Download or read book Hibakusha Cinema written by Mick Broderick and published by Routledge. This book was released on 2013-11-05 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.
Download or read book The Atomic Bomb in Japanese Cinema written by Matthew Edwards and published by McFarland. This book was released on 2018-07-24 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included.
Download or read book Deleuze Japanese Cinema and the Atom Bomb written by David Deamer and published by Bloomsbury Publishing USA. This book was released on 2014-07-31 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Download or read book Producing Hiroshima and Nagasaki written by Yuko Shibata and published by University of Hawaii Press. This book was released on 2018-08-31 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
Download or read book Atomic Bomb Cinema written by Jerome F. Shapiro and published by Routledge. This book was released on 2013-05-13 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com
Download or read book Deleuze and Film written by David Martin-Jones and published by Edinburgh University Press. This book was released on 2012-04-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze. Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.
Download or read book Atomic Bomb Cinema written by Jerome F. Shapiro and published by Routledge. This book was released on 2013-05-13 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com
Download or read book Cinematic Cold War written by Tony Shaw and published by . This book was released on 2010 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length survey of cinema's vital role in the Cold War cultural combat between the U.S. and the USSR. Focuses on 10 films--five American and five Soviet, both iconic and lesser-known works--showing that cinema provided a crucial outlet for the global "debate" between democratic and communist ideologies.
Download or read book Asian Cinema written by and published by . This book was released on 2001 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Deleuze Japanese Cinema and the Atom Bomb written by David Deamer and published by Bloomsbury Publishing USA. This book was released on 2014-07-31 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Download or read book British Cinema and the Cold War written by Tony Shaw and published by I.B. Tauris. This book was released on 2001 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the court-room drama based on the trial of Hungary's Cardinal Mindszenty, The Prisoner; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's classic novel Animal Farm. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'."--BOOK JACKET.
Download or read book Japanese Documentary Film written by Markus Nornes and published by U of Minnesota Press. This book was released on 2003 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among Asian countries--where until recently documentary filmmaking was largely the domain of central governments--Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan's surrender in 1945, Abe Mark Nornes moves from a "prehistory of the documentary, " through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources--including Japanese studio records, secret police reports, government memos, letters, military tribunal testimonies, and more--to chart shifts in documentary style against developments in the history of modern Japan.
Download or read book Quarterly of Film Radio and Television written by and published by . This book was released on 1997 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Choosing Life My Father s Journey in Film from Hollywood to Hiroshima written by Leslie A. Sussan and published by . This book was released on 2020-09-10 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1946, with the war over and Japan occupied, 2nd Lt. Herbert Sussan received a plum assignment. He would get to use his training as a cinematographer and join a Strategic Bombing Survey crew to record the results of the atomic bombings in Nagasaki and Hiroshima. From his first arrival in Nagasaki, he knew that something completely novel and appalling had happened and that he had to preserve a record of the results, especially the ongoing suffering of those affected by the bomb (known as hibakusha) even months later. When the U.S. government decided that the gruesome footage would not be "of interest" to the American public and therefore classified it top secret, he spent decades arguing for its release. His last wish was that his ashes be scattered at ground zero in Hiroshima. The author, his daughter, followed his footsteps in 1987, met survivors he had filmed more than 40 years before. And found that she met there a father she never really knew in life. This book recounts Herbert Sussan's experiences (drawn directly from an oral history he left behind), his daughter's quest to understand what he saw in Japan, and the stories of some of the survivors with whose lives both father and daughter intersected. This nuclear legacy captures the ripples of the atomic bombing down through decades and generations. The braided tale brings human scale and understanding to the horrors of nuclear war and the ongoing need for healing and peacemaking.
Download or read book Representing the Catastrophic written by Aaron Kerner and published by . This book was released on 2007 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study analyzes the way in which cultures represent and make sense of catastrophic events through the medium of the visual arts. This work should appeal to scholars interested in art history, film studies, cultural studies, and psychoanalysis. to disavowal the event by referring to it as unimaginable, or otherwise such events are assigned to the domain of fiction or fantasy. For example, in response to 9/11 and the images of the planes flying into buildings, many responded it was like I was watching a movie. How then, when our knee-jerk response is to assign catastrophic events to the incomprehensible or the domain of utter fantasy, do we convey the reality of these events? What rhetorical strategies are at our disposal? when we no longer have an immediate relationship to them? When the last survivors of these catastrophic events are gone, how will we relate to representations of these events? What rhetorical strategies will prove most useful in conveying the historical significance of these events, even when the physical traces are gone? This book addresses these questions.
Download or read book Proceedings written by and published by . This book was released on 1997 with total page 698 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Filmography of World History written by Deanne Schultz and published by Greenwood. This book was released on 2007 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global in scope and a practical tool for students and teachers of history, this work includes description and analysis of over 300 historical films. This critical reference selects movies that represent aspects of world history from the Middle Ages through the 20th century.
