Download or read book Des Imagistes written by and published by . This book was released on 1917 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Des imagistes written by A M S Press, Incorporated and published by . This book was released on 1914 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Fourth Imagist written by Frank Stuart Flint and published by Fairleigh Dickinson Univ Press. This book was released on 2007 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first time that a substantial and representative selection of Flint's poetry has been collected. The Introduction supplies important biographical information, and traces how Flint became involved, along with Ezra Pound, Richard Aldington, and H.D., in the Imagist project. There are sixty-three poems drawn from Flint's three published collections of poetry--In the Net of the Stars (1909), Cadences (1915), and Otherworld (1920), and a further twenty-two uncollected or previously unpublished poems, making eighty-five poems in all. The Introduction also offers a sustained and illuminating discussion of the evolution of Flint's art through three volumes. In addition, there are five appendices, among them Flint's important essays, "Imagisme" and "The History of Imagism." The book seeks to establish Flint as a significant contributor to early Modernist poetry, i.e., Imagism, and to reassess the qualities and achievement of an undeservedly overlooked poet.
Download or read book Some Imagist Poets written by and published by . This book was released on 1917 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Imagism the Imagists written by Glenn Hughes and published by Biblo & Tannen Publishers. This book was released on 1972 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Some Imagist Poets written by Amy Lowell and published by CreateSpace. This book was released on 2015-05-03 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Some Imagist Poets" from Amy Lowell. American poet of the imagist school (1874-1925).
Download or read book The Ezra Pound Encyclopedia written by Demetres P. Tryphonopoulos and published by Bloomsbury Publishing USA. This book was released on 2005-04-30 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed the course of poetry. His vast body of poetry and critical works make him one of the 20th century's most prolific writers, and his influence has shaped later poets, great and small. His enormous range of references, deliberate obscurity, and use of multiple languages make him one of the most difficult authors and— because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial figures in American literary history. This encyclopedia is a concise yet comprehensive guide to his life and writings.
Download or read book The Imagist Poets written by Andrew Thacker and published by Northcote House Pub Limited. This book was released on 2011 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: A clear and incisive account of the Imagists, the first significant group of modernist poets writing in English.
Download or read book Imagist Poetry written by Peter Jones and published by Penguin UK. This book was released on 2001-03-29 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as ‘a doughy mess of third-hand Keats, Wordsworth ... half-melted, lumpy’. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something ... it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.
Download or read book The Cambridge Companion to Modernism written by Michael Levenson and published by Cambridge University Press. This book was released on 1999-02-11 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.
Download or read book Mary Barnard American Imagist written by Sarah Barnsley and published by SUNY Press. This book was released on 2013-12-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovers a new chapter in the story of American modernist poetry. Perhaps best known for her outstanding translation of Sappho, poet Mary Barnard (19092001) has until recently received little attention for her own work. In this book, Sarah Barnsley examines Barnards poetry and poetics in the light of her plentiful correspondence with Ezra Pound, William Carlos Williams, and others. Presenting Barnard as a late Imagist, Barnsley links Barnards search for a poetry grounded in native speech to efforts within American modernism for new forms in the American grain. Barnsley finds that where Pound and Williams began the campaign for a modern poetry liberated from the heave of the iambic pentameter, Barnard completed it through a spare but musical aesthetic derived from her studies of Greek metric and American speech rhythms, channeled through materials drawn direct from the American local. The first book on Barnard, and the first to draw on the Barnard archives at Yales Beinecke Library, Mary Barnard, American Imagist unearths a fascinating and previously untold chapter of twentieth-century American poetry. Clearly structured and elegantly written, Mary Barnard, American Imagist far exceeds any act of routine scholarly recovery. In addition to giving full recognition to Barnards superb skills as a translator of Sappho, Sarah Barnsley also makes a convincing case for her original poetic output and for her contribution to the evolution of American free verse. Peter Nicholls, author of Modernisms: A Literary Guide, Second Edition
Download or read book Movement Manifesto Melee written by Milton A. Cohen and published by Lexington Books. This book was released on 2004 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many modernist artists in the early years of the 20th century preferred solitary lives, but just as many thrived in small, nebulous groups, such as the Futurists & Imagists. Cohen demonstrates how these groups fostered artistic innovation & bore responsibility for nearly all avante-garde agitation.
Download or read book Short Form American Poetry written by Will Montgomery and published by Edinburgh University Press. This book was released on 2020-06-18 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse.
Download or read book Modernist Parody written by Sarah Davison and published by Oxford University Press. This book was released on 2023-06-28 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It argues that parody is central to the whole modernist project, even to supposedly earnest movements such as Imagism, and not just to the extreme avant-garde antics of Dada. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, define themselves as post-Victorians, and respond to sources of inspiration while composing. It offered a ready method to laugh at folly, amuse friends, criticize opponents, spike enemies, and transgress conventions. Being double-coded, parody proved a powerful weapon in the culture wars, enabling modernists to present and simultaneously challenge prevailing ideologies in all their historically determined complexity. Its fundamentally dialogic and palimpsestual form exposed the limitations of naïve mimesis, insisting that literature is always language in unstable play, while simultaneously foregrounding the relational structures that underwrote the modernists' paradoxical claims to originality and modernity. As a principle of continual genesis-and a spur to the production of yet more forcefully experimental art-parody therefore became the modernists' primary reflex as they negotiated their position in literary culture and made it new.
Download or read book Artistic Outlaws written by Sonja Samberger and published by LIT Verlag Münster. This book was released on 2005 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The creator of the new composition in the arts is an outlaw until he is a classic", Gertrude Stein wrote in 1926. Unlike male modernists such as T. S. Eliot or Ezra Pound, the modernist women poets Edith Sitwell, Amy Lowell, Stein and H. D. never became "high" modernist models but remained "artistic outlaws". The present study shows how these women were present on the modernist scene but followed their own concepts and struggled to establish their position as modernist women poets. Defying definition, the four poets not only richly contributed to modernism, but were indeed its developers.
Download or read book Collecting as Modernist Practice written by Jeremy Braddock and published by JHU Press. This book was released on 2012-02-15 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Modernist Studies Association Book Prize of the Modernist Studies Association In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression—the art collection, the anthology, and the archive—and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.
Download or read book Explaining Imagism written by Sławomir Wącior and published by . This book was released on 2007 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the present study, the innovative and cerebral poetry of the Imagist movement, which revolutionized modern English and American poetry, has been analyzed in its contextual and inter-textual relationships with other arts. Consequently, the book is like the texts it attempts to investigate, a peculiar hybrid, a collage of three basic materials or analytical perspectives: an excerpt from an Imagist manifesto sketched out in handwriting (context), a torn out printed page from a first edition of Des Imagistes (text), and a photograph of a museum installation of a room devoted to Modernist art (intertext).
