Download or read book I volti dell arte written by Giovanna Giusti Galardi and published by . This book was released on 2007 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Il catalogo, realizzato in occasione della mostra veneziana a palazzo Fianchetti (27 gennaio - 6 maggio 2007), presenta la prestigiosa collezione di autoritratti degli Uffizi attraverso un panorama espositivo di circa settanta opere pittoriche di eccezionale qualità artistica. L'immagine riflessa di Narciso che cerca un'identità nascosta è da sempre motivo di ricerca per l'introspezione personale dell'artista attraverso i secoli: da Filippino Lippi a Raffaello; da Tintoretto a Guido Reni; fino ai protagonisti del Novecento e dell'arte contemporanea, il tema stimolante della scoperta dell'Io caratterizza il percorso personale di ognuno fino al tradimento della personalità. L'affascinante percorso di questo volume rivela il lato oscuro dell'identità alterata; attraverso una sorta di viaggio a ritroso nel tempo sarà possibile conoscere il volto e la personalità di alcuni tra i protagonisti della scena artistica internazionale: dal XV e XVI secolo con la presenza di Filippino Lippi, Raffaello, Primaticcio, Tintoretto, Guido Reni, Annibale Carracci; fino al XIX secolo con le testimonianze di Francesco Hayez, Giovanni Fattori, Giovanni Boldini, Giuseppe Pelizza da Volpedo; per arrivare poi ai protagonisti del Novecento e del Contemporaneo quali: Giacomo Balla, Carlo Carrà, Marc Chagall, Michelangelo Pistoletto e numerosi altri. Annotation Supplied by Informazioni Editoriali
Download or read book About Face written by Elena Bellina and published by Cambridge Scholars Publishing. This book was released on 2009-10-02 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we represent ouselves and the cultures we live in? Is it possible to trace any boundaries between reality and self-representation? Because the self represented is the product of a process of selection and choice, in many ways to represent the self is, often simultaneously, to create the self and negate the self. What, then, becomes of the self once it is represented? Because the process of self-representation cumulates in a tangible result and given that any representation of the self is necessarily a construct which aims to render visible or knowable in concrete form the unseen and unknown, self-representation is vulnerable to assessments of its naturalness or artificiality, its honesty or deceit. Many issues affect the author or artist’s self-representation, both as process and form: the medium through which the self will be represented, the motivation for representing oneself, and the role of the audience, to name only a few relevant factors. This book explores the multifaceted nature of self-representation in relation to culture from the Middle Ages through the Renaissance up to contemporary Italian, American and Australian culture with reference to concepts and questions connected to literature, poetry, philosophy, theology, history, ethnicity studies, gender studies, and visual arts.
Download or read book 2012 written by and published by Walter de Gruyter. This book was released on 2013-03-01 with total page 3064 pages. Available in PDF, EPUB and Kindle. Book excerpt: Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
Download or read book Papi in Posa written by Aa.Vv. and published by Gangemi Editore Spa. This book was released on 2013-09-21T00:00:00+02:00 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The exhibition entitled “Papi in Posa,” i.e., “Papal Portraiture,” with the highly refined and historically significant Braschi Palace – home of the Museum of Rome – in 2004, and now in Washington, The John Paul II Center, is not offered only as an excellent exposition of masterpieces from major international museums – such as the Vatican Museums – and prestigious private collections, but stands out in particular because it is one of the most important expositions of portrait painting ever because of both the outstanding quality and the considerable number of paintings and sculptures offered – executed by Europe's leading artists from the last five centuries – and the great spiritual and social significance of the personages portrayed: the greatest Pontiffs who from the 16th century to the present have sat in the Chair of Saint Peter. It is suggestive to observe, as we scan the unique artistic itinerary offered by the curators of the exhibition, how through the succession of historical periods and particularly by virtue of the esthetic verve and inner sensitivity of the artists, the description of the human person was oriented, with extreme plastic ductility and acuity in their perception of their subjects' physiognomy, to represent not only the body lines of the subject being depicted but, in particular, the most intimate traits of the heart, the lively mobility of their thought, the innermost lines of the subject's character, in an intense dialogue of chiaroscuro observations from which the characterizing notes of complex personages are evinced – persons who appear completely clear and evident only to those who are capable of sublimating their outward appearance into an acute observation. From this prestigious gallery of portraits it emerges unmistakably how the anthropocentric path of human thought has manifestly reverberated within the bounds of the figurative arts through a progressive contextualization, which sees the subject represented unbound through a metatemporal aura of rarefied abstraction and placed, naturalistically, in a precise and well defined spatiotemporal sphere. At the same time, we witness a gradual definition of the personage portrayed as the bearer of a clear personal connotation – the self and the identity, which seem to be invisible and thus impossible to represent – no longer, hortatively, as an idealized and metaphoric emblem of absolute values in deference to a markedly ethical and pedagogical conception. The exhibited works, which rightfully range themselves among the most outstanding expressions of portraiture, reveal a deep spiritual harmony evocative of beauty and unleash a lively dialogue with the onlooker based on a real and inherent economy of the act of viewing, albeit freed from the exercise of a psychologism oriented toward uncontrollable wanderings. The reception of the meaning of the formal systems – thoughtful poses and attitudes – involves, to be sure, the active presence of the spectator in a sort of visual dialogue with the portrait that is not considered exclusively as a fixed commemorative system but rather as an interactive structure. In the perspective of the reception, the observer becomes a fundamental element for the construction of the meaning of the image that, from this very private perspective, undergoes obvious momentous transformations. Observer and image thus become integral parts of a fascinating system of visual exchange not unlike the mechanisms of verbal dialogue: both members of the “pair” take on contemporaneously the dual role of subject/object, restructuring the complex relational web established in a rapport between an “I” and a “you.” Beyond the temporal contingencies, each portrait is recounted and seduces us through the universal language of fame: this incarnates, deeply, the artist's attempt to describe the personality of the subjects portrayed, consigning the multiform essence of their nature to one attitude or to a single expression by resorting to a refined psychological introspection in an attempt to render visually the subject's inner world. It is owing to the above considerations that, while I applaud the felicitous initiative of giving life to such a culturally transcendent exhibition, I would wish that all those who will have the pleasure of visiting it or at least of perusing the pages of this catalogue will be able to perceive the portraits of the individual popes not as so many freestanding elements, but rather as integrated parts of a related set of men who, albeit struggling with the many and varied anxieties of everyday life, endeavored to serve Christ among their brothers, each one with a clear perception of himself as servo servorum Dei – the servant of God's servants! Through looks, attitudes and symbols committed by the artist in a well-constructed iconographic code to the pictorial or sculptural page, the discerning observer cannot help but grasp a veiled spiritual harmony that reflects the profound mystery of faith and propagates an echo of the ineffable beauty of God, revealing how, through art, man – pulled between the eternal and the transient – strives to draw close to his Creator. Francesco Cardinal Marchisano Vicar General of the Pope for the State of Vatican City
Download or read book Representations of the social actor today written by Daniele Ungaro and published by Ledizioni. This book was released on 2020-09-09 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book in question considers, in the essays that constitute it, the conditions of the contemporary social actor in the era of social distancing policies. In the first essay, an essential characteristic of the social actor, the existing tension between the rigidity of roles assumed and freedom of action is analyzed in the light of the practical and theoretical experiments carried out in the Commedia dell’Arte, as renewed by George and Maurice Sand, Goffman’s symbolic interactionism and Naranjo’s psychology of ennaeatypes. In the second essay, the studies carried out on the pseudo-social personality allow us to grasp an important aspect of the influence of social distancing policies on the contemporary social actor, the clear separation between survival strategies and communicative action, since in the era of the Covid 19 infection only the reduction of face-to-face relations seems to allow an adequate survival strategy. This implies the assumption of a prominent role by communication technologies, with psycho-social consequences that seem to go in the direction of a general increase of pseudo-sociality.
Download or read book 2015 written by Günter Berghaus and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-07-01 with total page 661 pages. Available in PDF, EPUB and Kindle. Book excerpt: The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
Download or read book Caravaggio written by DavidM. Stone and published by Routledge. This book was released on 2017-07-05 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.
Download or read book Moving on from Ebla I crossed the Euphrates An Assyrian Day in Honour of Paolo Matthiae written by Davide Nadali and published by Archaeopress Publishing Ltd. This book was released on 2022-06-30 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Six articles by leading scholars on the culture of the Assyrian world pay homage to Paolo Matthiae, known internationally for the discovery of the site of ancient Ebla in Syria. The articles deal with different aspects of Assyrian culture, with innovative and sometimes unexpected points of view, including its reception in the modern world.
Download or read book Raffaello Sanzio da Urbino in Art Collections and in the History of Collecting written by Claudia La Malfa and published by Cambridge Scholars Publishing. This book was released on 2023-01-13 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Raphael’s artworks, paintings, altarpieces, drawings, tapestries, cartoons, prints, ceramics and all other artifacts derived from his works, including copies and forgeries, have been the object of an often-frantic search from his death in 1520 onwards. France, Spain, Germany, England, and Italy were the main destinations for such artworks between the 16th and the 18th centuries, while the market spread overseas from the 19th century onwards. This book is the first full exploration of this phenomenon and of the mechanisms of transmission of Raphael’s artifax through inheritance, sales, swaps and shady transactions. It includes essays in English, French and Italian by some of the most knowledgeable scholars on Raphael, museum curators and experts in the history of collecting, and is a landmark in scholarship on Raphael and art collecting.
Download or read book The Commedia Dell arte of Flaminio Scala written by Flaminio Scala and published by Rowman & Littlefield. This book was released on 2008 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Commedia dell'Arte of Flaminio Scala presents a translation and commentary of selected scenarios composed or collected by the actor-manager Flaminio Scala that were first published in 1611. Thirty of Scala's 50 scenarios are included, complete with a detailed scene-by-scene analysis that demonstrates the methodology of Italian improvised theatre in the early modern period for the purposes of study as well as re-creation."--BOOK JACKET.
Download or read book The Year 1200 written by François Avril and published by Metropolitan Museum of Art. This book was released on 1975 with total page 609 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Citt e guerra difese distruzioni permanenze delle memorie e dell immagine urbana Tomo II tracce e patrimoni written by Maria Ines Pascariello and published by FedOA - Federico II University Press. This book was released on 2023-12-31 with total page 1178 pages. Available in PDF, EPUB and Kindle. Book excerpt: [Italiano]: In un momento così significativo per la storia europea e mondiale, questo volume vuole essere la raccolta di riflessioni scientifiche condotte sui rapporti tra le scelte politiche, le azioni militari e la fisionomia delle città e del paesaggio urbano, sull’evoluzione delle strutture e delle tecniche di difesa, sulla rappresentazione della guerra e dei suoi effetti sull’immagine urbana, sul recupero delle tracce della memoria cittadina. Da una parte il campo delle Digital Humanities apre nuove prospettive per studiare l'immagine della città prima, durante e dopo la guerra, dall’altro le tecnologie digitali impegnano studiosi e ricercatori di varie discipline: in particolare nell’ambito del disegno viene esplorato il ruolo della rappresentazione nella formulazione dei progetti urbani di difesa e nella documentazione degli eventi bellici e delle tracce lasciate dai conflitti, mentre nell’ambito del restauro vengono approfondite le sfide teoriche e pratiche imposte dai danni arrecati dai conflitti ai centri storici, passando in rassegna casi studio, soluzioni e dibattiti relativi alla conservazione del patrimonio urbano coinvolto in azioni di guerra, con un'attenzione particolare all'identità e alla memoria collettiva./[English]: At such a significant moment in European and world history, this volume aims to be a collection of scientific reflections about the relationships between political choices, military actions and the physiognomy of cities and the urban landscape, about the evolution of defence structures and techniques, about the representation of war and its effects on the urban image, and about the recovery of the traces of city memory. On the one hand the field of Digital Humanities opens up new perspectives to study the image of the city before, during and after the war, on the other hand digital technologies engage academics and researchers from various disciplines: In particular, in the area of drawing, the role of representation in the formulation of urban defence projects and in the documentation of wartime events and the traces left behind by conflicts is explored, while in the area of conservation, the theoretical and practical challenges imposed by the damage caused by conflicts to historic centres are explored, reviewing case studies, solutions and debates relating to the conservation of urban heritage involved in wartime actions, with a focus on identity and collective memory.
Download or read book I mutevoli volti del potere written by Gianmaria a cura di Di Nocera and published by Edizioni Sette Città. This book was released on 2022-03-08 with total page 619 pages. Available in PDF, EPUB and Kindle. Book excerpt: La prossimità al potere crea in alcuni l'illusione di esercitarlo
Download or read book Contemporary Italian Filmmaking written by Manuela Gieri and published by University of Toronto Press. This book was released on 1995-01-01 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic'. She delineates a `Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the `melodramatic imagination' and the `humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a `Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.
Download or read book The cult of the Duce written by Stephen Gundle and published by Manchester University Press. This book was released on 2015-11-01 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cult of the Duce is the first book to explore systematically the personality cult of the Fascist dictator Benito Mussolini. It examines the factors which informed the cult and looks in detail at its many manifestations in the visual arts, architecture, political spectacle and the media. The conviction that Mussolini was an exceptional individual first became dogma among Fascists and then was communicated to the people at large. Intellectuals and artists helped fashion the idea of him as a new Caesar while the modern media of press, photography, cinema and radio aggrandised his every public act. The book considers the way in which Italians experienced the personality cult and analyses its controversial resonances in the postwar period. Academics and students with interests in Italian and European history and politics will find the volume indispensable to an understanding of Fascism, Italian society and culture, and modern political leadership. Among the contributions is an Afterword by Mussolini’s leading biographer, R.J.B. Bosworth.
Download or read book Performance and Literature in the Commedia Dell Arte written by Robert Henke and published by Cambridge University Press. This book was released on 2002-12-12 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the commedia dell'arte: the Italian professional theatre in Shakespeare's time. The actors of this theatre usually did not perform from scripted drama but instead improvised their performances from a shared plot and thorough knowledge of individual character roles. Robert Henke closely analyzes hitherto unexamined commedia dell'arte texts in order to demonstrate how the spoken word and written literature were fruitfully combined in performance. Henke examines a number of primary sources including performance accounts, actors' contracts, and letters, among other documents.
Download or read book Critically Mediterranean written by yasser elhariry and published by Springer. This book was released on 2018-03-06 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.
