Download or read book The Impact of Western Drama Upon Modern Egyptian Drama written by Mahmoud Flayeh Ali Gemei'an Al-shetaiwi and published by . This book was released on 1983 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Impact of Western Drama Upon Modern Egyptian Drama written by Mahmoud Flayeh Ali Gemei'an Shetaiwi and published by . This book was released on 1992 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Impact of Western Drama Upon Modern Egyptian Drama written by Mahmoud Flayeh Ali Gemeián Al-shetaiwi and published by . This book was released on 1984 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impact of Western Drama Upon Modern Egyptian Drama written by M. F. A. Al-Shetaiwi and published by . This book was released on 1988 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rewriting Narratives in Egyptian Theatre written by Sirkku Aaltonen and published by Routledge. This book was released on 2016-03-31 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond.
Download or read book Text Presentation 2014 written by Graley Herren and published by McFarland. This book was released on 2015-01-21 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Text & Presentation gathers some of the best work presented at the 2014 Comparative Drama Conference in Baltimore. The subjects explored in this volume range from ancient to contemporary and encompass great cultural and intellectual diversity. The highlight of the conference was a presentation by award-winning playwright David Henry Hwang. A transcript of Hwang's conversation is the lead piece, followed by twelve research papers, one review essay and ten book reviews. This volume accurately represents the diversity of the annual conference, and represents the latest research in the fields of comparative drama, performance and dramatic textual analysis.
Download or read book Colors of Enchantment written by Sherifa Zuhur and published by American University in Cairo Press. This book was released on 2001-07-01 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this companion volume to the successful Images of Enchantment: Visual and Performing Arts of the Middle East (AUC Press, 1998), historian and ethnomusicologist Sherifa Zuhur has once again commissioned and edited authoritative essays from noteworthy scholars from around the globe that explore the visual and performing arts in the Middle East. What differentiates this volume from its predecessor is its investigation of theater, from the early modern period to the contemporary. Topics include race and national identity in Egyptian theater, early writing in the Arab theater in North America, Persian-language theater from its origins through the twentieth century, Palestinian nationalist theater, and a survey of the work of noted Egyptian playwright Yusuf Idris. Other aspects of the arts are not neglected, of course, as further avenues of dance, music, and the visual arts are explored. Marked by interesting and fresh perspectives, Colors of Enchantment is another vital contribution to scholarship on the arts of the Middle East. Contributors: Najwa Adra, Wijdan Ali, Sami Asmar, Clarissa Burt, Michael Frishkopf, M. R. Ghanoonparvar, Tori Haring-Smith, Kathleen Hood, Deborah Kapchan, Neil van der Linden, Samia Mehrez, Mona Mikhail, Sami A. Ofeish, 'Ali Jihad Racy, Rashad Rida, Tonia Rifaey, Edward Said, Lori Anne Salem, Philip D. Schuyler, Selim Sednaoui, Reuven Snir, James Stone, Eve Troutt Powell, and Sherifa Zuhur.
Download or read book The Evolution of Theatre and Drama in the Middle East and North Africa written by Ali Kiani and published by Rowman & Littlefield. This book was released on 2024-08-06 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural expressions of the Middle East and North Africa (MENA) region have a rich tradition, communal narratives, and spiritual connectivity. This tapestry, distinct from the secular drama prevalent in Western cultures, is a unique blend of indigenous traditions and Western influences. This book introduces the rich and diverse theatrical practices developed and matured in the region from the nineteenth to twenty-first centuries. The introduction of Western-style theatre in the nineteenth century marked a shift from traditional entertainment forms. In the twentieth century, subjects of colonialism, nationalism, independence, and Islamic ideology have often dominated the theatrical discourse, reflecting the region’s socio-political realities. The book’s final section looks at theatre from a twenty-first global perspective, including the crucial role of the diaspora. This book shows how colonialism, Islamic ideology, politics, war, refugee crisis, and nationalism have permeated MENA’s theatre in the past and have continued to shape it in the present.
Download or read book Dissertation Abstracts International written by and published by . This book was released on 1996 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Arabic Drama in Egypt written by Muḥammad Muṣṭafá Badawī and published by Cambridge University Press. This book was released on 1987 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first critical survey of modern Egyptian drama during the period of its maturity from the 1930s to the present day. A discussion of the work of Tawfiq al-Hakim is followed by an examination of the less experimental plays of his successors, Mahmud Taymur, Bakathir and Fathi Radwan.
Download or read book Australasian Drama Studies written by and published by . This book was released on 1989 with total page 874 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Use of Asian Theatre for Modern Western Theatre written by Min Tian and published by Springer. This book was released on 2018-11-27 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
Download or read book American Doctoral Dissertations on the Arab World 1883 1974 written by George Dimitri Selim and published by . This book was released on 1976 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Yearbook of Comparative and General Literature written by and published by . This book was released on 2000 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to Modern Arab Culture written by Dwight F. Reynolds and published by Cambridge University Press. This book was released on 2015-03-30 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dwight F. Reynolds brings together a collection of essays by leading international scholars to provide a comprehensive and accessible survey of modern Arab culture, from the early nineteenth to the twenty-first century. The chapters survey key issues necessary to any understanding of the modern Arab World: the role of the various forms of the Arabic language in modern culture and identity; the remarkable intellectual transformation undergone during the 'Nahda' or 'Arab Renaissance' of the late nineteenth and early twentieth century, the significant role played by ethnic and religious minorities, and the role of law and constitutions. Other chapters on poetry, narrative, theatre, cinema and television, art, architecture, humour, folklore, and food offer fresh perspectives and correct negative stereotypes that emerge from viewing Arab culture primarily through the lens of politics, terrorism, religion, and economics.
Download or read book Western Theatre in Global Contexts written by Yasmine Marie Jahanmir and published by Routledge. This book was released on 2020-08-12 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
Download or read book Black Dionysus written by Kevin J. Wetmore, Jr. and published by McFarland. This book was released on 2010-03-22 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many playwrights, authors, poets and historians have used images, metaphors and references to and from Greek tragedy, myth and epic to describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre is primarily rooted in America, where the connection between ancient Greece and ancient Africa is explored and debated the most. The different ways in which Greek tragedy has been used by playwrights, directors and others to represent and define African American history and identity are explored in this work. Two models are offered for an Afro-Greek connection: Black Orpheus, in which the Greek connection is metaphorical, expressing the African in terms of the European; and Black Athena, in which ancient Greek culture is "reclaimed" as part of an Afrocentric tradition. African American adaptations of Greek tragedy on the continuum of these two models are then discussed, and plays by Peter Sellars, Adrienne Kennedy, Lee Breuer, Rita Dove, Jim Magnuson, Ernest Ferlita, Steve Carter, Silas Jones, Rhodessa Jones and Derek Walcott are analyzed. The concepts of colorblind and nontraditional casting and how such practices can shape the reception and meaning of Greek tragedy in modern American productions are also covered.
