Download or read book French Music in the Fifteenth and Sixteenth Centuries written by Isabelle Cazeaux and published by Greenwood. This book was released on 1975 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Music in the 15th 16th Centuries written by Isabelle Cazeaux and published by . This book was released on 1975 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Music in the Early Sixteenth Century written by Peter Woetmann Christoffersen and published by Museum Tusculanum Press. This book was released on 1994-05 with total page 920 pages. Available in PDF, EPUB and Kindle. Book excerpt: A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Download or read book French Music in the Early Sixteenth Century Studies in the Music Collection of a Copyist of Lyons Manuscript in Copenhagen written by Peter Woetmann Christoffersen and published by Museum Tusculanum Press. This book was released on 1990 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book European Music 1520 1640 written by James Haar and published by Boydell Press. This book was released on 2006 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
Download or read book The Cambridge History of Fifteenth Century Music written by Anna Maria Busse Berger and published by Cambridge University Press. This book was released on 2015-07-16 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Download or read book Ten French Songs of the 15th Century written by and published by . This book was released on with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Courtly Song in Late Sixteenth Century France written by Jeanice Brooks and published by University of Chicago Press. This book was released on 2000 with total page 577 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late sixteenth century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song-or the air de cour-as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution. Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the air in defining patronage hierarchies at court and in enhancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of airs de cour printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture. The first book-length examination of the history of air de cour, this work also sheds important new light on a formative moment in French history.
Download or read book French chansons of the sixteenth century written by Jane A. Bernstein and published by Penn State University Press. This book was released on 1985 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The advent of music printing in the 16th century generated new life in the French chanson, a musical form that had existed for over two centuries. From the presses in Paris, Lyons, Venice, Nuremburg, Louvain, Antwerp, and, for a brief time, London, thousands of chansons were sent throughout Europe. "Something for everyone" might have been the publisher's motto, for here the elegant courtly love song (chanson courtois) appeared alongside the obscene narrative (chanson grivoise), drinking song, and dance tune. Highly contrapuntal paraphrase chansons were juxtaposed with simple voix de villes or devout chansons spirituelles. This anthology imitates its 16th century counterparts by presenting a compendium of chansons from the musical centers of Europe. The major composers, both French and Netherlandish, are represented, such as Claudin de Sermisy, Pierre Certon, Clement Janequin, Jacques Arcadelt, Nicolas Gombert, Orlando di Lassus, Cipriano de Rore, Claude Lejeune, and others. The organization facilitates various uses. Each chanson forms a complete unit containing musical setting, poetic text and English translation, historical description, and brief critical commentary listing original sources, modern editions, emendations, and textual sources. The chansons can be extracted individually or joined together for performance programs or study purposes. Different settings of a single chanson poem, a particular chanson genre, or the musical style of a particular geographic area could be examined or performed. Lastly, the anthology presents a concise history of the 16th-century chanson-- a valuable guide for the music student interested in exploring the various musical styles.
Download or read book De ta blancheur qui la neige surpasse Sandrin written by Pierre De la Rue and published by . This book was released on 1926 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in the Renaissance written by Howard Mayer Brown and published by Pearson. This book was released on 1999 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles.
Download or read book Music in Renaissance Ferrara 1400 1505 written by Lewis Lockwood and published by Oxford University Press. This book was released on 2009-05-04 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.
Download or read book French Music in the Early Sixteenth Century Description reconstruction and repertory written by Peter Woetmann Christoffersen and published by . This book was released on 1994 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Popular Opera in Eighteenth Century France written by David Charlton and published by Cambridge University Press. This book was released on 2021-12-16 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.
Download or read book Poetry Language in 16th century France written by Joachim Du Bellay and published by Centre for Reformation and Renaissance Studies. This book was released on 2004 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Interpreting the Musical Past Early Music in Nineteenth Century France written by University of London Katharine Ellis Reader in Music Royal Holloway and published by Oxford University Press, USA. This book was released on 2005-08-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.
Download or read book Two Centuries of British Symphonism written by Jürgen Schaarwächter and published by Georg Olms Verlag. This book was released on 2015-02-27 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
