Download or read book Counterpoint Composition and Musica Ficta written by Margaret Bent and published by Psychology Press. This book was released on 2002 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Harmony Counterpoint Improvisation Book 1 written by Benjamin Dale and published by Novello & Co Ltd.. This book was released on 2011-01-01 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.
Download or read book Guillaume Guerson s Rules of Improvised Counterpoint c 1500 written by Ernest Thomas Ferand and published by . This book was released on 1958 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Historical Improvisation written by Massimiliano Guido and published by Taylor & Francis. This book was released on 2017-01-06 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour—a musical blossoming out of the capricious genius of the player—that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again.
Download or read book Harmony Counterpoint Improvisation Book 2 written by Benjamin Dale and published by Novello & Co Ltd.. This book was released on 2011-01-01 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the second volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.
Download or read book The Piano Improvisation Handbook written by Carl Humphries and published by Hal Leonard Corporation. This book was released on 2009 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Piano Improvisation Handbook" offers a comprehensive overview of the practical skills and theoretical issues involved in mastering all forms of piano improvisation. It explores a wide range of styles, including classical, jazz, rock and blues. Whereas other books on improvisation typically offer little more than models for imitation and exercises for practising, this one adopts an approach specifically designed to encourage and enable independent creative exploration. The book contains a series of graded tutorial sections with musical examples on CD, as well as an extensive introductory section detailing the history of keyboard and piano improvisation, an appendix listing useful scales, chords, voicings and progressions across all keys, a bibliography and a discography. In addition to sections outlining how melody, harmony, rhythm, texture and form work in improvised piano music, there are sections devoted to explaining how ideas can be developed into continuous music and to exploring the process of finding a personal style. A key feature is the distinctive stress the author puts on the interconnectedness of jazz and classical music where improvisation is concerned. This book is best suited to those with at least some prior experience of learning the piano. However, the rudiments of both music theory and piano technique are covered in such a way that it can also serve as an effective basis for a self-sufficient course in creative piano playing.
Download or read book Musical Theory in the Renaissance written by CristleCollins Judd and published by Routledge. This book was released on 2017-07-05 with total page 631 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Download or read book The Cambridge History of Sixteenth Century Music written by Iain Fenlon and published by Cambridge University Press. This book was released on 2019-01-24 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
Download or read book German Instrumental Music of the Late Middle Ages written by Keith Polk and published by Cambridge University Press. This book was released on 2004 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes instrumental music and its context in German society of the late middle ages - from about 1350 to 1520. Players at that time improvised, much like jazz musicians of our day, but because they did not use notated music, only scant remnants of their activity have survived in written sources, and much has been left obscure. This book attempts to reconstruct an image of their music, discussing the instruments, ensembles, and performance practices of the time. What emerges from this study is a fundamental reappraisal of late medieval culture. A musical life is reconstructed which was not only extraordinary in its own time, but which also laid the foundations of an artistic culture that later produced such giants as Schütz, Bach, Mozart and Beethoven.
Download or read book A Companion to Music in Sixteenth Century Venice written by and published by BRILL. This book was released on 2017-12-18 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.
Download or read book Harmony Counterpoint Improvisation written by B. J. Dale and published by . This book was released on 1950 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Musicians in the Escorial Liturgy Under the Habsburgs 1563 1700 written by Michael John Noone and published by University Rochester Press. This book was released on 1998 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the composition and performance of liturgical music in El Escorial, from its founding by Philip II in 1563 to the death of Charles II in 1700. Philip II promoted within his monastery-palace a musical foundation whose dual function as royal chapel and as monastery in the service of a Counter-Reformation monarch was unique. The study traces the ways in which music styles and practices responded to the changing functions of the institution. Perceived notions about Spanish royal musical patronage are challenged, musical manuscripts are scrutinized, biographical details of hundreds of musicians are uncovered, and musical practices are examined. Additionally, two important choral pieces are printed here for the first time.
Download or read book A Dictionary of Musical Terms Containing Upwards of 9 000 English French German Italian Latin and Greek Words and Phrases Used in the Art and Science of Music Carefully Defined and with the Accent of the Foreign Words Marked Preceded by Rules for the Pronunciation of Italian German and French With a Supplement Containing an English Italian Vocabulary for Composers written by Theodore Baker and published by . This book was released on 1907 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Heavenly Harmonies written by Mary Devlin and published by Lulu.com. This book was released on 2011-09 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the development of harmony in the Middle Ages, including the music, composers, theorists and music theory, musicians, and relevant historical figures, as well as studies of folk music, medieval chant, and polyphony from the days of Gregorian chant to the florid polyphony of the early Renaissance.
Download or read book A Dictionary of Musical Terms Containing Upwards of 9 000 English French German Italian Latin and Greek Words and Phrases written by Theodore Baker and published by . This book was released on 1895 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Musical Terms written by Theodore Baker and published by . This book was released on 1897 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Composers at Work written by Jessie Ann Owens and published by Oxford University Press, USA. This book was released on 1998 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.
