Download or read book Grief in Contemporary Horror Cinema written by Erica Joan Dymond and published by Rowman & Littlefield. This book was released on 2022-10-03 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and—sometimes—healing.
Download or read book Grief in Contemporary Horror Cinema written by Erica Joan Dymond and published by Lexington Books Horror Studies. This book was released on 2022-10-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grief in Contemporary Horror Cinema: Screening Loss examines bereavement as it appears in horror films of the last two decades. This book addresses global hits such as Guillermo del Toro's Pan's Labyrinth and Jennifer Kent's The Babadook as well as lauded arthouse films such a...
Download or read book Mourning Films written by Richard Armstrong and published by McFarland. This book was released on 2012-09-13 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.
Download or read book Contemporary Horror on Screen written by Sarah Baker and published by Springer Nature. This book was released on 2023-10-17 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern. In examining the prevalence of dark tropes in contemporary horror films such as Get Out, Annabelle: Creation, A Quiet Place, Hereditary and The Nun, as well as series such as Stranger Things, American Horror Story and Game of Thrones, amongst numerous others, the authors contend that we are witnessing the emergence of a ‘horror renaissance’. They posit that horror films or programmes, once widely considered to be a low form of popular culture entertainment, can contain deeper meanings or subtext and are increasingly covering serious subject matter. This book thus explores how horror is utilised as a tool to explore social and political anxieties of the cultural moment and is thus presented as a site for contestation, exploration and expansion to discuss present-day fears. It demonstrates how contemporary horror reflects the horror of modern-day life, be it political, biological, social or environmental. A vital contribution to studies of the horror genre in contemporary culture, and the effect it has on social anxieties in a threatening and seemingly apocalyptic time for the world, this is a vital text for students and researchers in popular culture, film, television and media studies.
Download or read book Contemporary Gothic and Horror Film written by Keith McDonald and published by Anthem Press. This book was released on 2021-06-15 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile. The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling). Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies – transnationalism, fandom and genre fiction, and transmedia exchanges – bringing these together along with popular culture and associated phenomena.
Download or read book Criminological Understandings of Horror Films written by Krista S. Gehring and published by Rowman & Littlefield. This book was released on 2024-09-05 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines horror films through a critical criminological lens. Each chapter considers how the genre impacts audiences and their understanding of topics like place, crime, and identity.
Download or read book Gender and Contemporary Horror in Film written by Samantha Holland and published by Emerald Group Publishing. This book was released on 2019-03-13 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
Download or read book Catholic Horror on Television written by Ralph Beliveau and published by Rowman & Littlefield. This book was released on 2024-06-25 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catholic Horror on Television: Haunting Faith explores the significant intersection of horror media and the Catholic Church. Religious themes enjoy a long history in film and television, with narratives featuring the supernatural, science fiction, and horror making use of Roman Catholicism in particular. The horror genre frequently tells fantastic stories about the mysteries that we seek to understand, helping to come to terms with the destructive and the monstrous. This book analyzes the genre of Catholic horror in the current television and streaming media environment, exploring its treatment of physical mortality, the metaphysics of meaning, and morality. Catholic Horror on Television: Haunting Faith offers a fresh take on how television and streaming horror series critique, expand, and interrogate Catholicism and its place in the modern world. In doing so, this book contributes to conversations in several disciplines including media, cultural, television, and religious studies.
Download or read book Post Horror written by David Church and published by Edinburgh University Press. This book was released on 2021-02-01 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
Download or read book Transnational Zombie Cinema 2010 to 2020 written by John R. Ziegler and published by Rowman & Littlefield. This book was released on 2023-10-02 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transnational Zombie Cinema, 2010 to 2020: Readings in a Mutating Tradition examines selected films produced outside the United States in the second decade of the millennial zombie renaissance. Ziegler analyzes how the films adapt the zombie myth to localized concerns as it circulates in post-Great Recession transnational zombie cinema.
Download or read book Disney Gothic written by Jeffrey Andrew Weinstock and published by Lexington Books. This book was released on 2024-04-24 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this edited collection exploring Disney’s dark side, attention to Disney’s Gothic reveals the ways through which Disney productions construct and reinforce conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories.
Download or read book Dissecting Cannibal Holocaust written by Nathan Wardinski and published by Lexington Books. This book was released on 2024-04-15 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its 1980 release, the Italian horror film Cannibal Holocaust has shocked viewers and provoked censors with its graphic imagery and unrelenting nihilism. Following a summary of the story and the controversy over its release, Dissecting Cannibal Holocaust examines the film’s relevance to cinematic and literary history, anthropology, nature studies, ethics and censorship, media and journalism, documentary filmmaking, representations of cannibalism and post-colonialism, and genre cinema. The book also addresses some of the most frequent criticisms of Cannibal Holocaust including its depictions of native people and the inclusion of real-life animal killings. Matching the audacity of the film itself, Dissecting Cannibal Holocaust makes provocative arguments about the influence of corporate media, the purpose of art, the relationship between industrialized and indigenous people, the amorality of nature, and the roots of violence.
Download or read book The Ethics of Horror written by Michael J. Burke and published by Lexington Books. This book was released on 2024-03-06 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ethics of Horror: Spectral Alterity in Twenty-First Century Horror Film examines the theme of spectral haunting in contemporary American horror cinema through the lens of ethical responsibility. Arguing that moral obligation can manifest as terror to the complacent self, the text extracts this dimension of ethics in twenty-first century horror films. Drawing on the ethical theories of Emmanuel Levinas and Jacques Derrida, which posit the asymmetrical obligation of the self to the other, Michael Burke highlights how recent horror films portray spectral antagonists as ethical others that hound protagonists and summon them to an accountability that they can neither evade nor ever completely fulfill. Burke observes the resulting destabilization of notions of ethical responsibility and justice in a variety of contemporary horror subgenres, including technohorror, haunted house and zombie films.
Download or read book Recreational Terror written by Isabel Cristina Pinedo and published by State University of New York Press. This book was released on 2016-02-24 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
Download or read book Death Disintegration of the Body and Subjectivity in the Contemporary Horror Film written by Peter John Boss and published by . This book was released on 1989 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Post 9 11 Horror in American Cinema written by Kevin J. Wetmore and published by A&C Black. This book was released on 2012-03-22 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines how horror cinema has changed as a result of 9/11 and, conversely, how horror films construct and give meaning to 9/11.
Download or read book Pet Sematary written by Shellie McMurdo and published by Liverpool University Press. This book was released on 2023-02-16 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most scholarship on Mary Lambert's Pet Sematary (1989) overarchingly focuses on the Stephen King novel (1983), and tends strongly towards housing the story within the Gothic literary tradition. The film itself is often absent from considerations of North American horror cinema of the 1980s, and from wider horror scholarship in general. This Devil's Advocate stands as a corrective, and provides a holistic analysis – textual, contextual, and industrial – of the film, in order to properly situate it as an important entry into the history of horror cinema. This book joins a growing body of works – both journalistic and academic – that aim to revisit older films in order to call attention to and/or redress the gendered imbalance in our written horror histories. McMurdo charges Pet Sematary with several contributions to the horror genre: as an important entry within the tradition of “grief horror”; as a horror film that both adheres to and defies the generic conventions of its historical context, one both engaged with and respondent to its time of creation; as a film that changed the fortunes of the cinematic Stephen King “brand” on the cusp of a new decade. Pet Sematary is the highest grossing horror film directed by a woman in cinematic history, and it stands as a story that we keep returning to – as seen by the 1992 sequel, the 2019 remake, and a forthcoming prequel. Pet Sematary’s modern relevance and importance to genre history then, is manifold, and this book argues it is past time for its reconsideration as a classic of horror cinema.
