Download or read book How to Study Modern Drama written by Kenneth Pickering and published by Palgrave. This book was released on 1988 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Making of Modern Drama written by Richard Gilman and published by Yale University Press. This book was released on 2000-01-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critical exploration of modern drama begins with Büchner and Ibsen and then discusses the major playwrights who have shaped modern theater. A new introduction by the author assesses developments of recent years.
Download or read book A Handbook for the Study of Drama written by Lynn Altenbernd and published by University Press of America. This book was released on 1989 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intended for the inexperienced drama student as well as serving as a useful review for the experienced student, this book sets forth its principles briefly and with a modest amount of illustrative material. The author's suggestions should enhance classroom discussion and participation when used alone or in combination with individual dramas or works from anthologies. Topics addressed are: the nature and elements of drama, traditional plays, help in overcoming the initial difficulties in the reading of a play, and understanding the play in both its exposition and its drama. Originally published by Macmillan in 1966.
Download or read book Modern Drama and the Rhetoric of Theater written by W. B. Worthen and published by Univ of California Press. This book was released on 2015-01-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Download or read book Staging Place written by Una Chaudhuri and published by University of Michigan Press. This book was released on 1997 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length study of the notion of place and its implications in modern drama
Download or read book Modern Drama written by Kirsten Shepherd-Barr and published by Oxford University Press. This book was released on 2016 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama 'modern'.
Download or read book Drama written by J. L. Styan and published by Peter Lang. This book was released on 2000 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book introduces the elements of drama and the principles behind the reading and study of plays--classical and modern. It makes a special point of seeing drama as intended for acting and performance, and it therefore emphasizes the role of the spectator at a play and the sort of theatre for which drama was written. The performance approach to the study of plays finally clarifies the different kinds of drama (comedy, tragedy, melodrama, and farce) and identifies its forms (realism, stylization, and symbolism). The book draws on specific examples of drama, is rich in helpful charts and diagrams, and contains a comprehensive glossary. Drama will be a useful guide for students and general playgoers alike.
Download or read book Ibsen and Early Modernist Theatre 1890 1900 written by Kirsten Shepherd-Barr and published by Praeger. This book was released on 1997-09-30 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.
Download or read book The Myth of Identity in Modern Drama written by Jeremy Ekberg and published by Cambridge Scholars Publishing. This book was released on 2015-09-18 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Myth of Identity in Modern Drama is the first book-length study on existential authenticity and its relation to ontological embodiment treated via analyses of characters of modern drama. Furthermore, it offers new methods of exploring characters and characterization and new ways of thinking about identity. Through its investigations of the plays of Samuel Beckett, Eugene Ionesco and Jean-Paul Sartre, the book shows that the study of embodiment will allow for a new method of analyzing characters and how they form, or attempt to form, ever-changing identities.
Download or read book Shakespeare adaptation modern Drama written by Randall Martin and published by University of Toronto Press. This book was released on 2011-01-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between modern drama and Shakespeare remains intense and fruitful, as Shakespearian themes continue to permeate contemporary plays, films, and other art-forms. Shakespeare/Adaptation/Modern Drama is the first book-length international study to examine the critical and theatrical connections among these fields, including the motivations, methods, and limits of adaptation in modern performance media. Top scholars including Peter Holland, Alexander Leggatt, Brian Parker, and Stanley Wells examine such topics as the relationship between Shakespeare and modern drama in the context of current literary theories and historical accounts of adaptive and appropriative practices. Among the diverse and intriguing examples studied are the authorial self-adaptations of Tom Stoppard and Tennessee Williams, and the generic and political appropriations of Shakespeare's texts in television, musical theatre, and memoir. This illuminating and theoretically astute tribute to Renaissance and modern drama scholar Jill Levenson will stimulate further research on the evolving adaptive and intertextual relationships between influential literary works and periods.
Download or read book Staging Domesticity written by Wendy Wall and published by Cambridge University Press. This book was released on 2002-01-10 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interprets plays in light of their representations of domestic life in the early modern period.
Download or read book The Columbia Encyclopedia of Modern Drama written by Gabrielle H. Cody and published by . This book was released on 2007 with total page 868 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Columbia Encyclopedia of Modern Drama covers the period from 1860 to the present. ... The distinctive feature of this encyclopedia is the emphasis it places on the cultural context of dramatic works and their authors."--Preface.
Download or read book David Mamet s Glengarry Glen Ross written by Leslie Kane and published by Psychology Press. This book was released on 1996 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twelve original and two classic essays present provocative and timely thinking on Mamet's play and screenplay and offer a dialectic on performance and structure. The commentaries take diverse critical approaches to such subjects as feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights and perpectives on the theatricality, originality, and universality of the work. Also includes an interview with Sam Mendes. No index. Annotation copyright by Book News, Inc., Portland, OR
Download or read book The Absent Father in Modern Drama written by Paul Rosefeldt and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1995 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: "From the Freudians to the feminists, the role of the absent or hidden father figure has played a part in narrative and cultural theory. This work presents the first full-length examination of the absent father in modern drama. It closely analyzes major works by Ibsen, Strindberg, Chekhov, Williams, Miller, Shepard, Rabe, Henley, Norman, Pielmeier, Shaffer, Osborne, Churchill, and Fugard. Using the critical framework of psychological, deconstructive, and myth criticism, this book demonstrates how the consistent focus on an imposing father figure who never physically appears onstage affects the psychological, social, and metaphysical structure of major modern dramas."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Law and Representation in Early Modern Drama written by Subha Mukherji and published by Cambridge University Press. This book was released on 2006-10-26 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of law and early modern English literature.
Download or read book Mama Dada written by Sarah Bay-Cheng and published by Routledge. This book was released on 2004-06 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sarah Bay-Cheng offers an examination of Gertrude Stein's drama within the history of the theatrical and cinematic avant-gardes.
Download or read book The Actor as Playwright in Early Modern Drama written by Nora Johnson and published by Cambridge University Press. This book was released on 2003-06-26 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nora Johnson's study of actors who wrote plays in early modern England uncovers important links between performance and authorship. The book traces the careers of Robert Armin, Nathan Field, Anthony Munday and Thomas Heywood, actors who were powerfully interested in marketing themselves as authors and celebrities; but Johnson contends that authorship as they constructed it had little to do with modern ideas of control and ownership. Finally, the book repositions Shakespeare in relation to actors, considering Shakespeare's famous silence about his own work as one strategy among many available to writers for the stage. The Actor as Playwright provides an alternative to the debate between traditional and materialist readers of early modern dramatic authorship, arguing that both approaches are weakened by a reluctance to look outside the Shakespearean canon for evidence.
