Download or read book Inside British Jazz written by Hilary Moore and published by Routledge. This book was released on 2017-07-05 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inside British Jazz explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation and class. Topics covered include the reception of jazz in Britain in the 1910s and 1920s, the British New Orleans jazz revival of the 1950s, the free jazz innovations of the Joe Harriott Quintet in the early 1960s, and the formation of the all-black jazz band, the Jazz Warriors, in 1985. Using both historical and ethnographical approaches, Hilary Moore examines the ways in which jazz, an African-American music form, has been absorbed and translated within Britain's social, political and musical landscapes. Moore considers particularly the ways in which music has created a space of expression for British musicians, allowing them to re-imagine their place within Britain's social fabric, to participate in transcontinental communities, and to negotiate a position of belonging within jazz narratives of race, nation and class. The book also champions the importance of studying jazz beyond the borders of the United States and contributes to a growing body of literature that will enrich mainstream jazz scholarship.

Download or read book Black British Jazz written by Jason Toynbee and published by Routledge. This book was released on 2016-04-15 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world.

Download or read book Inside Jazz written by Graham Collier and published by London : Quartet Books. This book was released on 1973 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Evolution of Jazz in Britain 1880 1935 written by Catherine Tackley (nee Parsonage) and published by Routledge. This book was released on 2017-07-05 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a popular music, the evolution of jazz is tied to the contemporary sociological situation. Jazz was brought from America into a very different environment in Britain and resulted in the establishment of parallel worlds of jazz by the end of the 1920s: within the realms of institutionalized culture and within the subversive underworld. Tackley (nParsonage) demonstrates the importance of image and racial stereotyping in shaping perceptions of jazz, and leads to the significant conclusion that the evolution of jazz in Britain was so much more than merely an extension or reflection of that in America. The book examines the cultural and musical antecedents of the genre, including minstrel shows and black musical theatre, within the context of musical life in Britain in the late nineteenth and early twentieth centuries. Tackley is particularly concerned with the public perception of jazz in Britain and provides close analysis of the early European critical writing on the subject. The processes through which an evolution took place are considered by looking at the methods of introducing jazz in Britain, through imported revue shows, sheet music, and visits by American musicians. Subsequent developments are analysed through the consideration of modernism and the Jazz Age as theoretical constructs and through the detailed study of dance music on the BBC and jazz in the underworld of London. The book concludes in the 1930s by which time the availability of records enabled the spread of 'hot' music, affecting the live repertoire in Britain. Tackley therefore sheds entirely new light on the development of jazz in Britain, and provides a deep social and cultural understanding of the early history of the genre.

Download or read book Unapologetic Expression written by André Marmot and published by Faber & Faber. This book was released on 2024-04-30 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively, subversive history of the new UK jazz wave, encapsulating its revolutionary spirit and tracing its foundations to birth of the genre itself. By the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place? Reaching back to the roots of jazz as the 'unapologetic expression' of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, Andre ́ Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today - a sound connected to the very origins of jazz itself. Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them - from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss - Unapologetic Expression captures the radical spirit of a vital British musical movement.

Download or read book Global Jazz written by Clarence Bernard Henry and published by Routledge. This book was released on 2021-08-30 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.

Download or read book Americanizing Britain written by Genevieve Abravanel and published by Oxford University Press. This book was released on 2012-04-06 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Great Britain, which entered the twentieth century as a dominant empire, reinvent itself in reaction to its fears and fantasies about the United States? Investigating the anxieties caused by the invasion of American culture-from jazz to Ford motorcars to Hollywood films-during the first half of the twentieth century, Genevieve Abravanel theorizes the rise of the American Entertainment Empire as a new style of imperialism that threatened Britain's own. In the early twentieth century, the United States excited a range of utopian and dystopian energies in Britain. Authors who might ordinarily seem to have little in common-H.G. Wells, Aldous Huxley, and Virginia Woolf-began to imagine Britain's future through America. Abravanel explores how these novelists fashioned transatlantic fictions as a response to the encroaching presence of Uncle Sam. She then turns her attention to the arrival of jazz after World War I, showing how a range of writers, from Elizabeth Bowen to W.H. Auden, deployed the new music as a metaphor for the modernization of England. The global phenomenon of Hollywood film proved even more menacing than the jazz craze, prompting nostalgia for English folk culture and a lament for Britain's literary heritage. Abravanel then refracts British debates about America through the writing of two key cultural critics: F.R. Leavis and T.S. Eliot. In so doing, she demonstrates the interdependencies of some of the most cherished categories of literary study-language, nation, and artistic value-by situating the high-low debates within a transatlantic framework.

Download or read book The British National Daily Press and Popular Music c 19561975 written by Gillian A.M. Mitchell and published by Anthem Press. This book was released on 2019-03-15 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British National Daily Press and Popular Music c.1956–1975 constitutes a reappraisal of the reactions of the national daily press to forms of music popular with young people in Britain from the mid-1950s to the 1970s (including rock ‘n’ roll, skiffle, ‘beat group’ and rock music). Conventional histories of popular music in Britain frequently accuse the newspapers of generating ‘moral panic’ with regard to these musical genres and of helping to shape negative attitudes to the music within the wider society. This book questions such charges and considers whether alternative perspectives on press attitudes towards popular music may be discerned. In doing so, it also challenges the tendency to perceive evidence from newspapers straightforwardly as a mere illustration of wider social trends and considers the manner in which the post-war newspaper industry, as a sociocultural entity in its own right, responded to developments in youth culture as it faced distinctive challenges and pressures amid changing times.

Download or read book Jazz in American Culture written by Peter Townsend and published by Univ. Press of Mississippi. This book was released on 2000 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: A persuasive appreciation of what jazz is and of how it has permeated and enriched the culture of America

Download or read book Innovations in British Jazz written by John Wickes and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Bebop Scene in London s Soho 1945 1950 written by Ray Kinsella and published by Springer Nature. This book was released on 2022-11-23 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to tell the story of the bebop subculture in London’s Soho, a subculture that emerged in 1945 and reached its pinnacle in 1950. In an exploration via the intersections of race, class and gender, it shows how bebop identities were constructed and articulated. Combining a wide range of archival research and theory, the book evocatively demonstrates how the scene evolved in Soho’s clubs, the fashion that formed around the music, drug usage amongst a contingent of the group, and the moral panic which led to the police raids on the clubs between 1947 and 1950. Thereafter it maps the changes in popular culture in Soho during the 1950s, and argues that the bebop story is an important precedent to the institutional harassment of black-related spaces and culture that continued in the twentieth and twenty-first centuries. This book therefore rewrites the first chapter of the ‘classic’ subcultural canon, and resets the subcultural clock; requiring us to rethink the periodization and social make-up of British post-war youth subcultures.

Download or read book A History of Jazz in Britain 1919 1950 written by Jim Godbolt and published by Quartet Books (UK). This book was released on 1984 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Who s who of British Jazz written by John Chilton and published by Burns & Oates. This book was released on 1997 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this comprehensive survey, John Chilton brings his world renowned research skills to assembling the first ever full-length reference work devoted to the biographies of British jazz musicians. In over 850 career summaries he details the work of musicians from every era of British jazz, ranging from those who played professionally before 1920 at the dawn of jazz in Britain, through to today's young stars. Much new information is revealed on the early careers of those who became famous and the chronological listing of events in each subject's life sheds new light on the development of jazz in the United Kingdom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Download or read book Circular Breathing written by George McKay and published by Duke University Press. This book was released on 2005-11-23 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Circular Breathing, George McKay, a leading chronicler of British countercultures, uncovers the often surprising ways that jazz has accompanied social change during a period of rapid transformation in Great Britain. Examining jazz from the founding of George Webb’s Dixielanders in 1943 through the burgeoning British bebop scene of the early 1950s, the Beaulieu Jazz Festivals of 1956–61, and the improvisational music making of the 1960s and 1970s, McKay reveals the connections of the music, its players, and its subcultures to black and antiracist activism, the Campaign for Nuclear Disarmament, feminism, and the New Left. In the process, he provides the first detailed cultural history of jazz in Britain. McKay explores the music in relation to issues of whiteness, blackness, and masculinity—all against a backdrop of shifting imperial identities, postcolonialism, and the Cold War. He considers objections to the music’s spread by the “anti-jazzers” alongside the ambivalence felt by many leftist musicians about playing an “all-American” musical form. At the same time, McKay highlights the extraordinary cultural mixing that has defined British jazz since the 1950s, as musicians from Britain’s former colonies—particularly from the Caribbean and South Africa—have transformed the genre. Circular Breathing is enriched by McKay’s original interviews with activists, musicians, and fans and by fascinating images, including works by the renowned English jazz photographer Val Wilmer. It is an invaluable look at not only the history of jazz but also the Left and race relations in Great Britain.

Download or read book A Life in Jazz written by Danny Barker and published by Springer. This book was released on 2016-07-27 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,

Download or read book British Jazz Voices written by Hilary Moore and published by . This book was released on 2004 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Trad Dads Dirty Boppers and Free Fusioneers written by Duncan Heining and published by Equinox Publishing (UK). This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nominated for the 2012 Association for Recorded Sound Collections Awards for Excellence in Historical Recorded Sound Research. A musical companion CD, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz 1961-1975 (RR026), including ten rare recordings, is available from independent Canadian record label Reel Recordings. Proceeds to the Musicians Benevolent Fund UK. The 1960s was a decade of major transformation in British jazz and in British popular music in general. The British jazz scene had been, arguably, the first outside America to assert its independence. At first slowly but with gathering speed, it began to define an identity that drew increasingly on sources from within its own culture, as well as those from African-American jazz, and from its shared European cultural heritage. This process would in itself prove highly influential, as French, Italian, German and Scandinavian scenes began to follow suit. The nature of jazz, its scope and potential were re-examined and reformulated in this period with important implications for its musicians and its audience. The external forces acting upon the British jazz scene were both global and local in origin. Jazz was not immune from the economic, social and cultural changes that occurred following the Second World War and which continued apace in the 1960s. Its development was both affected by and reflected those changes and the new ways of thinking and acting that arose from them. And yet wider global economic and political changes, in particular in America, would continue to have a major impact on British jazz. For these reasons, any history of British jazz in the 1960s must explain these trends and describe which were global and which were local in origin. It must show how forces outside the music acted upon it and both created and limited its potential for development. But it must also define the personalities, as well as the context in which they functioned. Jazz is made by its musicians and is ultimately changed by them. What were the records that they made which defined the era? From where did their inspiration arise? And how did their audience respond? Trad Dads, Dirty Boppers and Free Fusioneers follows a number of themes - class, education, drugs and addictions, relationships with rock and blues, race and immigration, gender issues, the arts, politics and that sixties buzzword: 'freedom'. In doing so, the book challenges many conventional understandings of British jazz and its scene. This is the definitive history of British jazz in the 1960s. Praise for this Volume: 'His primary information sources are 70 (yes, really ) of his own first hand interviews with musicians and associates. The fact that Heining is dealing largely with his musicianly peer group brings with it a sense of involvement in a text which, though densely-packed, is compellingly articulate. Substantive and scholarly, TDDB&FF is also an enjoyable and rewarding read. ' Roger Thomas, Jazz UK 103, November 2012 'Heining deserves much credit for this epic tome exploring British jazz in one of its most exciting, if exasperating, eras. He] has undertaken very thorough research: he has interviewed countless musicians, while his own spry style keeps you charmed. Trad Dads is a special contribution to jazz writing.' Jazzwise 'The text is erudite, well-researched and politically charged. It would be no exaggeration to suggest that this book is simply essential for anyone even remotely interested in British jazz.' Roger Farbey, iancarrsnucleus.net