Download or read book The New Art of the Fifteenth Century Faith and Art in Florance and The Netherlands written by Shirley Neilsen Blum and published by WW Norton. This book was released on 2013-09-03 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at the early Renaissance, considering Florentine and Netherlandish art as a single phenomenon, at once deeply spiritual and entirely new. Adam and Eve are driven from the Garden of Eden into a rocky landscape, their naked bodies lit by a cold sun, their gestures and expressions a study in shame and anguish. A serious man, well attired, kneels in prayer before the Virgin and Child, close enough to touch them almost, his furrowed brow setting off the saintly perfection of their features. In fifteenth-century Florence and Flanders, painters were using an arsenal of new techniques—including perspective, anatomy, and the accurate treatment of light and shade—to present traditional religious subjects with an unprecedented immediacy and emotional power. Their art was the product of a shared Christian culture, and their patrons included not only nobles and churchmen but also the middle classes of these thriving commercial centers. Shirley Neilsen Blum offers a new synthesis of this remarkable period in Western art—between the refinements of the Gothic and the classicism of the High Renaissance—when the mystical was made to seem real. In the first part of her text, Blum traces the emergence of a new naturalism in the sculpture of Claus Sluter and Donatello, and then in the painting of Van Eyck and Masaccio. In the second part, she compares scenes from the Infancy and Passion of Christ as rendered by artists from North and South. Exploring both the images themselves and the theological concepts that lie behind them, she re-creates, as far as possible, the experience of the contemporary fifteenth-century viewer. Abundantly illustrated with color plates of masterworks by Fra Angelico, Botticelli, Rogier van der Weyden, and others, this thought-provoking volume will appeal equally to general readers and students of art history.
Download or read book Studies on Binocular Vision written by Dominique Raynaud and published by Springer. This book was released on 2016-09-26 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book clarifies the interrelationship between optics, vision and perspective before the Classical Age, examining binocularity in particular. The author shows how binocular vision was one of the key juncture points between the three concepts and readers will see how important it is to understand the approach that scholars once took. In the Middle Ages and the Renaissance, the concept of Perspectiva – the Latin word for optics – encompassed many areas of enquiry that had been viewed since antiquity as interconnected, but which afterwards were separated: optics was incorporated into the field of physics (i.e., physical and geometrical optics), vision came to be regarded as the sum of various psycho-physiological mechanisms involved in the way the eye operates (i.e., physiological optics and psychology of vision) and the word ‘perspective’ was reserved for the mathematical representation of the external world (i.e., linear perspective). The author shows how this division, which emerged as a result of the spread of the sciences in classical Europe, turns out to be an anachronism if we confront certain facts from the immediately preceding periods. It is essential to take into account the way medieval scholars posed the problem – which included all facets of the Latin word perspectiva – when exploring the events of this period. This book will appeal to a broad readership, from philosophers and historians of science, to those working in geometry, optics, ophthalmology and architecture.
Download or read book The Place of the Viewer written by Kerr Houston and published by BRILL. This book was released on 2019-05-07 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent decades, art historians and critics have occasionally emphasized a dynamic, embodied mode of looking, accenting the role of the viewer and the complex interplay between beholders and works of art. In The Place of the Viewer, Kerr Houston shows that an attention to the position and physical experiences of beholders has in fact long informed art historical analyses – and that close study of the theme can lead to a fuller understanding of the discipline, the act of viewership and individual works of art. Simultaneously attentive to historical ideas and contemporary scholarship, this book identifies a vein of thought that has been generally overlooked, and proposes new ways of seeing familiar works and traditions.
Download or read book Masaccio and the Art of Early Renaissance Florence written by Bruce Cole and published by . This book was released on 1980 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painterly Perspective and Piety written by John F. Moffitt and published by McFarland. This book was released on 2014-01-10 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object--such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary--possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.
Download or read book Leonardo da Vinci written by Martin Kemp and published by OUP Oxford. This book was released on 2007-10-18 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: This masterly account of Leonardo da Vinci and his vision of the world is now widely recognized as the classic treatment of Leonardo's art, science, and thought, giving an unparalleled insight into the broadening and deepening of Leonardo's intellect and vision throughout his artistic career. Martin Kemp, one of the world's leading authorities on Leonardo, takes us on a journey through the whole span of the great man's career. From his early training in Florence, through masterpieces such as The Last Supper and the Mona Lisa, to the work of Leonardo's last years, this book gives a fully integrated picture of his artistic, scientific, and technological achievements. Generously illustrated, and now including a new introductory chapter setting Leonardo's work in its historical context, this fully updated new edition provides an unparalleled insight into the marvellous works of this central figure in western art.
Download or read book The Psychology of Perspective and Renaissance Art written by Michael Kubovy and published by CUP Archive. This book was released on 1986 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.
Download or read book Only Connect written by John K.G. Shearman and published by Princeton University Press. This book was released on 2023-08-15 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A leading art historian’s plea for a more engaged reading of Italian Renaissance art Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.
Download or read book Central Italian Painting 1400 1465 written by Martha Levine Dunkelman and published by Macmillan Reference USA. This book was released on 1986 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Artibus Et Historiae written by and published by . This book was released on 1995 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Euan Uglow written by Catherine Lampert and published by Yale University Press. This book was released on 2007-10-01 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: “I am trying to find out why a subject does look so marvelous, and trying to make that sensation manifest on a flat surface.”—Euan Uglow
Download or read book Renaissance Redisc Liner Per written by Samuel Y. Edgerton and published by Basic Civitas Books. This book was released on 1975-07-10 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: An evaluative account of the rediscovery of geometric linear perspective in fifteenth-century Italy, the artists, architects, and mathematicians who studied and applied its principles, and its pervasive impact on Renaissance and post-Renaissance life.
Download or read book The Mural Painters of Tuscany written by Eve Borsook and published by . This book was released on 1980 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An entirely reset and much enlarged new edition of a classic work, first published by Phaidon Press Ltd. in 1960 and out of print for the last ten years. The book considers a series of well-known murals in the context of their sites and explores the circumstances of the commissions and the nature, function, and technique of the pictorial schemes." /
Download or read book The Renaissance Rediscovery of Linear Perspective written by Samuel Y. Edgerton and published by HarperCollins Publishers. This book was released on 1976 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Essays Presented to Rudolf Wittkower on His Sixty fifth Birthday Essays in the history of art presented to Rudolf Wittkower written by Douglas Fraser and published by . This book was released on 1967 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lorenzo Ghiberti written by Richard Krautheimer and published by Princeton University Press. This book was released on 2019-08-06 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 1 of 2. Lorenzo Ghiberti, sculptor and towering figure of the Renaissance, was the creator of the celebrated Bronze Doors of the Baptistery at Florence, a work that occupied him for twenty years and became known (at Michelangelo's suggestion, according to tradition) as the Doors of Paradise. Here Richard Krautheimer takes what Charles S. Seymour, Jr., describes as "a fascinating journey into the mind, career, and inventiveness of one of the indisputably outstanding sculptors of all the Western tradition." This one-volume edition includes an extensive new preface and bibliography by the author. Richard Krautheimer, Professor Emeritus of the Institute of Fine Arts at New York University, currently lives in Rome. He is the author of numerous works, including the Pelican Early Christian and Byzantine Architecture and Rome: Profile of a City, 312-1308 (Princeton). Princeton Monographs in Art and Archaeology, 31. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Symbolic Structures written by Michael Grillo and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1997 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how the composition of Italian Early Medieval and Byzantine paintings and relief sculptures serves as a framing syntax to cue the specific meanings of the symbols that traditional scholarship on iconography recognizes. Also points out the vital role of ambiguity in the transition from hierarchical composition to perspective in late Medieval Italy. Illustrated in black and white. Annotation copyrighted by Book News, Inc., Portland, OR
