Download or read book Herman Heijermans and His Dramas written by Seymour L. Flaxman and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the last two decades of the nineteenth century the Dutch drama, which had lapsed into astate of somnolence since the glorious days of VondeI, suddenly awoke to vigorous life. Not only did gifted dramatists appear, but talented directors, actors, and actresses brought new splendor to the theatre. Yet this brilliant flame did not burst forth in a vacuum, and to appre ciate the quality of its light, it must be viewed against the back ground of its origins in the European drama. After the middle of the century the emphasis in literary creation had shifted from a subjective, emotional point of view to a more objective and rationalistic attitude. If this seems only a roundabout way of saying that Romanticism yielded its dominance to Realism and Naturalism, the conc1usion is justified, but we should not yield too readily to the pseudo-scientific mania which urges us to force literature into a genus and species type of c1assification. It is customary to say that in the eighties and nineties, Nat uralism won a decisive victory over Romanticism and drove the partisans of the older movement from the field. At first glance this does, indeed, appear to be true. Hugo yields to Zola, Pushkin to Tolstoi, Tieck to Hauptmann. It is all quite simple.
Download or read book Herman Heijermans and His Drama written by Seymour Lawrence Flaxman and published by . This book was released on 1950 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dramatizations of Social Change written by Neck Yoder and published by Springer. This book was released on 2013-12-17 with total page 87 pages. Available in PDF, EPUB and Kindle. Book excerpt: Herman Heijermans (1864-1924) was convinced that he lived in an "overgangsƯ 1 tijdperk," a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with "The New Life" and "The New Humanity." Stimulated by the ongoing theater revival, which he interpreted as an attempt to challenge the bourgeois smugness and moral self-righteousness, he had started to write plays before becoming interested in the Socialist Party.
Download or read book Herman Heijermans and His Dramas written by Seymour Lawrence Flaxman and published by . This book was released on 1989 with total page 676 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dramatizations of Social Change Herman Heijermans Plays as Compared with Selected Dramas by Ibsen Hauptmann and Chekhov written by Hilda van Neck Yoder and published by Springer. This book was released on 2014-03-14 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: Herman Heijermans (1864-1924) was convinced that he lived in an "overgangs 1 tijdperk," a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with "The New Life" and "The New Humanity. " Stimulated by the ongoing theater revival, which he interpreted as an attempt to challenge the bourgeois smugness and moral self-righteousness, he had started to write plays before becoming interested in the Socialist Party.
Download or read book Dramatizations of Social Change written by Hilda van Neck-Yoder and published by . This book was released on 1982 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dramatizations of Social Change written by Hilda van Neck Yoder and published by . This book was released on 1978 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dramatic Structure in Herman Heijermans Dramas in Relation to the Well made Plays and Ibsen s Dramaturgy written by Hilda Van Neck Yoder and published by . This book was released on 1967 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dramatizations of Social Change Herman Heijermans Plays as Compared with Selected Dramas by Ibsen Hauptmann and Chekhov written by Hilda van Neck Yoder and published by Springer Science & Business Media. This book was released on 2013-11-11 with total page 87 pages. Available in PDF, EPUB and Kindle. Book excerpt: Herman Heijermans (1864-1924) was convinced that he lived in an "overgangs 1 tijdperk," a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with "The New Life" and "The New Humanity. " Stimulated by the ongoing theater revival, which he interpreted as an attempt to challenge the bourgeois smugness and moral self-righteousness, he had started to write plays before becoming interested in the Socialist Party.
Download or read book Dramatizations of Social Change written by Hilda van Neck Yoder and published by . This book was released on 1984 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Routledge Encyclopedia of Jewish Writers of the Twentieth Century written by Sorrel Kerbel and published by Routledge. This book was released on 2004-11-23 with total page 1394 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Download or read book Herman Heijermans and the Renewal in European Drama written by Evert de Jong and published by . This book was released on 1967 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Study of the Modern Drama written by Barrett Harper Clark and published by . This book was released on 1928 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Continuum Companion to Twentieth Century Theatre written by Colin Chambers and published by A&C Black. This book was released on 2006-05-14 with total page 892 pages. Available in PDF, EPUB and Kindle. Book excerpt: International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.
Download or read book Encyclopedia of Modern Jewish Culture written by Glenda Abramson and published by Routledge. This book was released on 2004-03-01 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.
Download or read book From the Ghetto to the Melting Pot written by Israel Zangwill and published by Wayne State University Press. This book was released on 2006 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of Children of the Ghetto-his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, The King of Schnorrers, and the original version of The Melting Pot. Nahshon brings these three works together in print for the first time in From the Ghetto to the Melting Pot. Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in From the Ghetto to the Melting Pot are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.
