Download or read book Hip Hop and the Media in the USA written by Dana Kabbani and published by GRIN Verlag. This book was released on 2002-10-16 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 1999 in the subject American Studies - Culture and Applied Geography, grade: 1,0 (A), Humboldt-University of Berlin (American Studies), course: Transnational American Culture Studies, language: English, abstract: 1. Introduction: In the following study the relationship and interaction between “Hip Hop and the Media in the USA” will be discussed. The aim of this paper is to put hip hop into a wider framework of media and culture. Hip hop has triumphantly emerged from the underground to take its place in the mainstream of popular culture. It is clear that the pervasive influence of hip hop extends to television, film, advertising, fashion, the print media, and language itself. Although it has taken almost twenty years to reach this level of mass exposure, the movement now stands as a multimillion-dollar enterprise and a dominant cultural force that continues to grow. To put it quite bluntly, hip hop cannot be considered as an independent entity on its own; it has to be explained in a broader context – a creation out of a reaction with and against existing conventions. Hip hop must be reinvented from moment to moment, centered around the impossibility of closure – the moment it becomes identifiable, its modes reducible, it dies – but hip hop’s ability is to reinvent itself continually. Hip hop is, as Potter puts it, “a cultural recycling center, a social heterolect, a field of contest, even a form of psychological warfare” (109). This paper tries to shed light on the following questions: What is the media’s influence on the history and development of hip hop culture? How are the different rap categories treated by the media? Why is authenticity especially appealing to a white audience and consequently to the major spending power? In how far are violence, drugs and misogyny important for the development of hip hop culture, how is the media coping with these issues? The latter question leads to the next one: Why is rap, as a part of hip hop, the subject of a permanent call for censorship? To answer this question some examples will be illustrated. [...]

Download or read book From Grassroots to Comercialization Hip Hop and Rap Music in the USA written by Karl Kovacs and published by Anchor Academic Publishing (aap_verlag). This book was released on 2014-04-15 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the past three decades hip hop has developed from an underground movement in one of New York City's poorest boroughs, the Bronx, to a worldwide multi-billion-dollar industry. Nowadays one could not imagine chart shows, discos or house-parties without rap music. According to Guthrie P. Ramsey, Jr., rap music, which belongs under the cultural umbrella called hip hop, 'is virtually everywhere: television, radio, film, magazines, art galleries, and in 'underground' culture'. In this work Karl Kovacs will examine the reasons for hip hop's international success, the dangers of it, and the motivations rappers had and still have to pursue their art. It is yet to be answered if the success of this form of art has been a blessing or a curse for its performers and their audience, the so-called hip hop generation.

Download or read book The United States of America Vs Hip hop written by Julian L. D. Shabazz and published by United Brothers & Sisters. This book was released on 1992 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Covering America written by Brigitt Gaile Thompson and published by . This book was released on 1993 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Other People s Property written by Jason Tanz and published by Bloomsbury Publishing USA. This book was released on 2011-01-15 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last quarter-century hip-hop has grown from an esoteric form of African-American expression to become the dominant form of American popular culture. Today, Snoop Dogg shills for Chrysler and white kids wear Fubu, the black-owned label whose name stands for "For Us, By Us." This is not the first time that black music has been appreciated, adopted, and adapted by white audiences-think jazz, blues, and rock-but Jason Tanz, a white boy who grew up in the suburban Northwest, says that hip-hop's journey through white America provides a unique window to examine the racial dissonance that has become a fact of our national life. In such culture-sharing Tanz sees white Americans struggling with their identity, and wrestling (often unsuccessfully) with the legacy of race. To support his anecdotally driven history of hip-hop's cross-over to white America, Tanz conducts dozens of interviews with fans, artists, producers, and promoters, including some of hip-hop's most legendary figures-such as Public Enemy's Chuck D; white rapper MC Serch; and former Yo! MTV Raps host Fab 5 Freddy. He travels across the country, visiting "nerdcore" rappers in Seattle, who rhyme about Star Wars conventions; a group of would-be gangstas in a suburb so insulated it's called "the bubble"; a break-dancing class at the upper-crusty New Canaan Tap Academy; and many more. Drawing on the author's personal experience as a white fan as well as his in-depth knowledge of hip-hop's history, Other People's Property provides a hard-edged, thought-provoking, and humorous snapshot of the particularly American intersection of race, commerce, culture, and identity.

Download or read book Unapologetically Outspoken written by Solomon W.F. Comissiong and published by Xlibris Corporation. This book was released on 2017-04-21 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unapologetically Outspoken: Hip Hop, Social Justice and Liberation confronts social issues that are often ignored by the US corporate media, US educational institutions, as well as by the US government itself. This book is a collection of essays that challenge mainstream perspectives on everything, from institutional racism to imperialism to the vastly flawed United States electoral system. This book provides perspectives omitted by virtually every mainstream corporate media outlet throughout the USA. If the US corporate media system were balanced or democratic, it would provide the vast array of progressive and radical perspectives that readers will find within Unapologetically Outspoken: Hip Hop, Social Justice and Liberation.

Download or read book Religion in Hip Hop written by Monica R. Miller and published by Bloomsbury Publishing. This book was released on 2015-04-23 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.

Download or read book Hip Hop America written by Nelson George and published by Penguin. This book was released on 2005-04-26 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.

Download or read book Hip hop Revolution written by Jeffrey Ogbonna Green Ogbar and published by . This book was released on 2007 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: As hip-hop artists constantly struggle to "keep it real," this fascinating study examines the debates over the core codes of hip-hop authenticity--as it reflects and reacts to problematic black images in popular culture--placing hip-hop in its proper cultural, political, and social contexts.

Download or read book Hip Hop America written by Nelson George and published by Penguin. This book was released on 2005-04-26 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.

Download or read book The Values of Independent Hip Hop in the Post Golden Era written by Christopher Vito and published by Springer. This book was released on 2019-02-08 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.

Download or read book Build written by Mark Katz and published by Oxford University Press. This book was released on 2019-10-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 2001, the U.S. Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building. A timely study of U.S. diplomacy, Build: The Power of Hip Hop Diplomacy in a Divided World reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma. Yet power is never single-edged, and the story of hip hop diplomacy is deeply fraught. Drawing from nearly 150 interviews with hip hop artists, diplomats, and others in more than 30 countries, Build explores the inescapable tensions and ambiguities in the relationship between art and the state, revealing the ethical complexities that lurk behind what might seem mere goodwill tours. Author Mark Katz makes the case that hip hop, at its best, can promote positive, productive international relations between people and nations. A U.S.-born art form that has become a voice of struggle and celebration worldwide, hip hop has the power to build global community when it is so desperately needed. Cover image: Sylvester Shonhiwa, aka Bboy Sly, Harare, Zimbabwe, February 2015. Photograph by Paul Rockower.

Download or read book And It Don t Stop written by Raquel Cepeda and published by Farrar, Straus and Giroux. This book was released on 2004-09-29 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: In September 1979, there was a cosmic shift that went unnoticed by the majority of mainstream America. This shift was triggered by the release of the Sugarhill Gang's single, Rapper's Delight. Not only did it usher rap music into the mainstream's consciousness, it brought us the word "hip-hop." And It Don't Stop, edited by the award winning journalist Raquel Cepeda, with a foreword from Nelson George is a collection of the best articles the hip-hop generation has produced. It captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the twenty-fifth-anniversary celebration. This book epitomizes the media's response by taking the reader on an engaging and critical journey, including the very first pieces written about hip-hop for publications like The Village Voice--controversial articles that created rifts between church and state, the artist and journalist, and articles that recorded the rise and tragic fall of the art form's appointed heroes, such as Tupac Shakur, Eazy-E, and the Notorious B.I.G. The list of contributors includes Toure, Kevin Powell, dream hampton, Harry Allen, Cheo Hodari Coker, Greg Tate, Bill Adler, Hilton Als, Danyel Smith, and Joan Morgan.

Download or read book Can t Stop Won t Stop written by Jeff Chang and published by St. Martin's Press. This book was released on 2007-04-01 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.

Download or read book Prophets of the Hood written by Imani Perry and published by Duke University Press. This book was released on 2004-11-30 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.

Download or read book Hip Hop Japan written by Ian Condry and published by Duke University Press. This book was released on 2006-11-01 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this lively ethnography Ian Condry interprets Japan’s vibrant hip-hop scene, explaining how a music and culture that originated halfway around the world is appropriated and remade in Tokyo clubs and recording studios. Illuminating different aspects of Japanese hip-hop, Condry chronicles how self-described “yellow B-Boys” express their devotion to “black culture,” how they combine the figure of the samurai with American rapping techniques and gangsta imagery, and how underground artists compete with pop icons to define “real” Japanese hip-hop. He discusses how rappers manipulate the Japanese language to achieve rhyme and rhythmic flow and how Japan’s female rappers struggle to find a place in a male-dominated genre. Condry pays particular attention to the messages of emcees, considering how their raps take on subjects including Japan’s education system, its sex industry, teenage bullying victims turned schoolyard murderers, and even America’s handling of the war on terror. Condry attended more than 120 hip-hop performances in clubs in and around Tokyo, sat in on dozens of studio recording sessions, and interviewed rappers, music company executives, music store owners, and journalists. Situating the voices of Japanese artists in the specific nightclubs where hip-hop is performed—what musicians and fans call the genba (actual site) of the scene—he draws attention to the collaborative, improvisatory character of cultural globalization. He contends that it was the pull of grassroots connections and individual performers rather than the push of big media corporations that initially energized and popularized hip-hop in Japan. Zeebra, DJ Krush, Crazy-A, Rhymester, and a host of other artists created Japanese rap, one performance at a time.

Download or read book It s Just Music Right written by Cameron Khalfani Obuya Herman and published by . This book was released on 2009 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hip Hop culture has received a significant amount of criticism from scholars and public figures for the emphatic celebration of violence, misogyny, and materialism commonly at the center of its most prominent mass media products (hip hop music and hip hop music videos). Researchers have attempted to measure the influence of hip hop mass media on violence, male/female relationships, drug use and other social phenomena within African American communities. Yet, quantitative and qualitative researchers often interpret the relationship without questioning whether or not hip hop mass media actually has an impact on African Americans' lived experiences as men and women in a highly stratified society. The purpose of this study was to explore hip hop mass media's relationship with African Americans' conceptualization of gender roles. Findings from in-depth interviews with eight African Americans revealed that the respondents reported no relationship between hip hop mass media and their perception of gender roles. Respondents reported that socially expected gender roles were fulfilled in accordance with the needs of the household rather than the dominant schema for gender roles. The family system emerged as an important factor in mitigating the influence of hip hop mass media on African American youth, a group the respondents identified as very influential group. Future studies should investigate relationships within the family system that mediate between youth and the social world.