Download or read book French origins of English tragedy written by Richard Hillman and published by Manchester University Press. This book was released on 2013-07-19 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600s. These include the self-destructive tragic hero, the apparatus of neo-Senecanism (including the Machiavellian villain) and the confrontation between the warrior-hero and the femme fatale. The broad objective is less to 'discover' influences – although some specific points of contact are proposed – than at once to enlarge and refine a common cultural space through juxtaposition and intertextual tracing. The conclusion emerges that the powerful, if ambivalent, fascination of the English for their closest Continental neighbours expressed itself not only in but through the theatre.
Download or read book The Mirror of Confusion written by Andrew M. Kirk and published by Routledge. This book was released on 2015-12-22 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did English dramatists portray the neighboring domain of France and its history in their plays? The study examines a selection of Shakespearean and other history plays, the French tragedies of George Chapman, Christopher Marlowe's revealing historical tragedy The Massacre at Paris, and several literary and nonliterary historical texts. The result is a unique and timely contribution to our understanding of how cultural differences influenced the historical perspectives of English dramatists as well as how Renaissance plays shaped, and were shaped by, their historical material. Drawing on the insights of cultural studies, historiography, and ethnography, this study re-examines the historical representation of a neglected yet influential part of early modern Europe and the paradoxical relationship between English writers and their French subject matter. Although information about France and French history was becoming increasingly available in England at the end of the sixteenth century, for English writers France remained a distant land, its history and people misunderstood and misrepresented.
Download or read book Tragicomedy written by Marvin Theodore Herrick and published by . This book was released on 1955 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Representing France and the French in Early Modern English Drama written by Jean-Christophe Mayer and published by Associated University Presse. This book was released on 2008 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging collection of essays, written by leading specialists, furnishes previously unpublished evidence of France's role and importance in the early modern English literary and dramatic fields. Its chapter-length introduction offers an up-to-date critical presentation of the issues involved: representation, cultural identity, the construction of otherness, Frenchness, and the social and cultural dynamics of theater. The essays in the five sections of the book continue the debate with a series of in-depth studies touching on important critical themes such as intertextuality; old and new historicisms; language, semiotics, and nationhood; imagined geographies; and stereotypes and social satire. The book will appeal to students and specialists of Renaissance literature, to scholars working on the construction of national identity and will be required reading for anyone interested in cultural exchange or comparative literature. Jean-Christophe Mayer is a senior research fellow at the French National Center for Scientific Research.
Download or read book French Reflections in the Shakespearean Tragic written by Richard Hillman and published by . This book was released on 2012 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this follow-up study to 'French Origins of English Tragedy', Richard Hillman pursues his exploration of English tragedy in relation to France, this time with a frank concentration on Shakespeare and in a more broadly and intensively intertextual way. Instead of focusing on common paradigms, he sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism), but again with reference to specific French texts and contexts. Three manifestations of the 'Shakespearean tragic' are singled out: 'Hamlet', 'Antony and Cleopatra' and 'All's Well That Ends Well'.
Download or read book The Mirror of Confusion written by Andrew Miles Kirk and published by . This book was released on 1993 with total page 750 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge History of English Literature The age of Dryden written by and published by . This book was released on 1912 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge History of English Literature The age of Dryden written by Sir Adolphus William Ward and published by . This book was released on 1920 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Edward II A Critical Reader written by Kirk Melnikoff and published by Bloomsbury Publishing. This book was released on 2017-02-23 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edward II: A Critical Reader gives students, teachers and scholars alike an overview of the play's reception both in the theatre and among artists and critics, from the end of the 16th century to the beginning of the 21st. The volume also offers a series of new perspectives on the play by leading experts in the field of early modern history and culture. Bolstered with a timeline tracking Marlowe's life and work, an up-to-date bibliography and an extensive index, this collection is an ideal and definitive guide to Edward II.
Download or read book New Perspectives on Tudor Cultures written by Zsolt Almási and published by Cambridge Scholars Publishing. This book was released on 2012-04-25 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a selection of papers from the 6th International Conference of the Tudor Symposium, held at the University of Sheffield in 2009. It brings together new explorations of Tudor literature from scholars based all over Europe: France, Greece, Hungary, Ireland, Norway, and the United Kingdom. The papers cover the long mid-Tudor period, from Skelton and more to the young Shakespeare, but with a central emphasis on the middle decades of the sixteenth century. Topics range widely from philosophy and social commentary to more traditionally literary kinds of writing, such as lyric and tragedy (both dramatic and non-dramatic). The volume as a whole offers an attractively kaleidoscopic image of the variety of new work being carried out in the area in the new millennium.
Download or read book History of English Drama 1660 1900 written by Allardyce Nicoll and published by Cambridge University Press. This book was released on 2009 with total page 932 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Robert Garnier in Elizabethan England written by Marie-Alice Belle and published by MHRA. This book was released on 2017-09-11 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers together, for the first time, Mary Sidney Herbert’s Antonius (1592) and Thomas Kyd’s Cornelia (1594), two significant and inter-related responses to Robert Garnier’s Roman plays, Marc Antoine (1578) and Cornélie (1574). As a unique diptych the translated plays offer invaluable insight into the often ghostly presence of French literature in Elizabethan culture. They also mark an important chapter in the development of early modern neoclassical drama, with Sidney Herbert and Kyd creatively engaging, each in their own way, with Garnier’s learned, Senecan tragedies. This edition offers a critical introduction situating the plays in the rapidly shifting context of the 1590s and discussing their critical reception as translations. The footnotes aim to illuminate Sidney Herbert’s and Kyd’s distinctive translation practices by signaling significant amendments to Garnier’s text and by tracing the web of intertextual allusions that connects each translation, not only with Elizabethan practices of patronage, readership, and text circulation, but also with the wider intellectual and political debates of the late European Renaissance. Also featuring textual notes, a list of neologisms, and a glossary, this edition documents each text’s material and editorial history, as well as their joint contribution to the linguistic creativity of the Elizabethan age. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times; color: #ffffff}
Download or read book Moralizing the Italian Marvellous in Early Modern England written by Beatrice Fuga and published by Taylor & Francis. This book was released on 2024-11-08 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume breaks new ground in the exploration of Anglo-Italian cultural relations: it presents analyses of a wide range of early modern Italian texts adapted into contemporary English culture, often through intermediary French translations. When transposed into English, their Italian origin was frequently categorized as marvellous and consequently censured because of its strangeness: thus, English translators often gave their public a moralized and tamed version of Italy’s uniqueness. This volume’s contributors show that an effective way of moralizing Italian custom was to exoticize its origins, in order to protect the English public from an Italianate influence. This ubiquitous moralization is visible in the evolution of the concept of tragedy, and in the overtly educational aim acquired by the Italian novella, adapted for an allegedly female audience. Through the analysis of various literary genres (novella, epic poem, play, essay), the volume focuses on the mechanisms of appropriation and rejection of Italian culture through imported topoi and narremes.
Download or read book The Drama Its History Literature and Influence on Civilization American drama Indexes Books for reference and extra reading p 327 344 written by Alfred Bates and published by . This book was released on 1906 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge History of English Literature The drama to 1642 written by Sir Adolphus William Ward and published by . This book was released on 1910 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge History of English Literature The drama to 1642 written by Alfred Rayney Waller and published by . This book was released on 1910 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Oxford Handbook of Tudor Drama written by Thomas Betteridge and published by Oxford University Press. This book was released on 2012-07-19 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
