarlino and published by Broude Brothers Limited. This book was released on 1965 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Readings in the History of Music in Performance written by Carol MacClintock and published by Indiana University Press. This book was released on 1979 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: ..". extremely useful... In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making."A -- Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.
Download or read book Pierre de la Rue and Musical Life at the Habsburg Burgundian Court written by Honey Meconi and published by Oxford University Press, USA. This book was released on 2003 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Download or read book Eroticism in Early Modern Music written by Bonnie Blackburn and published by Routledge. This book was released on 2016-03-09 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Download or read book Italian Literature before 1900 in English Translation written by Robin Healey and published by University of Toronto Press. This book was released on 2011-12-15 with total page 1184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors – Dante Alighieri, Machiavelli, and Boccaccio – and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.
Download or read book Beating Time Measuring Music in the Early Modern Era written by Roger Mathew Grant and published by Oxford University Press. This book was released on 2014-10-21 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.
Download or read book Humanism and the Reform of Sacred Music in Early Modern England written by Hyun-Ah Kim and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Merbecke (c. 1505 c. 1585) is most famous as the composer of the first musical setting of the English liturgy, "The booke of Common Praier Noted" ("BCPN"), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first "Concordance of the whole English Bible" (1550) and of the first English encyclopaedia of biblical and theological studies, "A Booke of Notes and Common Places" (1581). By situating Merbecke and his work within a broader intellectual and religiocultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a rethinking of the prevailing interpretative framework of Reformation musical history.On the basis of the new contextual study of Merbecke, this book seeks to reinterpret his work, particularly "BCPN," in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christianmusical orator', demonstrating that "BCPN" is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through reevaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Download or read book Canons and Canonic Techniques 14th 16th Centuries written by Katelijne Schiltz and published by Peeters Publishers. This book was released on 2007 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.
Download or read book The Sounds and Sights of Performance in Early Music written by BrianE. Power and published by Routledge. This book was released on 2017-07-05 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
