Download or read book Folk Songs of French Canada written by Marius Barbeau and published by . This book was released on 1925 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book French Canadian Songs written by Raoul Renault and published by . This book was released on 1900 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Canadian French 1908 written by James Geddes and published by . This book was released on 1911 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book An Outline of Canadian Literature French and English written by Lorne Pierce and published by . This book was released on 1928 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical Constructions of Nationalism written by Harry White and published by Cork University Press. This book was released on 2001 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.

Download or read book Stories of Tonality in the Age of Fran ois Joseph F tis written by Thomas Christensen and published by University of Chicago Press. This book was released on 2019-05-27 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.

Download or read book French Art Song written by Emily Kilpatrick and published by Boydell & Brewer. This book was released on 2022 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.

Download or read book French Lyrics Selected And Edited With An Introduction And Notes written by Arthur Graves Canfield and published by BoD – Books on Demand. This book was released on 2024-03-11 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Download or read book Listening to the Fur Trade written by Daniel Robert Laxer and published by McGill-Queen's Press - MQUP. This book was released on 2022-04-05 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: As fur traders were driven across northern North America by economic motivations, the landscape over which they plied their trade was punctuated by sound: shouting, singing, dancing, gunpowder, rattles, jingles, drums, fiddles, and – very occasionally – bagpipes. Fur trade interactions were, in a word, noisy. Daniel Laxer unearths traces of music, performance, and other intangible cultural phenomena long since silenced, allowing us to hear the fur trade for the first time. Listening to the Fur Trade uses the written record, oral history, and material culture to reveal histories of sound and music in an era before sound recording. The trading post was a noisy nexus, populated by a polyglot crowd of highly mobile people from different national, linguistic, religious, cultural, and class backgrounds. They found ways to interact every time they met, and facilitating material interests and survival went beyond the simple exchange of goods. Trust and good relations often entailed gift-giving: reciprocity was performed with dances, songs, and firearm salutes. Indigenous protocols of ceremony and treaty-making were widely adopted by fur traders, who supplied materials and technologies that sometimes changed how these ceremonies sounded. Within trading companies, masters and servants were on opposite ends of the social ladder but shared songs in the canoes and lively dances during the long winters at the trading posts. While the fur trade was propelled by economic and political interests, Listening to the Fur Trade uncovers the songs and ceremonies of First Nations people, the paddling songs of the voyageurs, and the fiddle music and step-dancing at the trading posts that provided its pulse.

Download or read book Catalog of Folklore Folklife and Folk Songs written by Cleveland Public Library. John G. White Department and published by . This book was released on 1978 with total page 800 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Bibliography of Canadian Folklore in English written by Edith Fowke and published by University of Toronto Press. This book was released on 1982-12-15 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.

Download or read book Historical Musicology written by Stephen A. Crist and published by Boydell & Brewer. This book was released on 2004 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers' letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others have begun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is Director of Research and Development for International Programs, University of Iowa; Stephen A. Crist is Associate Professor and Chair of the Music Department at Emory University.

Download or read book Soldier and Peasant in French Popular Culture 1766 1870 written by David M. Hopkin and published by Boydell & Brewer. This book was released on 2003 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Concentrating on the militarised borderlands of eastern France, this book examines the disjuncture between the patriotic expectations of elites and the sentiments expressed in folksongs, folktales and popular imagery, in which issues of sexuality, violence and separation took far greater prominence. Hopkin follows the soldier through his life-cycle, from greenhorn recruit to grizzled veteran, to show how the peasant conscript was separated from his previous life and re-educated in military mores (and the response that this transformation elicited from his family and community)."--BOOK JACKET.

Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2022 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.

Download or read book The Oxford Handbook of Canadian Literature written by Cynthia Conchita Sugars and published by Oxford University Press. This book was released on 2016 with total page 993 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.

Download or read book The Canadian Men and Women of the Time written by Henry James Morgan and published by William Briggs. This book was released on 1912 with total page 1288 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The French Canadian Heritage in New England written by Gerard J. Brault and published by UPNE. This book was released on 1986 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this book, Gerard J. Brault offers an introduction to Franco- American culture, covering the group's history, ideology, language, and literature; architecture, art, folklore, and music; demography, education, politics, religion, and sociology. " Back cover of book.