Download or read book Greek Film Noir written by Anna Poupou and published by . This book was released on 2024-05-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates how film noir has been received, adapted and developed in Greece, from the 1940s to the present

Download or read book A History of Greek Cinema written by Vrasidas Karalis and published by A&C Black. This book was released on 2012-02-02 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).

Download or read book Existentialism Film Noir and Hard Boiled Fiction written by and published by Cambria Press. This book was released on with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Film Noir A Very Short Introduction written by James Naremore and published by Oxford University Press. This book was released on 2019-02-15 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Download or read book Somewhere in the Night written by Nicholas Christopher and published by Simon and Schuster. This book was released on 2010-05-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.

Download or read book Film Noir and the Spaces of Modernity written by Edward Dimendberg and published by Harvard University Press. This book was released on 2004-06-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.

Download or read book A Panorama of American Film Noir 1941 1953 written by Raymond Borde and published by City Lights Books. This book was released on 2002 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first book published on film noir established the genre--a classic, at last in translation.

Download or read book Femme Noir written by Karen Burroughs Hannsberry and published by McFarland. This book was released on 2012-10-26 with total page 1298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.

Download or read book Mean Streets and Raging Bulls written by Richard Martin and published by Scarecrow Press. This book was released on 1997 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classic film noir was Hollywood's 'dark cinema' of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided into two sections. In the first, the evolution of film noir is contextualized in relation to both American cinema's industrial transformation and the post-Depression history of the United States. In the second, the evolution of neo-noir and its relation to classic film noir is illustrated by detailed reference to representative texts including Chinatown (Roman Polanski, 1974), Night Moves (Arthur Penn, 1975), Taxi Driver (Martin Scorsese, 1976), Blood Simple (Joel and Ethan Coen, 1984), After Hours (Martin Scorsese, 1985), Sea of Love (Harold Becker, 1989), Resevoir Dogs (Quentin Tarantino, 1992), and Romeo is Bleeding (Peter Medak, 1994).

Download or read book The Philosophy of Film Noir written by Mark T. Conard and published by University Press of Kentucky. This book was released on 2006-01-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explores the philosophical underpinnings of classic films.

Download or read book Cinema of Theo Angelopoulos written by Angelos Koutsourakis and published by Edinburgh University Press. This book was released on 2015-10-08 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.

Download or read book Film Noir Reader written by Alain Silver and published by Hal Leonard Corporation. This book was released on 1996 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Limelight). This bountiful anthology combines all the key early writings on film noir with many newer essays, including some published here for the first time. The collection is assembled by the editors of the Third Edition of Film Noir: An Enclyclopedic Reference to the American Style , now regarded as the standard work on the subject.

Download or read book Tech noir Film written by Emily Elisabeth Auger and published by Intellect (UK). This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the postapocalyptic world of "Blade Runner" to the""James Cameron mega-hit "Terminator, " tech-noir has emerged as a distinct genre, with roots in both the Promethean myth and the earlier popular traditions of gothic, detective, and science fiction. In this new volume, many well-known film and literary works including "The Matrix, RoboCop, " and Mary Shelley s "Frankenstein" are discussed with reference to their relationship to tech-noir and one another. Featuring an extensive, clearly indexed filmography, "Tech-Noir Film "will be of great interest to anyone wishing to learn more about the development of this new and highly innovative genre."

Download or read book Storytelling in the New Hollywood written by Kristin Thompson and published by Harvard University Press. This book was released on 1999-11-05 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.

Download or read book Contemporary Greek Film Cultures from 1990 to the Present written by Tonia Kazakopoulou and published by New Studies in European Cinema. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of new writing on contemporary Greek cinema explores key trends over the past 25 years, including documentary and avant-garde filmmaking, art house and popular cinema. The book seeks to highlight the continuities, mutual influences and common contexts that inform, shape and inspire filmmaking in Greece today.

Download or read book Classical Myth and Culture in the Cinema written by Martin M. Winkler and published by Oxford University Press. This book was released on 2001-06-21 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image, and for anyone interested in the presence of Greece and Rome in modern popular culture.

Download or read book Realism in Greek Cinema written by Vrasidas Karalis and published by Bloomsbury Publishing. This book was released on 2016-12-18 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of Greek cinema post-1945 is best understood through the stories of its most internationally celebrated and influential directors. Focusing on the works of six major filmmakers active from just after WWII to the present day, with added consideration of many others, this book examines the development of cinema as an art form in the social and political contexts of Greece. Insights on gender in film, minority cinemas, stylistic richness and the representation of historical trauma are afforded by close readings of the work and life of such luminaries as Michael Cacoyannis, Nikos Koundouros, Yannis Dalianidis, Theo Angelopoulos, Antouanetta Angelidi, Yorgos Lanthimos, Athena-Rachel Tsangari and Costas Zapas. Throughout, the book examines how directors visually transmute reality to represent unstable societies, disrupted collective memories and national identity.