Download or read book Balinese Music written by Michael Tenzer and published by Tuttle Publishing. This book was released on 1998-08-15 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents an introduction to more than a dozen different types of Balinese gamelan, each with its own established tradition, repertoire and social or religious context. The instruments and basic principles underlying the gamelan are introduced, thus providing listeners with the means to better appreciate the music. Scores of beautiful color photographs, a discography, and a brief guide to studying and hearing the music in Bali, will prove indispensible to visitors and gamelan afficionados around the world.
Download or read book Focus Gamelan Music of Indonesia written by Henry Spiller and published by Routledge. This book was released on 2010-04-15 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus: Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia's largest country - both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus: Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part One, Music and Southeast Asian History ̧ provides introductory materials for the study of Southeast Asian music. Part Two, Gamelan Music in Java and Bali, moves to a more focused overview of Gamelan music in Indonesia. Part Three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying downloadable resources offer vivid examples of traditional Indonesian gamelan music.
Download or read book Knowing Music Making Music written by Benjamin Brinner and published by University of Chicago Press. This book was released on 1995-12 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using illustrative examples from a variety of traditions, Benjamin Brinner first examines the elements and characteristics of musical competence, the different kinds of competence in a musical community, the development of multiple competences, and the acquisition and transformation of competence through time. He then shows how these factors come into play in musical interaction, establishing four intersecting theoretical perspectives based on ensemble roles, systems of communication, sound structures, and individual motivations. These perspectives are applied to the dynamics of gamelan performance to explain the social, musical, and contextual factors that affect the negotiation of consensus in musical interaction. The discussion ranges from sociocultural norms of interpersonal conduct to links between music, dance, theater, and ritual, and from issues of authority and deference to musicians' self-perceptions and mutual assessments.
Download or read book Gamelan Gong Kebyar written by Michael Tenzer and published by University of Chicago Press. This book was released on 2000-08 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
Download or read book Balinese Gamelan Music written by Michael Tenzer and published by Tuttle Publishing. This book was released on 2013-11-15 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: With extensive photographs and an audio CD, this guide to Balinese music showcases the history, culture and art of the gamelan ceremony. Bali has developed and nourished an astonishing variety of musical ensembles--called gamelan--comprising dozens of instruments mainly made of bronze or bamboo, and organized into groups with as many as 30 to 40 players. In Balinese Gamelan Music, Michael Tenzer, a noted Professor of Music at the University of British Columbia, Vancouver, presents an introduction to many types of Balinese gamelan ensembles, each with its own established tradition, repertoire and context. The instruments and basic principles underlying the music are introduced, providing listeners with the means to better appreciate the music--and its importance not only in Bali but around the world. The gamelan music of Bali is a centuries-old kaleidoscope of sound and rhythm that is recognized today as one of the world's most sophisticated musical traditions. Despite rapid changes in contemporary village life, hundreds of groups still perform regularly around this tiny island--from isolated mountain hamlets to the bustling precincts of Denpasar, Kuta and Ubud. The primary function of gamelan music in Bali is to accompany religious rituals. Each village typically maintains several different gamelan sets, using each one for a different set of occasions. Music is memorized and rehearsed in village meeting halls, temples, or private homes. When a gamelan group accompanies a Balinese dance performance, the close coordination between the dancers' movements and the music is established through a complex system of interactive cues and responses. Performance standards are extremely high and even with Bali's rapid modernization in recent years, the gamelan tradition remains vital and largely undiminished by outside musical influences.
Download or read book Traditions of Gamelan Music in Java written by R. Anderson Sutton and published by CUP Archive. This book was released on 1991-04-26 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a wide-ranging study of the varieties of gamelan music in contemporary Java seen from a regional perspective. While the focus of most studies of Javanese music has been limited to the court-derived music of Surakarta and Yogyakarta, Sutton goes beyond them to consider also gamelan music of Banyumas, Semarang and east Java as separate regional traditions with distinctive repertoires, styles and techniques of performance and conceptions about music. Sutton's description of these traditions, illustrated with numerous musical examples in Javanese cipher notation, is based on extensive field experience in these areas and is informed by the criteria that Javanese musicians judge to be most important in distinguishing them.
Download or read book Gamelan Girls written by Sonja Lynn Downing and published by University of Illinois Press. This book was released on 2019-10-16 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, girls' and mixed-gender ensembles have challenged the tradition of male-dominated gamelan performance. The change heralds a fundamental shift in how Balinese think about gender roles and the gender behavior taught in children's music education. It also makes visible a national reorganization of the arts taking place within debates over issues like women's rights and cultural preservation. Sonja Lynn Downing draws on over a decade of immersive ethnographic work to analyze the ways Balinese musical practices have influenced the processes behind these dramatic changes. As Downing shows, girls and young women assert their agency within the gamelan learning process to challenge entrenched notions of performance and gender. One dramatic result is the creation of new combinations of femininity, musicality, and Balinese identity that resist messages about gendered behavior from the Indonesian nation-state and beyond. Such experimentation expands the accepted gender aesthetics of gamelan performance but also sparks new understanding of the role children can and do play in ongoing debates about identity and power.
Download or read book Music at Wesleyan written by Mark Slobin and published by Wesleyan University Press. This book was released on 2010-09-15 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vividly illustrated, richly anecdotal account of over 150 years of music at Wesleyan University
Download or read book Focus Gamelan Music of Indonesia written by Henry Spiller and published by Routledge. This book was released on 2010-04-15 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus: Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia's largest country - both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus: Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part One, Music and Southeast Asian History ̧ provides introductory materials for the study of Southeast Asian music. Part Two, Gamelan Music in Java and Bali, moves to a more focused overview of Gamelan music in Indonesia. Part Three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying downloadable resources offer vivid examples of traditional Indonesian gamelan music.
Download or read book Sounding Out the State of Indonesian Music written by Andrew McGraw and published by Cornell University Press. This book was released on 2022-10-15 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sounding Out the State of Indonesian Music showcases the breadth and complexity of the music of Indonesia. By bringing together chapters on the merging of Batak musical preferences and popular music aesthetics; the vernacular cosmopolitanism of a Balinese rock band; the burgeoning underground noise scene; the growing interest in kroncong in the United States; and what is included and excluded on Indonesian media, editors Andrew McGraw and Christopher J. Miller expand the scope of Indonesian music studies. Essays analyzing the perception of decline among gamelan musicians in Central Java; changes in performing arts patronage in Bali; how gamelan communities form between Bali and North America; and reflecting on the "refusion" of American mathcore and Balinese gamelan offer new perspectives on more familiar topics. Sounding Out the State of Indonesian Music calls for a new paradigm in popular music studies, grapples with the imperative to decolonialize, and recognizes the field's grounding in diverse forms of practice.
Download or read book Traditional Music in Modern Java written by Judith Becker and published by . This book was released on 1980 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music of Death and New Creation written by Michael B. Bakan and published by University of Chicago Press. This book was released on 1999-12-15 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The accompanying CD contains music excerpts which are listed in the book on pgs. xiii-xvii.
Download or read book American Gamelan and the Ethnomusicological Imagination written by Elizabeth A. Clendinning and published by University of Illinois Press. This book was released on 2020-09-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gamelan and American academic institutions have maintained their close association for more than sixty years. Elizabeth A. Clendinning illuminates what it means to devote one’s life to world music ensemble education by examining the career and community surrounding the Balinese-American performer and teacher I Made Lasmawan. Weaving together stories of Indonesian and American practitioners, colleagues, and friends, Clendinning shows the impact of academic world music ensembles on the local and transnational communities devoted to education and the performing arts. While arguing for the importance of such ensembles, Clendinning also spotlights how performers and educators use them to create stable and rewarding artistic communities. Cross-cultural ensemble education emerges as a worthy goal for students and teachers alike, particularly at a time when people around the world express more enthusiasm about raising walls to keep others out rather than building bridges to invite them in.
Download or read book Echoes from the East written by Kiyoshi Tamagawa and published by Rowman & Littlefield. This book was released on 2019-11-20 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most admired qualities of Claude Debussy’s music has been its seemingly effortless evocation and assimilation of exotic musical strains. He was the first great European composer to discern the possibilities inherent in the gamelan, the ensemble consisting mainly of tuned percussion instruments that originated in Java. Echoes from the East: The Javanese Gamelan and its Influence on the Music of Claude Debussy argues Debussy's encounter with the gamelan in 1889 at the Paris Exposition Universelle had a far more profound effect on his work and style than can be grasped by simply looking for passages and pieces in his output that sound “Asian" or “like a gamelan." Kiyoshi Tamagawa recounts Debussy’s individual experience with the music of Java and traces its echoes through his entire compositional career. Echoes from the East adds a commentary on the modern-day issue of cultural appropriation and a survey of Debussy’s contemporaries and successors who have also attempted to merge the sounds of the gamelan with their own distinctive musical styles.
Download or read book Javanese Gamelan written by Jennifer Lindsay and published by Singapore ; Toronto : Oxford University Press. This book was released on 1992 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: The gamelan music of central Java, until almost a century ago heard only in Java, is now being widely taught all over the world. More and more non-Indonesians are coming into contact with gamelan music through travel or through recordings or performances in their home countries. Yet, while valuable research material on gamelan music is available, this is the only short book available for those coming into contact with gamelan for the first time. The book outlines some of the basic concepts of Javanese gamelan, and provides a listening framework so that the perhaps exotic sounds can be given musical and cultural sense. Included in the text is an explanation of the historical background, the instruments and their making, tuning and notation, the structure of the music, and the place of gamelan music in Javanese society.
Download or read book Gamelan written by Sumarsam and published by University of Chicago Press. This book was released on 1995-12-15 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gamelan is the first study of the music of Java and the development of the gamelan to take into account extensive historical sources and contemporary cultural theory and criticism. An ensemble dominated by bronze percussion instruments that dates back to the twelfth century in Java, the gamelan as a musical organization and a genre of performance reflects a cultural heritage that is the product of centuries of interaction between Hindu, Islamic, European, Chinese, and Malay cultural forces. Drawing on sources ranging from a twelfth-century royal poem to the writing of a twentieth-century nationalist, Sumarsam shows how the Indian-inspired contexts and ideology of the Javanese performing arts were first adjusted to the Sufi tradition and later shaped by European performance styles in the eighteenth and nineteenth centuries. He then turns to accounts of gamelan theory and practice from the colonial and postcolonial periods. Finally, he presents his own theory of gamelan, stressing the relationship between purely vocal melodies and classical gamelan composition.
