Download or read book Histoire du th tre fran ois depuis son origine jusqu pr sent written by François Parfaict and published by . This book was released on 1748 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Histoire du th atre fran ois depuis son origine jusqu present written by François Parfaict and published by . This book was released on 1735 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book European Theories of the Drama written by Barrett Harper Clark and published by . This book was released on 1918 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ceremonial Splendor written by Joy Palacios and published by University of Pennsylvania Press. This book was released on 2022-09-06 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the end of France’s long seventeenth century, the seminary-trained, reform-minded Catholic priest had crystalized into a type recognizable by his clothing, gestures, and ceremonial skill. Although critics denounced these priests as hypocrites or models for Molière’s Tartuffe, seminaries associated the features of this priestly identity with the idea of the vray ecclésiastique, or true churchman. Ceremonial Splendor examines the way France’s early seminaries promoted the emergence and construction of the true churchman as a mode of embodiment and ecclesiastical ideal between approximately 1630 and 1730. Based on an analysis of sources that regulated priestly training in France, such as seminary rules and manuals, liturgical handbooks, ecclesiastical pamphlets and conferences, and episcopal edicts, the book uses theories of performance to reconstruct the way clergymen learned to conduct liturgical ceremonies, abide by clerical norms, and aspire to perfection. Joy Palacios shows how the process of crafting a priestly identity involved a wide range of performances, including improvisation, role-playing, and the display of skills. In isolation, any one of these performance obligations, if executed in a way that drew attention to the self, could undermine a clergyman’s priestly persona and threaten the institution of the priesthood more broadly. Seminaries counteracted the ever-present threat of theatricality by ceremonializing the clergyman’s daily life, rendering his body and gestures contiguous with the mass. Through its focus on priestly identity, Ceremonial Splendor reconsiders the relationship between Church and theater in early modern France and uncovers ritual strategies that continue to shape religious authority today.
Download or read book Catalogue of the London Library written by London Library and published by . This book was released on 1865 with total page 984 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gr try and the Growth of Op ra comique written by David Charlton and published by Cambridge University Press. This book was released on 1986-03-06 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1986, this major study in English explores Grétry and opéra-comique between 1768 and 1791.
Download or read book The Vengeance of Our Lord written by Stephen K. Wright and published by PIMS. This book was released on 1989 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzes the medieval dramatic tradition of history plays (Vengeance of Our Lord) on the siege and destruction of Jerusalem, 70 CE, which enjoyed widespread popularity in the 14th-16th centuries in Germany, France, England, Spain, and Italy. Describes the development of the tradition, and shows how medieval dramatists made use of antisemitic stereotypes and transformed the distant non-Christian past to address contemporary Christian audiences. Traces the sources of this dramatic tradition to Hesegippus's translation of Josephus Flavius in which the fall of Jerusalem is interpreted by Hesegippus as God's punishment of the Jews for deicide, to Church sermons on the Gospels, and to the Vindicta Salvatoris genre describing Titus as a recent convert leading a Christian crusade against deicide Jews who reject the true faith. Includes microfiche reproductions of "Ludus de assumptione beatae Mariae virginis, " "Gothaer Botenrolle, " and Eustache Marcade's "La vengance Jhesucrist."
Download or read book All the Abb s Women written by Bernard J. Bourque and published by Narr Francke Attempto Verlag. This book was released on 2015-06-17 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most striking aspects of abbé d'Aubignac's fictional output is that the principal focus of his work is women. D'Aubignac's attempt to articulate his philosophy about the female sex is very much an intricate balancing act. While he is clearly interested in women, placing them on a pedestal in many of his writings, the abbé imposes limitations on their perceived innate qualities and often embraces the notion of the female as a societal scapegoat. All the Abbé's Women explores how these ideas were influenced by the socio-political conditions of d'Aubignac's time, resulting in a complex interrelationship between the notions of power and misogyny in the author's fictional and critical works. The study also aims to contribute to the scholarship on d'Aubignac, painting a portrait of the abbé that has not been the focus of previous books. The work will appeal to students of French literature, gender studies and the cultural history of Early Modern France.
Download or read book Medea Magic and Modernity in France written by Amy Wygant and published by Routledge. This book was released on 2016-04-29 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spell that she cast, was set on a course, over a span of three hundred years from the sixteenth to the eighteenth centuries, to become a generally broadcast glamour of appearance. Something that a woman does, that is, became something that she has. The antique heroine Medea, witch and barbarian, infamous poisoner, infanticide, regicide, scourge of philanderers, and indefatigable traveller, serves as the vehicle of this development. Revived on the stage of modernity by La Péruse in the sixteenth century, Corneille in the seventeenth, and the operatic composer Cherubini in the eighteenth, her stagecraft and her witchcraft combine, author Amy Wygant argues, to stun her audience into identifying with her magic and making it their own. In contrast to previous studies which have relied upon contemporary printed sources in order to gauge audience participation in and reaction to early modern theater, Wygant argues that psychoanalytic thought about the behavior of groups can be brought to bear on the question of "what happened" when the early modern witch was staged. This cross-disciplinary study reveals the surprising early modern trajectory of our contemporary obsession with magic. Medea figures the movement of culture in history, and in the mirror of the witch on the stage, a mirror both appealing and appalling, our own cultural performances are reflected. It concludes with an analysis of Diderot's claim that the historical process itself is magical, and with the moment in Revolutionary France when the slight and fragile body of the golden-throated singer, Julie-Angélique Scio, became a Medea for modernity: not a witch or a child-murderess, but, as all the press reviews insist, a woman.
Download or read book Immaculate Deception and Further Ribaldries written by Jody Enders and published by University of Pennsylvania Press. This book was released on 2022-06-24 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred. Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.
Download or read book Musical Theatre at the Court of Louis XIV written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2005-09-29 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.
Download or read book Music and Theatre in France 1600 1680 written by John S. Powell and published by Clarendon Press. This book was released on 2000 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Download or read book Recreating Ancient History written by Karl A. E.. Enenkel and published by BRILL. This book was released on 2021-11-08 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers in this volume offer examples of how historians, writers, playwrights, and painters in the early modern period used ancient history as a rich field of raw material that could be used, recycled, and adapted to new needs and purposes. They focused on classical antiquity as a source from which they could recreate the past as a way of understanding and legitimizing the present. The contributors to this volume have addressed a number of important, common issues that span a wide range of subjects from fifteenth-century Italian painting to the teaching of Greek history in eighteenth-century Germany. This volume is of interest for historians of the early modern period from all disciplines and for all those interested in the reception of classical antiquity. This publication has also been published in hardback, please click here for details.
Download or read book Catalogus Librorum Impressorum Bibliothecae Bodleianae in Academia Oxoniensi written by Bodleian Library and published by . This book was released on 1851 with total page 1040 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Russia s Theatrical Past written by Claudia R. Jensen and published by Indiana University Press. This book was released on 2021-06-01 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
Download or read book Opera in the Age of Rousseau written by David Charlton and published by Cambridge University Press. This book was released on 2012-10-25 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
Download or read book Moli re the French Revolution and the Theatrical Afterlife written by Mechele Leon and published by University of Iowa Press. This book was released on 2009-10 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.
