Download or read book Icons of Black Music written by Charlotte Greig and published by . This book was released on 1999 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Black Icons in Herstory written by Darian Symoné Harvin and published by Chronicle Chroma. This book was released on 2022-06 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black Icons in Herstory features bold, colorfully illustrated portraits of 50 of the most admired women in the fields of music, film, literature, politics, human rights, and more. This second book in our Icons series focuses exclusively on remarkable Black women, celebrating their achievements, legacy, and continued inspiration. From Harriet Tubman to Kamala Harris; from Nina Simone to Beyoncé; from Michelle Obama to Amanda Gorman; this curated list of role models is significant. Each striking portrait illustrated by Monica Ahanonu is accompanied by a biography of each woman, highlighting her contributions to our culture and her lasting influence on herstory.
Download or read book 40 Inspiring Icons Black Music Greats written by Olivier Cachin and published by Wide Eyed Editions. This book was released on 2019-02-05 with total page 93 pages. Available in PDF, EPUB and Kindle. Book excerpt: The biggest names…the coolest sounds…the 40 most inspirational movers, shakers, and innovators in black music are here! In this fun, fact-packed book from the 40 Inspiring Icons series, learn how these black musicians changed music, from the creation of blues to the invention of rap. Meet the Godfather of Funk, the High Priestess of Soul, and the King of Reggae. Learn how Marvin Gaye shaped the sound of Motown, how N.W.A. redefined rap, and what made the Supremes, supreme. From Robert Johnson, who recorded one of the first examples of the blues in 1936, to rap superstar Drake, whose 2012 album Views spent 13 weeks at number one on the US Billboard 200, these are the 40 black artists to be listened to and learned about by all: Robert Johnson; Nina Simone; James Brown; Sly & the Family Stone; Miles Davis; Diana Ross & the Supremes; The Jackson 5; Marvin Gaye; Stevie Wonder; Aretha Franklin; Earth, Wind & Fire; Isaac Hayes; Tina Turner; Donna Summer; Bob Marley & the Wailers; Prince; Fela Kuti; The Last Poets; Chic; The Sugarhill Gang; Run-DMC; Eric B. & Rakim; Public Enemy; N.W.A.; Whitney Houston; 2Pac; The Fugees; Snoop Dogg; The Notorious B.I.G.; Erykah Badu; Jay-Z; Missy Elliott; Kanye West; Beyoncé; Pharrell Williams; Rihanna; Lil Wayne; Drake; Nicki Minaj; The Weeknd. Each spread presents a single musician or band, highlighting key facts about their background, most popular songs, most iconic shows, genre-defining techniques, friends, rivals, and nicknames, along with a fun, illustrated depiction of them that calls out elements of their signature style. With so many icons to choose from, which will you add to your playlist? Each book in the 40 Inspiring Icons series introduces readers to a fascinating non-fiction subject through its 40 most famous people or groups. Explore these other great topics through their most interesting icons: People of Peace, Super Scientists, Soccer Stars, Fantastic Footballers, Music Legends, and Greek Gods and Heroes.
Download or read book Icons of Black Music written by Charlotte Greig and published by Advanced Marketing Services. This book was released on 1999 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: A photographic collection of eighty of the most influential musicians of this century. Stunning black-and-white art photography, along with extensive biographical information, captures the essence of each artist and their cultural significance. Includes phenomenal performers like James Brown and Aretha Franklin, jazz greats Duke Ellington and Ella Fitzgerald, guitar gods Hendrix and Prince, Rock & Roll Hall-of-Famers Curtis Mayfield and Wilson Pickett, Blues legends B. B. King, Bessie Smith, and beyond.
Download or read book The Music of Black Americans written by Eileen Southern and published by W. W. Norton & Company. This book was released on 1997 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
Download or read book The Power of Black Music written by Samuel A. Floyd Jr. and published by Oxford University Press. This book was released on 1995-07-27 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
Download or read book What the Music Said written by Mark Anthony Neal and published by Psychology Press. This book was released on 1999 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Legends Icons Rebels written by Robbie Robertson and published by Tundra Books. This book was released on 2016-10-25 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part memoir, part tribute, and all great storytelling ... Music industry veterans Robbie Robertson, Jim Guerinot, Jared Levine, and Sebastian Robertson invite young readers to share with them in celebrating twenty-seven musical legends. Short profiles chronicle personal stories and achievements of extraordinarily talented artists whose innovations changed the landscape of music for generations to come. Carefully compiled like any great playlist, the line-up features originators, rebels, and risk-takers across diverse genres. From Ray Charles to Johnny Cash, Chuck Berry to Bob Dylan, Robertson shares anecdotes about these artists and the influence they had on his own musical journey. Always respectful of their reader, the writers never shy away from speaking about the difficult challenges these recording artists faced and the very human foibles that sometimes led to their tragic end. Most of all, it's the authors' passion and insights into these personal stories of creativity and collaboration -- and the power of music to shine a light on injustice and foster change -- that will fascinate, enlighten, and inspire music fans of all ages.
Download or read book Stereotypes in Black Music written by Alan Kurtz and published by Createspace Indie Pub Platform. This book was released on 2010-11-28 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stereotypes have forever polluted the relationship between blacks and whites in America, and nowhere more conspicuously than in the entertainment field. Here, artists are often judged not only by the color of their skin but by the content of their caricature. In particular, the persistence of racially negative portrayals in African-American music, despite increasing control exercised by blacks, reflects the extent to which both races cling to outmoded concepts. By any measure except ethics, crossover music (made by blacks, consumed by whites) has been spectacularly successful at spreading pernicious icons. Stereotypes in Black Music aims to put these avatars into a pop-cultural context in a way that is informative, provocative and necessarily corrosive. This is not an indictment of African Americans as a whole or of their music generally. It is rather a critical look at one microscopic slice of black culture, examining the screwy symbiosis by which whites have patronized the most demeaning caricatures while blacks have kept the marketplace freshly supplied with toxic divertissements. Within these pages you'll find Louis Armstrong dressed like Fred Flintstone, a tuxedoed Duke Ellington presiding over fantasy jungles in Depression-era Harlem, R&B voodoo men putting a hex on postwar teenagers, rock 'n' roll guitar-slingers in purple Cadillacs transporting underage girls across state lines for immoral purposes, freaky funksters sporting spacesuits and platform shoes, pushbutton-orgasmic disco queens, and of course gangsta rappers in all their gun-blazing, bitch-slapping, X-rated glory. (It's impossible to adequately treat this subject using sanitized excerpts, so expect offensive language.) Stereotypes in Black Music is bound to rankle. But a debate on this volatile subject is long overdue. Let fly the sparks.
Download or read book Transnational Cinematic and Popular Music Icons written by Aaron Lefkovitz and published by Lexington Books. This book was released on 2017-09-08 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 centers twentieth and twenty-first century black-transnational stereotypes, celebrities, and symbols Lena Horne's, Dorothy Dandridge;s, and Queen Latifah’s transnational popular cultural struggles between domination and autonomy, with a particular emphasis on their films and popular music. Linking each performer to twentieth century U.S., African-American, and global gender histories and noting the intersections of race, gender, sexuality, class, and empire in their overlapping transnational biographies, Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 connects Horne, Dandridge, and Latifah to each other and legacies of Hollywood stereotypes and popular music’s internationally-routed politics. Through a close reading of Horne's, Dandridge's, and Latifah’s films and popular music, the performers tie to historic black-transnational caricatures, from the “tragic mulatto” to Sapphire, Mammy, and Jezebel, and additional, non-white female performers, from Josephine Baker to Halle Berry, maneuvering within transnational popular culture industrial matrices and against white supremacist and hetero-patriarchal forces.
Download or read book Music Legends written by Hervé Guilleminot and published by Wide Eyed Editions. This book was released on 2018-07-25 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each Top 40 Famous title introduces readers to a fascinating non-fiction subject through its 40 most famous people or groups. An illustration, short biography and pull-out boxes with statistics brings each alive in a fun, accessible way. In this inspiring title, learn about Elvis Presley, Bob Dylan, The Beatles, Madonna, Beyoncé, Jimi Hendrix, David Bowie and many other rock and pop legends. Key aspects are pulled out for young readers, such as genre, look and famous performances.
Download or read book Black Diamond Queens written by Maureen Mahon and published by Duke University Press. This book was released on 2020-10-09 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Download or read book Black Music Black Poetry written by Gordon E. Thompson and published by Routledge. This book was released on 2016-04-15 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black Music, Black Poetry offers readers a fuller appreciation of the diversity of approaches to reading black American poetry. It does so by linking a diverse body of poetry to musical genres that range from the spirituals to contemporary jazz. The poetry of familiar figures such as Paul Laurence Dunbar and Langston Hughes and less well-known poets like Harryette Mullen or the lyricist to Pharaoh Sanders, Amos Leon Thomas, is scrutinized in relation to a musical tradition contemporaneous with the lifetime of each poet. Black music is considered the strongest representation of black American communal consciousness; and black poetry, by drawing upon such a musical legacy, lays claim to a powerful and enduring black aesthetic. The contributors to this volume take on issues of black cultural authenticity, of musical imitation, and of poetic performance as displayed in the work of Paul Laurence Dunbar, Langston Hughes, Sterling Brown, Amiri Baraka, Michael Harper, Nathaniel Mackey, Jayne Cortez, Harryette Mullen, and Amos Leon Thomas. Taken together, these essays offer a rich examination of the breath of black poetry and the ties it has to the rhythms and forms of black music and the influence of black music on black poetic practice.
Download or read book Encyclopedia of African American Music 3 volumes written by Tammy L. Kernodle and published by Bloomsbury Publishing USA. This book was released on 2010-12-17 with total page 1267 pages. Available in PDF, EPUB and Kindle. Book excerpt: African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
Download or read book Lift Every Voice written by Burton William Peretti and published by Rowman & Littlefield. This book was released on 2009 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.
Download or read book African American Culture and Legal Discourse written by R. Schur and published by Springer. This book was released on 2009-12-07 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work examines the experiences of African Americans under the law and how African American culture has fostered a rich tradition of legal criticism. Moving between novels, music, and visual culture, the essays present race as a significant factor within legal discourse. Essays examine rights and sovereignty, violence and the law, and cultural ownership through the lens of African American culture. The volume argues that law must understand the effects of particular decisions and doctrines on African American life and culture and explores the ways in which African American cultural production has been largely centered on a critique of law.
Download or read book Hidden in the Mix written by Diane Pecknold and published by Duke University Press. This book was released on 2013-07-10 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
