Download or read book Gli schiavi per amore A comic opera in two acts as represented at the King s Theatre in the Hay Market etc By Giuseppe Palomba written by Giuseppe PALOMBA (Librettist.) and published by . This book was released on 1787 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gli schiavi per amore A new comic opera in two acts As performed at the King s Theatre in the Hay Market etc By Giuseppe Palomba written by Giuseppe PALOMBA (Librettist.) and published by . This book was released on 1787 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gli Schiavi Per Amore written by Giovanni Paisiello and published by . This book was released on 1787 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Schiavi d amore written by Catherine Creel and published by . This book was released on 1986 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press. This book was released on 2020-08-20 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.

Download or read book The Dictionary of National Biography Shearman Stovin written by and published by . This book was released on 1922 with total page 1360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary of National Biography written by Leslie Stephen and published by . This book was released on 1909 with total page 1360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Dictionary of National Biography written by Leslie Stephen and published by . This book was released on 1922 with total page 1378 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Opera in London written by Theodore Fenner and published by SIU Press. This book was released on 1994 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.

Download or read book Arias for Nancy Storace written by Dorothea Link and published by A-R Editions, Inc.. This book was released on 2002-01-01 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: xxv + 122 pp.

Download or read book Catalogue of Additions to the Manuscripts in the British Museum in the Years MDCCCXLVI MDCCCXLVII written by British Museum. Department of Manuscripts and published by . This book was released on 1864 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book History of Music in Russia from Antiquity to 1800 Volume 2 written by Nikolai Findeizen and published by Indiana University Press. This book was released on 2008-02-07 with total page 910 pages. Available in PDF, EPUB and Kindle. Book excerpt: In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

Download or read book Catalogue of Additions to the Manuscripts written by British Museum (London) and published by . This book was released on 1864 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Additions to the Manuscripts written by British Museum and published by . This book was released on 1864 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Library Belonging to the Philharmonic Society London written by Royal Philharmonic Society and published by . This book was released on 1813 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalog of Additions to the Manuscripts in the British Museum written by British Museum. Dept. of Manuscripts and published by . This book was released on 1864 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Entries at Stationers Hall 1710 1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.