Download or read book Il pirata written by Felice Romani and published by . This book was released on 1832 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Il Pirata The Pirate a melodramatic opera in two acts by F Romani etc Ital Eng written by Felice Romani and published by . This book was released on 1844 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Il Pirata The Pirate A melo dramatic opera in two acts by F Romani as represented at the King s Theatre Haymarket etc Ital Eng MS note written by Felice Romani and published by . This book was released on 1830 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book 9th Circuit Update written by and published by . This book was released on 1993 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Composers and their Works written by Sarah Tytler and published by BoD – Books on Demand. This book was released on 2024-01-31 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press, USA. This book was released on 2020 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's past, present and future. Why is the art form apparently so arthritically canonical, with the top ten titles, all more than a century old, accounting for nearly a quarter of all performances world-wide? Why is this top-heavy system of production becoming still more restrictive, even while the repertory is seemingly expanding, notably to include early music? Why did the operatic canon evolve so differently from that of concert music? And why has that evolution attracted so comparatively little attention from scholars? Why, finally, if opera houses all over the world are dutifully honoring their audiences' loyalty to these favorite works, are they having to struggle so hard financially? Answers to these and other problems are offered here by 26 musicologists, historians, and industry professionals working in a wide range of contexts. Topics range from the seventeenth century to the present day, and from Russia to England and continental Europe to the Americas. In an effort to reflect the contested nature of most of the issues facing opera, each topic is addressed by two essays, introduced jointly by the respective authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways: for example, by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions and expectations, and breathes fresh air into the fields of music and cultural history.
Download or read book Arpa D or Dei Fatidici Vati written by Roger Parker and published by EDT srl. This book was released on 1997 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Harmonicon written by and published by . This book was released on 1826 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1896 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A First Italian Reading Book written by Luigi Ricci and published by . This book was released on 1885 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Italian principia Pt i A first Italian course on the plan of W Smith s Principia Latina Pt ii A first Italian reading book written by Luigi Ricci and published by . This book was released on 1883 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Grove Book of Operas written by Stanley Sadie and published by . This book was released on with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt: The world's defiinitive single volume of opera reference including: full plot synopses, cast lists, singers, composers, literary and social history, recordings, and much more. Covers over 250 operas performed over the last quarter-century, additional works selected for interest, merit, or historical significance, 64 pages of color plates, 100 black-and-white photographs, fully cross-referenced with indexes and a glossary.
Download or read book Arias Ensembles Choruses written by John Yaffé and published by Scarecrow Press. This book was released on 2011-11-17 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels’ Orchestral Music, Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with page numbers in both full scores and piano-vocal scores), and exact instrumentation. It also lists the publishers that make available the orchestral materials for just the excerpt being programmed, independent of the full parent work. Until now, conductors and orchestra librarians commonly had to first leaf through full scores, searching for one elusive three-minute aria after another, only to then consult multiple publishers' catalogues to compile crucial information on all the excerpts proposed for a concert or recording. This book constitutes a single source for finding that information. In many cases, the individual entries include valuable insider information on common performance practice, including start- and stop-points, transpositions, and conventional cuts. Searching for repertoire is made easy with the detailed title index and appendixes devoted to ensemble excerpts, all categorized by personnel (e.g., duets, trios, quartets, quintets, sextets, choruses) and language (Czech, English, French, German, Italian, Latin, Russian). This book is the ideal tool for the working conductor and orchestral librarian, as well as music program directors at colleges and conservatories, opera companies, and symphony orchestras. As of October 2015, a new printing of this book has occurred to correct errors in the index. A PDF version of the new index is available to previous purchasers of the volume. Please contact Rowman & Littlefield's music editor for assistance.
Download or read book The Knickerbocker written by and published by . This book was released on 1833 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Knickerbacker written by and published by . This book was released on 1833 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Giovanni Battista Rubini and the Bel Canto Tenors written by Dan H. Marek and published by Scarecrow Press. This book was released on 2013-06-06 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.
