Download or read book French Nineteenth Century Watercolors Drawings Pastels Paintings and Sculpture 1986 written by and published by . This book was released on 1986 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Nineteenth Century Watercolors Drawings Pastels Paintings and Sculpture written by Elisabeth Kashey and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Nineteenth Century Watercolors Drawings Pastels Paintings and Sculpture written by Elisabeth Kashey and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Nineteenth Century Watercolors Drawings Pastels Paintings and Sculpture written by Elisabeth Kashey and published by . This book was released on 1986 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French nineteenth century watercolors drawings pastels paintings and sculpture written by Martin L. H. Reymert and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Nineteenth Century Watercolors Drawings Pastels Paintings and Sculpture written by Robert Kashey and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Romanticism the School of Nature written by Colta Feller Ives and published by Metropolitan Museum of Art. This book was released on 2000 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
Download or read book French Master Drawings from the Collection of Muriel Butkin written by Carter E. Foster and published by Hudson Hills. This book was released on 2001 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Download or read book European Painting and Sculpture Ca 1770 1937 in the Museum of Art Rhode Island School of Design written by Rhode Island School of Design. Museum of Art and published by University of Pennsylvania Press. This book was released on 1991 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Download or read book Nineteenth and Twentieth century Paintings written by Richard R. Brettell and published by Metropolitan Museum of Art. This book was released on 2009 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Download or read book Visions of Antiquity written by Richard James Campbell and published by University of Washington Press. This book was released on 1993 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliographic Guide to Art and Architecture written by New York Public Library. Art and Architecture Division and published by . This book was released on 1987 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Painter s Touch written by Ewa Lajer-Burcharth and published by Princeton University Press. This book was released on 2018-01-08 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
Download or read book American Paintings at Harvard written by Theodore E. Stebbins and published by Yale University Press. This book was released on 2008-01-01 with total page 649 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
Download or read book James McNeill Whistler and France written by Suzanne Singletary and published by Taylor & Francis. This book was released on 2016-11-18 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first full-length study to position James McNeill Whistler within the trajectory of French modernism, his dialogues with Courbet, Manet, Degas, Monet and Seurat are examined in-depth. Inserting Whistler into the dynamics of the French avant-garde reveals the depth and pervasiveness of his presence and the revolutionary nature of his role in shaping modernism.
Download or read book Portraits by Ingres written by Jean-Auguste-Dominique Ingres and published by Metropolitan Museum of Art. This book was released on 1999 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Download or read book Artists in Ohio 1787 1900 written by Mary Sayre Haverstock and published by Kent State University Press. This book was released on 2000 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: A three-volume guide to the early art and artists of Ohio. It includes coverage of fine art, photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning and the execution of panoramas and theatrical scenery.
